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Witchcraft and Magic in Ireland by Andrew Sneddon Pdf
This is the first academic overview of witchcraft and popular magic in Ireland and spans the medieval to the modern period. Based on a wide range of un-used and under-used primary source material, and taking account of denominational difference between Catholic and Protestant, it provides a detailed account of witchcraft trials and accusation.
Irish Witchcraft from an Irish Witch by Lora O'Brien Pdf
Updated and Revised 2nd Edition! Irish Witchcraft from an Irish Witch is a delightful mixture of academia and accessibility; a book that explores Witchcraft in Ireland: how it was, is, and will be. It succeeds where many books have failed - fulfilling the longing for real Irish Witchcraft, while crafting the delicate balance between learning from the past and weaving a modern system based on truth and respect. Lora O'Brien is an Irish Draoí (user of magic) working closely with her heritage and her native land, providing a contemporary guide to genuine practice. Irish Witchcraft from an Irish Witch explores the past: -- Providing an investigation of the Witches' place in Irish mythology. -- Looking at Witchcraft and magic by examining the customs connected with the Sidhe (the Irish Fairies). -- Examining historical evidence of the Witch trials that swept across the island of Ireland through the ages. And the present and beyond by: -- Working with Irish Gods and Goddesses, landscapes, and energies. -- Examining the wheel of the year, with its festivals, cycles, and seasons of Irish culture. -- Looking at ritual progression through a Witch's life: magical training, physical growth. -- Providing alternatives to the traditional stages of a child's life in modern Irish culture. When it was released in 2004, this was the first traditionally published Pagan book ever written by an Irish author. It was the book that this author had sought, for over a decade previously... The 2nd edition of this book continues to do now what it did for so many on first publication - it bridges the gap between 'Celtic' NeoPagan nonsense, and authentic Irish Pagan Practice.
Witchcraft and Magic in Ireland by Andrew Sneddon Pdf
This is the first academic overview of witchcraft and popular magic in Ireland and spans the medieval to the modern period. Based on a wide range of un-used and under-used primary source material, and taking account of denominational difference between Catholic and Protestant, it provides a detailed account of witchcraft trials and accusation.
Witch trials in the European or American sense were not common in Ireland although they did occur. In this book the stories of four remarkable court cases that took place from the fourteenth to the nineteenth century are told; other chapters chronicle the extraordinary lives of individuals deemed to be practitioners of the black arts – hedge witches, sorcerers and sinister characters. The book gives a unique insight into the fascinating overlap between witch belief and the vast range of fairy lore that held sway for many centuries throughout the land.
Neither power nor morality but both. Moral power is what Sukuma farmers in Tanzania in times of crisis attribute to an unknown figure they call their witch. A universal process is involved, as much bodily as social, which obstructs the patient's recovery. Healers turn the table on the witch through rituals showing that the community and the ancestral spirits side with the victim. In contrast to biomedicine, their magic and divination introduce moral values that assess the state of the system and that remove the obstacles to what is taken as key: self-healing. The implied 'sensory shifts' and therapeutic effectiveness have largely eluded the literature on witchcraft. This book shows how to comprehend culture other than through the prism of identity politics. It offers a framework to comprehend the rise of witch killings and human sacrifice, just as ritual initiation disappears.
Representing Magic in Modern Ireland by Andrew Sneddon Pdf
This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.
The Templars, the Witch, and the Wild Irish by Maeve Brigid Callan Pdf
Early medieval Ireland is remembered as the "Land of Saints and Scholars," due to the distinctive devotion to Christian faith and learning that permeated its culture. As early as the seventh century, however, questions were raised about Irish orthodoxy, primarily concerning Easter observances. Yet heresy trials did not occur in Ireland until significantly later, long after allegations of Irish apostasy from Christianity had sanctioned the English invasion of Ireland. In The Templars, the Witch, and the Wild Irish, Maeve Brigid Callan analyzes Ireland's medieval heresy trials, which all occurred in the volatile fourteenth century. These include the celebrated case of Alice Kyteler and her associates, prosecuted by Richard de Ledrede, bishop of Ossory, in 1324. This trial marks the dawn of the "devil-worshipping witch" in European prosecutions, with Ireland an unexpected birthplace.Callan divides Ireland’s heresy trials into three categories. In the first stand those of the Templars and Philip de Braybrook, whose trial derived from the Templars’, brought by their inquisitor against an old rival. Ledrede’s prosecutions, against Kyteler and other prominent Anglo-Irish colonists, constitute the second category. The trials of native Irishmen who fell victim to the sort of propaganda that justified the twelfth-century invasion and subsequent colonization of Ireland make up the third. Callan contends that Ireland’s trials resulted more from feuds than doctrinal deviance and reveal the range of relations between the English, the Irish, and the Anglo-Irish, and the church’s role in these relations; tensions within ecclesiastical hierarchy and between secular and spiritual authority; Ireland’s position within its broader European context; and political, cultural, ethnic, and gender concerns in the colony.
Author : Willem De Blécourt,Owen Davies Publisher : Manchester University Press Page : 234 pages File Size : 46,8 Mb Release : 2004 Category : History ISBN : 0719066581
Witchcraft Continued by Willem De Blécourt,Owen Davies Pdf
An important collection of essays that use a variety of different approaches and sources to uncover the continued relevance of witchcraft and magic in nineteenth and twentieth-century Europe.
Witchcraft, Sorcery, Rumors and Gossip by Pamela J. Stewart,Andrew Strathern Pdf
This book combines two classic topics in social anthropology in a new synthesis: the study of witchcraft and sorcery and the study of rumors and gossip. First, it shows how rumor and gossip are invariably important as catalysts for accusations of witchcraft and sorcery. Second, it demonstrates the role of rumor and gossip in the genesis of social and political violence, as in the case of both peasant rebellions and witch-hunts. Examples supporting the argument are drawn from Africa, Europe, India, Papua New Guinea, Sri Lanka, and Indonesia.
Celtic magic. These words conjure up images of Druids and mystical oak groves, daring Irish warriors, fairies, elves, and ancient deities who took an active part in the lives of the people who worshipped them. Practical and easy to understand, Celtic Magic offers important features that distinguish it from other books written about the Celts: An in-depth discussion of Celtic culture and customs A complete listing of Celtic myths and deities Step-by-step instructions for spellwork, ritual, meditations, and divination to help you gain insight or make changes in your life This friendly Celtic magic book is designed for both beginners and those who possess intermediate-level magical skills--and anyone who simply has a great interest in Celtic history, lore, and magic.
Modern witchcraft blends with ancient Celtic mythology in an epic clash of witches and gods, perfect for fans of V.E. Schwab's Shades of Magic trilogy and The Chilling Adventures of Sabrina. Seventeen-year-old Dayna Walsh is struggling to cope with her somatic OCD; the aftermath of being outed as bisexual in her conservative Irish town; and the return of her long-absent mother, who barely seems like a parent. But all that really matters to her is ascending and finally, finally becoming a full witch—plans that are complicated when another coven, rumored to have a sordid history with black magic, arrives in town with premonitions of death. Dayna immediately finds herself at odds with the bewitchingly frustrating Meiner King, the granddaughter of their coven leader. And then a witch turns up murdered at a local sacred site, along with the blood symbol of the Butcher of Manchester—an infamous serial killer whose trail has long gone cold. The killer's motives are enmeshed in a complex web of witches and gods, and Dayna and Meiner soon find themselves at the center of it all. If they don't stop the Butcher, one of them will be next.
This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.
European Magic and Witchcraft by Martha Rampton Pdf
Magic, witches, and demons have drawn interest and fear throughout human history. In this comprehensive primary source reader, Martha Rampton traces the history of our fascination with magic and witchcraft from the first through to the seventeenth century. In over 80 readings presented chronologically, Rampton demonstrates how understandings of and reactions toward magic changed and developed over time, and how these ideas were influenced by various factors such as religion, science, and law. The wide-ranging texts emphasize social history and include early Merovingian law codes, the Picatrix, Lombard's Sentences, The Golden Legend, and A Midsummer Night's Dream. By presenting a full spectrum of source types including hagiography, law codes, literature, and handbooks, this collection provides readers with a broad view of how magic was understood through the medieval and early modern eras. Rampton's introduction to the volume is a passionate appeal to students to use tolerance, imagination, and empathy when travelling back in time. The introductions to individual readings are deliberately minimal, providing just enough context so that students can hear medieval voices for themselves.
