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A wolf tree is a tree in a bush or a thicket which is different in shape from those around it; a tree whose broader trunk and spreading branches indicate that it once grew alone but is now surrounded. Alison Calder’s poems shine the light of a poet’s curiosity on all manner of “natural occurrences,” which nevertheless stand out. The book opens with an examination of the extreme forms this nature may take – from the Dutch legend of the false child Sooterkin, to two-headed calves, Zip the Pinhead, and other medical curiosities, particularly those captured by 19th century photographic techniques. The disquieting feelings created by these subjects persist, causing the reader to proceed watchfully, even when the poet’s attention switches to more common themes and images - plastic clotheslines,wildflowers of western Canada, snow geese, the Porta Nigra in Trier, Germany. A selection of poems from this manuscript received the Bronwen Wallace Memorial Award for writing excellence by a writer under the age of 35. A section of this manuscript, Sexing the Prairie, was published in the journal Open Letter in Fall 2006.
In the seventh installment in the acclaimed Woods Cop Mystery series, another suspenseful crime noir finds Grady Service, a detective in the Upper Peninsula for Michigan’s Department of Natural Resources, back in action. The discovery of skeletal remains sheds troubling light on an eighty-year-old cold case involving racism, gold, and murder. Combine that with a present-day ecoterrorist whose guerrilla tactics—including a gruesome trap called a “wolf tree”—make Rambo look like a cub scout; a thriving crystal meth industry; and Service’s particular brand of grizzled, sexually tense, and action-packed police work. Death lurks behind every tree, under every rock, and within every raging river in the most action-packed Woods Cop Mystery yet.
Old-time New England foresters coined the term “wolf tree” for trees they saw as having the ability to “eat” the sun and nutrients and prevent the growth of other trees. Today, however, we understand how wolf trees benefit wildlife. Join Aurora and Orion as they search for a wolf tree in the 3500-acre forest managed by Harvard University near Petersham, Massachusetts, looking for such clues as a large trunk, low branches, wildlife activity, and nearby smaller trees.
A first collection of sharp, clever, wicked poems that range from images of circus freaks and two-headed calves to snow geese and wind in the pines. A wolf tree is a tree in a bush or a thicket which is different in shape from those around it; a tree whose broader trunk and spreading branches indicate that it once grew alone but is now surrounded. Alison Calder's poems shine the light of a poet's curiosity on all manner of natural occurrences, which nevertheless stand out. The book opens with an examination of the extreme forms this nature may take - from the Dutch legend of the false child Sooterkin, to two-headed calves, Zip the Pinhead, and other medical curiosities, particularly those captured by 19th century photographic techniques. The disquieting feelings created by these subjects persist, causing the reader to proceed watchfully, even when the poet's attention switches to more common themes and images - plastic clotheslines, wildflowers of western Canada, snow geese, the Porta Nigra in Trier, Germany. A selection of poems from this manuscript received the Bronwen Wallace Memorial Award for writing excellence by a writer under the age of 35. A section of this manuscript, Sexing the Prairie, was published in the journal Open Letter in Fall 2006.
Author : John Claude Bemis Publisher : Random House Books for Young Readers Page : 402 pages File Size : 49,5 Mb Release : 2010-08-24 Category : Juvenile Fiction ISBN : 9780375893117
Look no further for the perfect book for boys and girls who love fantasy, adventure, and white-knuckle action! "Can you imagine eternal Darkness, sir?" So asks the sickly stranger who staggers into Peg Leg Nel's birthday party. Before the man dies, he tells Ray and his friends of a Darkness spreading like wildfire across Kansas, turning good people bad and poisoning anyone who tries to escape. It's clear that though the evil Gog is dead, his devilish machine has survived and is growing stronger. Now a full-fledged Rambler, Ray leads his friends on a mission into the heart of darkness. Vital to their success is tracking down the legendary Wolf Tree, rumored to be a pathway to the spirit world. Only with one of the tree's limbs can the Nine Pound Hammer be repaired and the Gog's terrible machine finally destroyed. The search for the Wolf Tree grows desperate as the Darkness spreads, threatening Ray, his friends, and all of humanity. The Wolf Tree is the second fantasy adventure book in John Claude Bemis's series The Clockwork Dark, and adds new layers of myth and magic to Bemis's original take on American tall tales in The Nine Pound Hammer.
Author : R. Eugene Jackson Publisher : I. E. Clark Publications Page : 44 pages File Size : 41,7 Mb Release : 1973-04 Category : Drama ISBN : 088680115X
In this memoir-in-essays, Durham melds her backgrounds in psychology and ecology to examine her relationships with resonant landscapes, animals, and human animals, and the myriad environmental, physiological, and cultural factors that inform those relationships. In lyric or more traditional personal essays, linear narratives or meandering musings, each exploration builds on the one before, quilting together a patchwork terrain of ruminations, insights, and ever more questions that comprise the examined life of an earthling. Wolf Tree invites readers on an intimate journey deep into the quiet heart of an internal landscape on a path that ultimately leads back to the vibrant richness of external communities.
INSTANT NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER *WINNER of the 2021 Banff Mountain Book Prize in Mountain Environment and Natural History* *WINNER of the National Outdoor Book Award for Natural History Literature* *SHORTLISTED for the 2022 BC and Yukon Hubert Evans Non-Fiction Book Prize* *SHORTLISTED for the 2022 BC and Yukon Bill Duthie Booksellers’ Choice Award* *SHORTLISTED for the 2021 Science Writers and Communicators of Canada Book Award* A world-leading expert shares her amazing story of discovering the communication that exists between trees, and shares her own story of family and grief. Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; she’s been compared to Rachel Carson, hailed as a scientist who conveys complex, technical ideas in a way that is dazzling and profound. Her work has influenced filmmakers (the Tree of Souls in James Cameron’s Avatar), and her TED talks have been viewed by more than 10 million people worldwide. Now, in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber or pulp but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard describes up close—in revealing and accessible ways—how trees, living side by side for hundreds of years, have evolved; how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about their future; how they elicit warnings and mount defenses, compete and cooperate with one another with sophistication: characteristics previously ascribed to human intelligence, traits that are the essence of civil societies. And, at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them.Simard, born and raised in the rain forests of British Columbia, spent her days as a child cataloging the trees from the forest; she came to love and respect them and embarked on a journey of discovery and struggle. Her powerful story is one of love and loss, of observation and change, of risk and reward. And it is a testament to how deeply human scientific inquiry exists beyond data and technology: it’s about understanding who we are and our place in the world. In her book, as in her groundbreaking research, Simard proves the true connectedness of the Mother Tree to the forest, nurturing it in the profound ways that families and humansocieties nurture one another, and how these inseparable bonds enable all our survival.
In 1743, according to legend, the last wolf in Scotland was killed by a huntsman near Inverness. At the time the extinction of wolves in Scotland was celebrated. But since then deer have multiplied in the Highlands, destroying the vegetation on which an array of wildlife depends and creating a barren, treeless landscape. Gradually it has become clear that the entire eco-system has been thrown out of balance by the elimination of a top predator. Now there are calls for a limited reintroduction of wolves into Scotland as a way of healing the damaged land. The wolf has been the victim of black propaganda since ancient times. By tellers of folk tales and historians alike it has been described as a slayer of babies, a robber of graves, a devourer of battlefield dead. In this passionate polemic, Jim Crumley argues that these stories are pure fiction, a distortion of reality which prevents people from thinking rationally about the huge benefits the presence of wolves could bring to Scotland. Now is the time for myths to be dispelled, and for the wolf to return to its old home in the highlands.
Katie Hartsock’s Bed of Impatiens is astir in myths and mythmaking in the backdrop of the grit, waters, scenes and atmospheres of the Midwest. While its tributes to Saint Augustine’s Confessions are by turns meditative and daring, its travelogue of “Hotels, Motels, and Extended Stays” is quirky, irreverent and, yes, delightful. In Bed of Impatiens you can feel “the bliss/ and the burning too.” Little wonder it is a finalist in the 2015 Able Muse Book Award. PRAISE FOR BED OF IMPATIENS: Has American poetry ever produced a fresher, savvier, grittier, more elegant, and drop-dead formally exhilarating sequence than Katie Hartsock’s “Hotels, Motels, and Extended Stays”? If so, I’ve yet to see it. Hartsock is as deft (and loving) with the vulgarities of truck stop rent-by-the-hour as with the secret wit of rhyme, or the venerables of Homeric epic: her range and her inventiveness appear to know no limit. And this is just a fraction of what bursts to life in Bed of Impatiens. I’m dazzled by the sheer bounty of it. -Linda Gregerson Like René Magritte I want to paint “This is not a first book” under this first book. It is Lolita all grown up and taking us on a cross-country tour of the motels she stayed in with Humbert. It’s St. Augustine as Dennis Rodman, elbowing us out of position underneath God’s basket. But it’s not a cacophony of surrealism. Ms. Hartsock’s classical training-her knowledge and powerful rhythms-is the ground, the spine of this book (pun intended); but the excitement is watching the ancient and the contemporary meet in an explosion of true Form. -James Cummins Katie Hartsock’s Bed of Impatiens characteristic vantage includes landscapes derelict and macabre, like the flooded grave in the first poem, and the endless highways of the US, with their extended-stay motels and the ghosts that inhabit them. Hartsock is a sharp and clever reader of the books of nature and of art, yet writes in nobody’s shadow. -Mary Kinzie What truth to find in a world whose rivers “we cannot swim in and no/ cannot drink the water/ cannot imagine that,” a land of “seedless sweetness” and dank motels that are its monuments to transience? Katie Hartsock’s answer in her ambitious first collection, Bed of Impatiens, is to wander and “let the weather in,” to keep recalibrating her position in an ever-shifting poetic landscape. -Lee Sharkey Katie Hartsock is attracted to “beauty in otherwise unlovely place.” An often amused and goodhearted spirit sets the tone of some of Hartsock’s poems, but the long historical and literary view of this poet also encompasses the tragic. Open to encounter, memory, feeling, avid for them, eloquent about them, these poems. -Reginald Gibbons (from the foreword)
Children's book for ages 6-9. Cover Art by Liz Ascott. On a ridge far above the small Canadian town of Puckered Ridge lives a family of wolves. Rutter, the biggest of the cubs, kicks his little brother Wilkie over the edge of the mountain. Wilkie lands in a snowy field at the edge of town, where he meets two garbage-loving bears. After Big Ned scares the bears away from his restaurant, the little wolf flees, finally ending up in the bedroom of ten-year-old Josh Bright. Josh and Wilkie become inseparable. But Wilkie is growing larger by the day and Josh struggles to hide him from his mother. Soon Josh's secret is out in the open and that's where the adventures begin.
S. A. Swann continues to reinvent the werewolf myth in this fantastic new novel set in the medieval world of the celebrated Wolfbreed. Like its predecessor, Wolf’s Cross is unafraid to cross boundaries and break taboos to tell an unforgettable story of romance and adventure that will forever change how you think about werewolves. Maria lives a simple life in a small Polish village, working for the lord of the nearby fortress. Motherless since birth, Maria has been raised by her father and stepmother. Around her neck she wears—as she has always worn—a silver crucifix, to protect her from the devil. Or so her father tells her. But when a contingent of badly mauled Teutonic knights, including a handsome and gravely wounded young man named Josef, ask for succor at the fortress, Maria’s quiet and comfortable world shatters. For the knights are Wolfjägers, an order dedicated to the extermination of werewolves, and Maria, unknowingly, is one of the creatures they hunt. Only the crucifix about her neck prevents her body from changing into a lethal killing machine. When Maria meets Darien, a wolfbreed bent on exacting a terrible revenge on humans, she will learn the truth about herself, and find her loyalties—and her heart—torn in two.
In the tradition of Peter Matthiessen's Wildlife in America or Aldo Leopold, Brenda Peterson tells the 300-year history of wild wolves in America. It is also our own history, seen through our relationship with wolves. The earliest Americans revered them. Settlers zealously exterminated them. Now, scientists, writers, and ordinary citizens are fighting to bring them back to the wild. Peterson, an eloquent voice in the battle for twenty years, makes the powerful case that without wolves, not only will our whole ecology unravel, but we'll lose much of our national soul.