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Witness in Our Time, Second Edition by Ken Light Pdf
Witness in Our Time traces the recent history of social documentary photography in the words of twenty-nine of the genre's best photographers, editors, and curators, showing how the profession remains vital, innovative, and committed to social change. The second edition includes a new section of interviews on documentary photography in the field and an exploration of the role of photojournalism in 21st-century media. Witness in Our Time provides an insider's view of a profession that continues to confront questions of art and truth while extending the definitions of both.
Witness in Our Time, Second Edition by Ken Light Pdf
Witness in Our Time traces the recent history of social documentary photography in the words of twenty-nine of the genre's best photographers, editors, and curators, showing how the profession remains vital, innovative, and committed to social change. The second edition includes a new section of interviews on documentary photography in the field and an exploration of the role of photojournalism in 21st-century media. Witness in Our Time provides an insider's view of a profession that continues to confront questions of art and truth while extending the definitions of both.
Rich with a half-century of photographs from the pages of Life magazine, this volume presents a gallery of famous people and a photohistory of great events captured by the camera of the brilliant photojournalist Alfred Eisenstaedt (1898-1995). Portraying over three hundred men and women of our time (among them John Kennedy, Golda Meir, George Bernard Shaw, Sophia Loren, Ernest Hemingway, Katharine Hepburn, and Mikhail Baryshnikov), Eisenstaedt recreates the memories, the emotions, and the excitement of five tumultuous decades.--From publisher description.
Newbery Medalist Karen Hesse emerses readers in a small Vermont town in 1924 with this haunting and harrowing tale. Leanora Sutter. Esther Hirsh. Merlin Van Tornhout. Johnny Reeves . . .These characters are among the unforgettable cast inhabiting a small Vermont town in 1924. A town that turns against its own when the Ku Klux Klan moves in. No one is safe, especially the two youngest, twelve-year-old Leanora, an African-American girl, and six-year-old Esther, who is Jewish.In this story of a community on the brink of disaster, told through the haunting and impassioned voices of its inhabitants, Newbery Award winner Karen Hesse takes readers into the hearts and minds of those who bear witness.
The older paradigm for photojournalists was to simply record events, with the hopeand frequently the expectationthat people and their governments would be moved to respond to the injustices pictured; as witnessed by the impact of certain images during the Civil Rights movement and the Vietnam War. Given evolving media and political climates, however, including the billions of images now available online from all kinds of sources, the purpose and effectiveness of media, in particular of visual journalism, has been called into question. Bending the Frame: Photojournalism, Documentary, and Citzenship, by author and critic Fred Ritchin, addresses the new and emerging potentials for visual media to impact society. Ritchin examines the historical and contemporary uses of photography and related media to inspire social change. From the unintended consequences of citizen journalism and leaked images such as those from Abu Ghraib, to the new strategies by visual journalists and the targeted human rights projects by documentary photographers, the intention of this book is to provide a much-needed critical approach to the issues involved in such efforts. Also encompassing online efforts, uses of video, and a diverse range of books and exhibitions, Bending the Frame aims for as wide-ranging and farreaching a discussion as possible, asking the critical question: how can images promote new thinking and make a difference in the world?
"This volume, the first of six, devotes serious attention to the foundational questions: (1) What is a useful approach to Book of Mormon geography? (2) What contributions can archaeology, anthropology, and ethnohistory make to Book of Mormon questions? (3) What constituted Nephite theology in these first generations? (4) What were Mormon's sources and how did he organize his work? One of the most exciting insights of this volume is its reconstruction of the politics behind the Deuteronomic reforms of King Josiah. These reforms deemphasized an earlier Messiah-centered theology that more fully acknowledged the council of the gods, the war in heaven, Yahweh's feminine consort, originally worshipped in the temple, and Isaiah, the poet-prophet who foretold the Messiah's coming. Did Lehi's acceptance of this earlier, Christ-centered religion explain the death threats against him in Jerusalem? If Laman and Lemuel accepted those reforms, did this intrafamily disagreement produce a thousand years of hostility between Nephites and Lamanites in the New World? Other contributions of this volume are a fresh look at what the Book of Mormon actually says about skin color, the pressures of local polytheistic culture on Nephite theology, and the Isaiah-based egalitarian ideal of Nephite culture."--Bk. jkt.
#1 New York Times bestseller for 13 consecutive weeks! "As long as humanity speaks of virtue and dreams of freedom, the life and writings of Whittaker Chambers will ennoble and inspire." - PRESIDENT RONALD REAGAN "One of the dozen or so indispensable books of the century..." - GEORGE F. WILL "Witness changed my worldview, my philosophical perceptions, and, without exaggeration, my life." - ROBERT D. NOVAK, from his Foreward "Chambers has written one of the really significant American autobiographies. When some future Plutarch writes his American Live, he will find in Chambers penetrating and terrible insights into America in the early twentieth century." - ARTHUR SCHLESINGER JR. "Chambers had a gift for language....to call Chambers an activist or Witness a political event is to say Dostoevsky was a criminologist or Crime and Punishment a morality tract." - WASHINGTON POST "Chambers was not just the witness against Alger Hiss, but was also one of th articulators of the modern conservative philosophy, a philosophy that has something to do with restoring the spiritual values of politics." - SAM TANENHAUS, author of Whittaker Chambers "One of the few indispensable autobiographies ever written by an American - and one of the best written, too." - HILTON KRAMER, The New Criterion First published in 1952, Witness is the true story of Soviet spies in America and the trial that captivated a nation. Part literary effort, part philosophical treatise, this intriguing autobiography recounts the famous Alger Hiss case and reveals much more. Chambers' worldview and his belief that "man without mysticism is a monster" went on to help make political conservatism a national force. Regnery History's Cold War Classics edition is the most comprehensive version of Witness ever published, featuring forewords collected from all previous editions, including discussions from luminaries William F. Buckley Jr., Robert D. Novak, Milton Hindus, and Alfred S. Regnery.
Modest_Witness@Second_Millennium. FemaleMan_Meets_OncoMouse by Donna J. Haraway,Thyrza Goodeve Pdf
One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness program at the University of California, Santa Cruz. Author of many books and widely read essays, including the now-classic essay "The Cyborg Manifesto," she received the J.D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. Thyrza Nicholas Goodeve is a professor of Art History at the School of Visual Arts.
In Our Time is the title of Ernest Hemingway's first collection of short stories, published in 1925 by Boni & Liveright, New York, and of a collection of vignettes published in 1924 in France titled in our time. Its title is derived from the English Book of Common Prayer, "Give peace in our time, O Lord". The stories's themes – of alienation, loss, grief, separation – continue the work Hemingway began with the vignettes, which include descriptions of acts of war, bullfighting and current events. The collection is known for its spare language and oblique depiction of emotion, through a style known as Hemingway's "theory of omission" (iceberg theory). According to his biographer Michael Reynolds, among Hemingway's canon, "none is more confusing ... for its several parts – biographical, literary, editorial, and bibliographical – contain so many contradictions that any analysis will be flawed."
