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For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Shaped by infamous director Sam Peckinpah, and starring such visionary actors as William Holden, Ernest Borgnine, Edmond O'Brien, and Robert Ryan, the movie was also the product of an industry and a nation in transition. By 1968, when the movie was filmed, the studio system that had perpetuated the myth of the valiant cowboy in movies like The Searchers had collapsed, and America was riled by Vietnam, race riots, and assassinations. The Wild Bunch spoke to America in its moment, when war and senseless violence seemed to define both domestic and international life. The Wild Bunch is an authoritative history of the making of a movie and the era behind it.
Author : Donna B. Ernst Publisher : Unknown Page : 104 pages File Size : 54,9 Mb Release : 2004-01-01 Category : Frontier and pioneer life ISBN : 0972823212
Red Light Women of the Rocky Mountains by Jan MacKell Pdf
Throughout the development of the American West, prostitution grew and flourished within the mining camps, small towns, and cities of the nineteenth-century Rocky Mountains. Whether escaping a bad home life, lured by false advertising, or seeking to subsidize their income, thousands of women chose or were forced to enter an industry where they faced segregation and persecution, fines and jailing, and battled the hazards of disease, drug addiction, physical abuse, pregnancy, and abortion. They dreamed of escape through marriage or retirement, but more often found relief only in death. An integral part of western history, the stories of these women continue to fascinate readers and captivate the minds of historians today. Expanding on the research she did for Brothels, Bordellos, and Bad Girls (UNM Press), historian Jan MacKell moves beyond the mining towns of Colorado to explore the history of prostitution in the Rocky Mountain states of Arizona, Idaho, Montana, New Mexico, Utah, and Wyoming. Each state had its share of working girls and madams like Big Nose Kate or Calamity Jane who remain celebrities in the annals of history, but MacKell also includes the stories of lesser-known women whose role in this illicit trade nonetheless shaped our understanding of the American West.
Red Light Women of the Rocky Mountains by Jan MacKell Collins Pdf
These profiles of the soiled doves who plied the oldest trade in the Rocky Mountains explain many of the facts of life in the nineteenth and twentieth century West.
One of the most controversial films of its time, The Wild Bunch is the epitome of the no-holds-barred filmmaking of the 1960s and 1970s. Since its 1969 release, it has come to be recognized not only as an iconic Western, but as one of the most important films in the American cinematic canon. Over the years a parade of filmmakers have tried to imitate its gut-punch effects but none have equaled it. The Wild Bunch revived the floundering career of volatile, self-destructive director Sam Peckinpah--it also hung on him the label "Bloody Sam." This book tells the complete story of the film's production, reception and legacy.
Representing lawmakers and lawbreakers, artists and adventurers or scholars and activists, the women of Utah defied stereotypes. At the crossroads of the West, they found new challenges and opportunities to forge their own paths. Emma Dean explored the Rocky Mountains with her famous spouse, John Wesley Powell. Martha Hughes Cannon defeated her husband to become the first female state senator. Maud Fitch drove an ambulance under German artillery fire to rescue downed pilots in World War I. Author Emily Brooksby Wheeler celebrates the remarkable Utah women who, whether racing into danger or nurturing those who fell behind, changed their world and ours.
Organization-Representation by John Hassard,Ruth Holliday Pdf
The representation of organizations and working life in the popular media signifies, but also helps shape, contemporary practice and institutions. Organization-Representation unravels the complex social relationship between organization and its representation, offering new insights into the interaction between the popular images we create and receive, and the power relations that govern society, working life and culture. Representations in Hollywood movies, ethnographic and documentary films, children's literature and the popular and `quality' press replicate the power structures they supposedly describe and consequently help shape contemporary realities. This volume offers rich insights into the relations between cu
Women of the Western Frontier in Fact, Fiction, and Film by Ronald W. Lackmann Pdf
This work provides factual accounts of women of the Old West in contrast to their depictions on film and in fiction. The lives of Martha Calamity Jane Canary and Belle The Bandit Queen Starr are first detailed; one discovers that Starr was indeed friends with notorious bank robbers of the time, including Jesse James and Cole Younger, but was herself primarily a cattle and horse thief. Wives and lovers of some of the West's most famous outlaws are covered in the second section along with real-life female entertainers, prostitutes and gamblers. Native Americans, entrepreneurs, doctors, reformers, artists, writers, schoolteachers, and other such respectable women are covered in the third section.
Westerns in a Changing America, 1955-2000 by R. Philip Loy Pdf
For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.
He Rode with Butch and Sundance by Mark T. Smokov Pdf
The definitive biography of infamous western outlaw Harvey Alexander Logan, better known as Kid Curry. A violent conflict with a ranching neighbor in Montana caused him to flee to the Hole-in-the-Wall valley in Wyoming, where he became involved in rustling and eventually graduated to bank and train robbing as a member of the Wild Bunch. This outlaw group was a melding of the best of the Hole-in-the-Wall gang and Butch Cassidy's Powder Springs gang. Smokov shows that Curry was not the bloodthirsty killer that many have claimed. He contends that Curry was the actual train robbing leader of the Wild Bunch.
Peckinpah's Tragic Westerns by John L. Simons,Robert Merrill Pdf
The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.