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A bold, mesmerizing debut collection exploring womanhood, the body, mental illness, and what it means to move between cultures Renowned for her storytelling and spoken-word artistry, Ama Asantewa Diaka is also an exultant, fierce, and visceral poet whose work leaves a lasting impact. Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease. Vivid and bodily while also deeply cerebral, Woman, Eat Me Whole is a searing debut collection from a poet with an inimitable voice and vision.
A bold, mesmerizing debut collection exploring womanhood, the body, mental illness, and what it means to move between cultures Renowned for her storytelling and spoken-word artistry, Ama Asantewa Diaka is also an exultant, fierce, and visceral poet whose work leaves a lasting impact. Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries' ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body--and a mind--so often restless or ill at ease. Vivid and bodily while also deeply cerebral, Woman, Eat Me Whole is a searing debut collection from a poet with an inimitable voice and vision.
"Pancakes are a luxury, like smoking marijuana or having sex. That’s why I came up with the names Ho Cakes and Slutty Cakes. These are extra decadent, but in a way, every pancake is a Ho Cake.” Thus speaks Kenny Shopsin, legendary (and legendarily eccentric, ill-tempered, and lovable) chef and owner of the Greenwich Village restaurant (and institution), Shopsin’s, which has been in existence since 1971. Kenny has finally put together his 900-plus-item menu and his unique philosophy—imagine Elizabeth David crossed with Richard Pryor—to create Eat Me, the most profound and profane cookbook you’ll ever read. His rants—on everything from how the customer is not always right to the art of griddling; from how to run a small, ethical, and humane business to how we all should learn to cook in a Goodnight Moon world where everything you need is already in your own home and head—will leave you stunned or laughing or hungry. Or all of the above. With more than 120 recipes including such perfect comfort foods as High School Hot Turkey Sandwiches, Cuban Bean Polenta Melt, and Cornmeal-Fried Green Tomatoes with Comeback Sauce, plus the best soups, egg dishes, and hamburgers you’ve ever eaten, Eat Me is White Trash Cooking for the twenty-first century, as unforgettable and mind-boggling as its author.
someone birthed them broken by Ama Asantewa Diaka Pdf
“Delightfully assertive, subversive and vibrant... an original voice.” ––Imbolo Mbue, author of the New York Times bestseller and PEN/Faulkner Award for fiction winner Behold the Dreamers • "A compelling delight"—Booklist A visceral and candid portrait of today’s Ghanaian youth, told in interconnected short stories by acclaimed spoken-word artist and author of the poetry collection Woman, Eat Me Whole Ama Asantewa Diaka. In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians’ today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family’s cocoa business afloat after his father’s unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she’s pregnant, he knows he has nothing left to give. Years later, that girlfriend’s son, Opoku Jr., now faces his own troubles, including his girlfriend Boatemaa, who (correctly) suspects he is sneaking around, and Amoafoa, the woman he’s seeing on the side. And there is John, who confides to his crush Baaba about a surprising encounter with a male friend over a game of FIFA; Baaba, who falls into a whirlwind romance with her professor that ends in violence; and their friend Ayeley, who is learning to accept pleasure after being raised to believe it is sinful. Diaka charts this constellation of interconnected lives in thirteen stories, exploring themes which run through the collection like a current: corruption and economic hardship, trauma and infidelity, shame, neglect, and the tribulations of the female body. In telling their stories, Diaka illuminates hope, freedom, and triumph that can be found in the everyday—the bonds between women, the joys of love and sex and art and dancing, the possibility of repair and redemption. Renowned for her spoken word artistry, Ama Asantewa Diaka demonstrates her lyrical brilliance in this emotionally rich work that unveils profound truths about her country, its inhabitants, and the universality of human experience.
Astra Magazine is the new literary magazine of the moment, a must-read for anyone interested in the most vital contemporary literature from around the world. Astra Magazine connects readers and writers from New York to Mexico City, Lagos to Berlin, Copenhagen to Singapore and beyond around a unified aesthetic that highlights the luxurious pleasures of reading. Each issue contains prose, poetry, art and comics, artfully produced on silky smooth paper with luxurious French flaps. The Ecstasy Issue contains work by Mieko Kawakami, Fernanda Melchor, Catherine Lacey, Leslie Jamison, Solmaz Sharif, Terrance Hayes, Don Mee Choi, Ada Limón, Chinelo Okparanta, Sayaka Murata, Katharina Volckmer, Kate Zambreno, and many more.
Garrett I’ve made a few mistakes over the last decade, but the one I regret most was letting Olivia Carter go. When I see her again, the past crashes over me, reminding me of everything I ever wanted and gave up when I let our dreams separate us. Managing Balefire into the world’s biggest rock band came at a personal cost—walking away from my only love. When fate brings her back into my life, I’m determined not to screw up again. After Balefire hires her studio to produce their next music video, I have a second chance to rewrite our song—if I can convince her I’m a changed man. Olivia Ten years ago, Garrett Phillips chose to go with “his boys” and leave me in the dust of a ratty old tour bus. Now I’m working my ass off to make a name for myself as a Hollywood music video director. Unfortunately, my fledgling studio is bleeding money, and my only hope of saving it is to make a video with the biggest rock band on the planet. Too bad that means working with the man who tore my heart out of my chest when he chose his rock ’n’ roll dream over me. He says he’s grown up. He says we can make things work. But can I truly trust that this time he will stay for me?
Wanda Lane failed to warm Theo Grant’s heart despite being with him for three years. After experiencing so much pain and suffering plenty of humiliation and injustice in marriage, she resolutely decided to let go. She handed him a divorce agreement. “Since there’s no love between us, let’s get a divorce.” She did not expect a child to grow within her womb after their divorce. When her ex-husband ran into her during a pregnancy checkup, he walked over in large strides and stopped her from leaving the washroom. “Whose child is it?” “Don’t worry. It’s definitely not yours, Mr. Grant,” Wanda said with a faint smile on her face.
Margaret is not a conventional woman of the early-nineteenth century. She's not interested in pretty dresses and tea parties, but instead longs for adventure in the great outdoors. Margaret convinces her father, William, to seek opportunity in the fur trade business. They embark on a journey that follows the Louis and Clark route along the Missouri River into Blackfoot country to trade for beaver skins. As she gains freedom from the social structures that bind her in the East, she doesn't anticipate the changes this new life brings. The travelers face an array of challenges from the weather, wild animals, and the native Indian tribes. Margaret thrives in this wild country, where she catches sight of Taima, the Thunder Horse, who refuses to be caught. Together with Night Hawk, a warrior in the Black Horse Band of the Kainah Blackfoot, they both seek to capture this beautiful, wild horse. Night Hawk believes the elusive Taima will fulfill his dreams. He doesn't expect his plans or his life to be complicated by a Long Knife woman with similar dreams. Margaret, Night Hawk, and Taima gain honor and strength from each other a strength that is shared with the Black Horse Band providing a link to the future that could have been.
A man with a huge sword on his back, a monkey fighting in the wilderness, and a sparrow with wings covering the sky. So what if he became a demon! So what if he became a Buddha! If I walk my path, why should I fear that the world will judge my skill or my past...He stepped on the Dragon Sparrow Soaring Through Nine Heavens and held the huge sword in his hand as he battled with the Six Paths. Chong Yin was furious because of his beauty. He waved his sword and stained the entire street with his blood. It was normal to call upon the wind and summon the rain. This! This is the life that I, Luo Yu, want. The peak of Ascendant, this life that belongs to you ...
A dark, thought-provoking adventure that “artfully evokes the blood-soaked reality of 17th-century pirates” (Entertainment Weekly). This “wryly humorous, satiric, and often macabre novel” (Library Journal) follows Jean Smeeks, a Flemish thirteen-year-old who signs up as an indentured servant with the French West Indies Company, but instead winds up a slave on the notorious island of Tortuga. Over time, he learns the arts of herbal medicine and surgery—a skill that allows him to join a band of Caribbean pirates. Contrasting Jean’s romantic pull toward the “Brethren of the Coast”—an all-male society pursuing socialist, anti-colonialist ideals—with the brutal reality of their lawless existence, They’re Cows, We’re Pigs is a “unique and memorable” novel whose “pirate world leaves you as a good book should: thinking” (The Boston Herald).
"Like A Wrinkle in Time (Miranda's favorite book), When You Reach Me far surpasses the usual whodunit or sci-fi adventure to become an incandescent exploration of 'life, death, and the beauty of it all.'" —The Washington Post This Newbery Medal winner that has been called "smart and mesmerizing," (The New York Times) and "superb" (The Wall Street Journal) will appeal to readers of all types, especially those who are looking for a thought-provoking mystery with a mind-blowing twist. Shortly after a fall-out with her best friend, sixth grader Miranda starts receiving mysterious notes, and she doesn’t know what to do. The notes tell her that she must write a letter—a true story, and that she can’t share her mission with anyone. It would be easy to ignore the strange messages, except that whoever is leaving them has an uncanny ability to predict the future. If that is the case, then Miranda has a big problem—because the notes tell her that someone is going to die, and she might be too late to stop it. Winner of the Boston Globe–Horn Book Award for Fiction A New York Times Bestseller and Notable Book Five Starred Reviews A Junior Library Guild Selection "Absorbing." —People "Readers ... are likely to find themselves chewing over the details of this superb and intricate tale long afterward." —The Wall Street Journal "Lovely and almost impossibly clever." —The Philadelphia Inquirer "It's easy to imagine readers studying Miranda's story as many times as she's read L'Engle's, and spending hours pondering the provocative questions it raises." —Publishers Weekly, Starred review
We’re finally waking up from the nightmare. The Lost Breeds have been through Hell and back, and finally, life is slowing down. In the stillness, I realize that something is missing. All the other guys in the MC have women in their corner to kiss their wounds and help them heal. It’s my damn turn. I see her on a busy New York City street and know without a doubt—she’s the one. She’s everything a man like me dreams of. But she’s out of my league. Wayyyy out of it. A billionaire by birth. Lucky for her, I’m willing to be whatever she needs, what keeps her up late at night and drags her from sleep with yearning. This girl has no clue what’s about to hit her. Me. Full force with the desire to be deeply connected and fully devoted for the first time ever. Things are changing too fast to keep up. She’ll be my rock when it all falls apart. And she doesn’t even know me yet.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
