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The Philosophy of Perception by Christoph Limbeck-Lilienau,Friedrich Stadler Pdf
In this volume the philosophy of perception and observation is discussed by leading philosophers with implications in the philosophy of mind, in epistemology, and in philosophy of science. In the last years the philosophy of perception underwent substantial changes and new views appeared: the intentionality of perception has been contested by relational theories of perception (direct realism), a richer view of perceptual content has emerged, new theories of intentionality have been defended against naturalistic theories of representation (e. g. phenomenal intentionality). These theoretical changes reflect also new insights coming from psychological theories of perception. These changes have substantial consequences for the epistemic role of perception and for its role in scientific observation. In the present volume, leading philosophers of perception discuss these new views and show their implications in the philosophy of mind, in epistemology and in philosophy of science. A special focus is laid on Franz Brentano and Ludwig Wittgenstein. A reference volume for all scholars and students of the history, psychology and philosophy of perception, and cognitive science.
Wittgenstein and the Theory of Perception by Justin Good Pdf
Ludwig Wittgenstein's later philosophy comes alive when it is used as a vehicle for philosophical discovery, rather than when it is interpreted merely as a system of propositions. In this study of Wittgenstein's later work on the philosophy of psychology, his cryptic remarks on visual meaning and the analysis of the concept of perception are used as a basis for a new approach to the philosophical study of perception. Justin Good analyses a host of issues in contemporary philosophy of mind and visual studies, including the concepts of visual meaning, visual qualia and the ineffability of visual experience. He also explores the relation between conceptual analysis and causal explanation in the theory of perception, and the relation between visual syntax and visual meaning. The larger aim of Wittgenstein and the Theory of Perception is to demonstrate a way to appreciate cutting-edge theoretical work on perception while at the same time grasping the limits of such research. In turn, this method not only offers a productive framework for clarifying the complex conceptual shifts between different contexts - like the differing concepts of 'seeing' in, for example, art history and neuro-anatomy; it also provides real insights into the nature of perception itself.
Wittgenstein and Perception by Michael Campbell,Michael O'Sullivan Pdf
Throughout his career, Wittgenstein was preoccupied with issues in the philosophy of perception. Despite this, little attention has been paid to this aspect of Wittgenstein's work. This volume redresses this lack, by bringing together an international group of leading philosophers to focus on the impact of Wittgenstein's work on the philosophy of perception. The ten specially commissioned chapters draw on the complete range of Wittgenstein's writings, from his earliest to latest extant works, and combine both exegetical approaches with engagements with contemporary philosophy of mind. Topics covered include: perception and judgement in the Tractatus aspect-perception the putative intentionality of perception representationalism. The book also includes an overview which summarises the evolution of Wittgenstein's views on perception throughout his life. With an outstanding array of contributors, Wittgenstein and Perception is essential reading for students and scholars of Wittgenstein’s work, as well as those working in philosophy of mind and philosophy of perception. Contributors: Yasuhiro Arahata, Michael Campbell, William Child, Daniel Hutto, Michael O’Sullivan, Marie McGinn, Michel terHark, Charles Travis, and José Zalabardo.
Wittgenstein on Sensation and Perception by Michael Hymers Pdf
This book offers two novel claims about Wittgenstein’s views and methods on perception as explored in the Philosophical Investigations. The first is an interpretive claim about Wittgenstein: that his views on sensation and perception, including his critique of private language, have their roots in his reflections on sense-datum theories and on what Hymers calls the misleading metaphor of phenomenal space. The second is a major philosophical claim: that Wittgenstein’s critique of the misleading metaphor of phenomenal space is of ongoing relevance to current debates concerning first-person authority and the problem of perception because we are still tempted to draw inferences about the phenomenal that only apply to the physical. Many contemporary discussions of these topics are thus premised on the very confusions Wittgenstein sought to dispel. This book will appeal to Wittgenstein scholars who are interested in the Philosophical Investigations and to philosophers of perception who may think that Wittgenstein’s views are mistaken, irrelevant, or already adequately appreciated.
Wittgenstein and the Theory of Perception by Justin Good Pdf
Ludwig Wittgenstein's later philosophy comes alive when it is used as a vehicle for philosophical discovery, rather than when it is interpreted merely as a system of propositions. In this study of Wittgenstein's later work on the philosophy of psychology, his cryptic remarks on visual meaning and the analysis of the concept of perception are used as a basis for a new approach to the philosophical study of perception. Justin Good analyses a host of issues in contemporary philosophy of mind and visual studies, including the concepts of visual meaning, visual qualia and the ineffability of visual experience. He also explores the relation between conceptual analysis and causal explanation in the theory of perception, and the relation between visual syntax and visual meaning. The larger aim of Wittgenstein and the Theory of Perception is to demonstrate a way to appreciate cutting-edge theoretical work on perception while at the same time grasping the limits of such research. In turn, this method not only offers a productive framework for clarifying the complex conceptual shifts between different contexts - like the differing concepts of 'seeing' in, for example, art history and neuro-anatomy; it also provides real insights into the nature of perception itself.
Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.
Questions about perception remain some of the most difficult and insoluble in both epistemology and in the philosophy of mind. This controversial but highly accessible introduction to the area explores the philosophical importance of those questions by re-examining what had until recent times been the most popular theory of perception - the sense-datum theory. Howard Robinson surveys the history of the arguments for and against the theory from Descartes to Husserl. He then shows that the objections to the theory, particularly Wittgenstein's attack on privacy and those of the physicalists, have been unsuccessful. He argues that we should return to the theory sense-data in order to understand perception. In doing so he seeks to overturn a consensus that has dominated the philosophy of perception for nearly half a century.
Wittgenstein on Aspect Perception by Avner Baz Pdf
The perception of what he calls 'aspects' preoccupied Wittgenstein and gave him considerable trouble in his final years. The Wittgensteinian aspect defies any number of traditional philosophical dichotomies: the aspect is neither subjective (inner, metaphysically private) nor objective; it presents perceivable unity and sense that are (arguably) not (yet) conceptual; it is 'subject to the will', but at the same time is normally taken to be genuinely revelatory of the object perceived under it. This Element begins with a grammatical and phenomenological characterization of Wittgensteinian 'aspects'. It then challenges two widespread ideas: that aspects are to be identified with concepts; and that aspect perception has a continuous version that is characteristic of (normal) human perception. It concludes by proposing that aspect perception brings to light the distinction between the world as perceived and the world as objectively construed, and the role we play in the constitution of the former.
Aspect Perception after Wittgenstein by Michael Beaney,Brendan Harrington,Dominic Shaw Pdf
This volume brings together new essays that consider Wittgenstein’s treatment of the phenomenon of aspect perception in relation to the broader idea of conceptual novelty; that is, the acquisition or creation of new concepts, and the application of an acquired understanding in unfamiliar or novel situations. Over the last twenty years, aspect perception has received increasing philosophical attention, largely related to applying Wittgenstein’s remarks on the phenomena of seeing-as, found in Part II of Philosophical Investigations (1953), to issues within philosophical aesthetics. Seeing-as, however, has come to occupy a broader conceptual category, particularly in philosophy of mind and philosophical psychology. The essays in this volume examine the exegetical issues arising within Wittgenstein studies, while also considering the broader utility and implications of the phenomenon of seeing-as in the fields of aesthetics, philosophical psychology, and philosophy of mathematics, with a thematic focus on questions of novelty and creativity. The collection constitutes a fruitful interpretative engagement with the later Wittgenstein, as well as a unique contribution to considerations of philosophical methodology.
Wittgenstein and the Philosophy of Mind by Jonathan Ellis,Daniel Guevara Pdf
In the essays collected here, philosophers from inside and outside of Wittgensteinian circles discuss the significance of Wittgenstein's work for the philosophy of mind and psychology.
On Being in the World (Routledge Revivals) by Stephen Mulhall Pdf
On Being in the World, first published in 1990, illumines a neglected but important area of Wittgenstein’s philosophy, revealing its pertinence to the central concerns of contemporary analytic philosophy. The starting point is the idea of ‘continuous aspect perception’, which connects Wittgenstein’s treatment of certain issues relating to aesthetics with fundamental questions in the philosophy of psychology. Professor Mulhall indicates parallels between Wittgenstein’s interests and Heidegger’s Being and Time, demonstrating that Wittgenstein’s investigation of aspect perception is designed to cast light on much more than a bizarre type of visual experience: in reality, it highlights what is distinctively human about our behaviour in relation to things in the world, what it is that distinguishes our practical activity from that of automata. On Being in the World remains an invaluable resource for students of Wittgenstein’s philosophy, as well as anyone interested in negotiating the division between analytic and continental philosophy.
Seeing Wittgenstein Anew by William Day,Victor J. Krebs Pdf
Seeing Wittgenstein Anew is a collection which examines Ludwig Wittgenstein's remarks on the concept of aspect-seeing, showing that it was not simply one more topic of investigation in Wittgenstein's later writings but rather a pervasive and guiding concept in his efforts to turn philosophy's attention to the actual conditions of our common life in language. The essays in this 2010 volume open up novel paths across familiar fields of thought: the objectivity of interpretation, the fixity of the past, the acquisition of language, and the nature of human consciousness. Significantly, they exemplify how continuing consideration of the interrelated phenomena of aspect-seeing might produce a fruitful way of doing philosophy in a new century.
Language and Perception: Essays in the Philosophy of Language by Frank B. Ebersole Pdf
[Frank Ebersole is a philosopher] “whose contribution to philosophy . . . is the greatest of anyone this [the 20th] century, especially in the areas of philosophy of language, theory of knowledge, and perception.”—from Wittgenstein, Empiricism, and Language by John W. Cook (Oxford University Press, 1999). Language and Perception has nine chapters: seven that address philosophical problems about language and two (chapters 2 and 9) that are more metaphilosophical The metaphilosophical chapters discuss philosophical pictures and some of Frank Ebersole’s basic ideas about philosophy. The other seven essays let you participate in his unique struggles to come to terms with such questions as: What is the meaning of a word? Isn’t Wittgenstein’s idea that things called by the same name have family resemblances significantly flawed? Does language determine what we perceive? Does a thing’s being red cause it to look red (the causal theory of perception)? Must the action of speaking be analyzed into simpler actions such as making sounds? Can a bodily movement be part of an action? Is fatalism implied by "what one might say" about the future? Are "natural-kind" words like proper names?—are they rigid designators? This and its companion volume, Meaning and Saying, are not just other philosophy books about the philosophy of language. In both books Ebersole, by carefully using examples, convincingly shows that the problems are the products of philosophical pictures. The examples also make the pictures less compelling. How the Second Edition Differs from the First Edition This edition differs from the first edition (University Press of America, 1979) in several ways. Pictures: Material that was formerly part of a postscript to chapter 1 has been revised and is now its own chapter, chapter 2, "Pictures and Wittgenstein on Pictures." As a result the following chapters were renumbered. Essay removed: Chapter 7 in the first edition, "Truth and Fate: Future Actions," has been removed. Essay added: A new essay, entitled "Proper Names and Other Names," has been added to the volume. It’s a revised version of an essay originally published in Philosophical Investigations, Oct., 1982, with the title "Stalking the Rigid Designator." Postscript: Material that was formerly part of the preface is now revised and placed as chapter 9 at the end, entitled "Postscript." Improved text: Throughout the book, Ebersole has made corrections, stylistic improvements, and changed the wording to remove ambiguities. Preface The book is concerned with questions about the "relations of language to reality": Does physical reality predetermine the form of our language? Does it determine the kinds of words in our simple, basic vocabulary? Does our language in basic ways determine the way we perceive reality? Does our language embody the outlines of a certain theory of perception? And does it incorporate a certain view of human actions and of the future? These questions are expressions of the problems in the philosophy of language that people inevitably get themselves into while dealing with other philosophical problems. And these are problems in the philosophy of language that have direct consequences for the way one deals with problems in other branches of philosophy. At
Aspect Perception after Wittgenstein by Michael Beaney,Brendan Harrington,Dominic Shaw Pdf
This volume brings together new essays that consider Wittgenstein’s treatment of the phenomenon of aspect perception in relation to the broader idea of conceptual novelty; that is, the acquisition or creation of new concepts, and the application of an acquired understanding in unfamiliar or novel situations. Over the last twenty years, aspect perception has received increasing philosophical attention, largely related to applying Wittgenstein’s remarks on the phenomena of seeing-as, found in Part II of Philosophical Investigations (1953), to issues within philosophical aesthetics. Seeing-as, however, has come to occupy a broader conceptual category, particularly in philosophy of mind and philosophical psychology. The essays in this volume examine the exegetical issues arising within Wittgenstein studies, while also considering the broader utility and implications of the phenomenon of seeing-as in the fields of aesthetics, philosophical psychology, and philosophy of mathematics, with a thematic focus on questions of novelty and creativity. The collection constitutes a fruitful interpretative engagement with the later Wittgenstein, as well as a unique contribution to considerations of philosophical methodology.
