Women And Images Of Men In Cinema

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Women and Images of Men in Cinema

Andreas Hamburger
Women and Images of Men in Cinema Book PDF

Author : Andreas Hamburger
Publisher : Routledge
Page : 192 pages
File Size : 52,8 Mb
Release : 2018-05-08
Category : Psychology
ISBN : 9780429909955

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Women and Images of Men in Cinema by Andreas Hamburger Pdf

Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal groom from the story of Cupid and Psyche in Apuleius' The Golden Ass (originally a tale about the stunning momentum of genuine female desire), liberates it from its baroque educational moral (a girl's virtue and prudence will help her to overcome her sexual fears), and turns it into a boyhood story: inside the ugly rascal there is a good, but relatively boring prince - at least in comparison to the monsters of film history. In the seventy years since it was made, La Belle et la Bete has inspired numerous interpretations and has been employed by theorists of all genres and interests.

The dominance of the male gaze in Hollywood Films

Isabelle Fol
The dominance of the male gaze in Hollywood Films Book PDF

Author : Isabelle Fol
Publisher : diplom.de
Page : 154 pages
File Size : 55,5 Mb
Release : 2006-03-16
Category : Art
ISBN : 9783832494438

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The dominance of the male gaze in Hollywood Films by Isabelle Fol Pdf

Inhaltsangabe:Abstract: The way in which media systems reflect our social environment and specifically how they represent and disseminate gender role models and have a lasting effect on the construction of identity is of long-standing interest both in Gender Studies and in the literary and the visual arts. In order to examine in particular the representation of women in the visual art of popular cinema, The Dominance of the Male Gaze in Hollywood Films will thus focus on the image of women in mainstream Hollywood films. Although media and specifically television and films are often considered to act largely as a social mirror , films in fact often distort social reality and continue to reflect traditional stereotypical gender constructions. In fact, these traditional gender images are not simply mirrors of real life, but also ideological signifiers: In many mainstream films that pretend to depict reality a time lag separates true social circumstances from the film reality the movie produces. Consequently, this time lag also manifest in filmic representations of gender roles means for the women s movement that feminists have hardly been able to enact new images of women outside the patriarchal context of popular films or change female stereotypes and incorporate feminist thought into mainstream films. Thus, mainstream films do not propagate an image of emancipated women, quite the reverse: women are subordinate objects of the male gaze. This general assumption has led to this thesis, which will deal with the question of whether Hollywood films, as representative of mainstream culture, still disseminate patriarchal images of women dominated by the male gaze even though feminist thought has been part of our society for some decades now. Located at the intersection of Media Studies, Cultural Studies, Sociology, and Gender Studies, this thesis will mainly follow the theoretical approach of the feminist film critic Laura Mulvey who developed the concept of the male gaze in her essay Visual Pleasure and Narrative Cinema . Mulvey s concept shall contribute to the analysis of the thesis that the images of women in Hollywood films still correspond to conservative patriarchal stereotypes. Within the scope of this still valid thesis, one of the major restrictions was to narrow down the film analysis to merely Hollywood film production. The reason for this restriction is first of all that Hollywood films, representative of popular taste, are globally [...]

Women and Images of Men in Cinema

Andreas Hamburger
Women and Images of Men in Cinema Book PDF

Author : Andreas Hamburger
Publisher : Routledge
Page : 183 pages
File Size : 49,6 Mb
Release : 2015
Category : Performing Arts
ISBN : 1782202900

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Women and Images of Men in Cinema by Andreas Hamburger Pdf

Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal groom from the story of Cupid and Psyche in Apuleius' The Golden Ass (originally a tale about the stunning momentum of genuine female desire), liberates it from its baroque educational moral (a girl's virtue and prudence will help her to overcome her sexual fears), and turns it into a boyhood story: inside the ugly rascal there is a good, but relatively boring prince - at least in comparison to the monsters of film history. In the seventy years since it was made, La Belle et la Bete has inspired numerous interpretations and has been employed by theorists of all genres and interests.

Women's Experimental Cinema

Robin Blaetz
Women s Experimental Cinema Book PDF

Author : Robin Blaetz
Publisher : Duke University Press
Page : 436 pages
File Size : 40,5 Mb
Release : 2007-10-16
Category : Performing Arts
ISBN : 0822340445

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Women's Experimental Cinema by Robin Blaetz Pdf

This volume offers introductions to the work of fifteen avant-garde American women filmmakers.

Images of Blood in American Cinema

Kjetil Rødje
Images of Blood in American Cinema Book PDF

Author : Kjetil Rødje
Publisher : Routledge
Page : 213 pages
File Size : 47,9 Mb
Release : 2016-03-09
Category : Social Science
ISBN : 9781317118770

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Images of Blood in American Cinema by Kjetil Rødje Pdf

Through studying images of blood in film from the mid-1950s to the end of the 1960s, this path-breaking book explores how blood as an (audio)visual cinematic element went from predominately operating as a signifier, providing audiences with information about a film’s plot and characters, to increasingly operating in terms of affect, potentially evoking visceral and embodied responses in viewers. Using films such as The Return of Dracula, The Tingler, Blood Feast, Two Thousand Maniacs, Color Me Blood Red, Bonnie and Clyde, and The Wild Bunch, Rødje takes a novel approach to film history by following one (audio)visual element through an exploration that traverses established standards for film production and reception. This study does not heed distinctions regarding to genres (horror, western, gangster) or models of film production (exploitation, independent, studio productions) but rather maps the operations of cinematic images across marginal as well as more traditionally esteemed cinematic territories. The result is a book that rethinks and reassembles cinematic practices as well as aesthetics, and as such invites new ways to investigate how cinematic images enter relations with other images as well as with audiences.

Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV Productions

Lisa V. Mazey
Cinematic Women From Objecthood to Heroism Essays on Female Gender Representation on Western Screens and in TV Productions Book PDF

Author : Lisa V. Mazey
Publisher : Vernon Press
Page : 161 pages
File Size : 52,8 Mb
Release : 2020-05-05
Category : Language Arts & Disciplines
ISBN : 9781622739219

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Cinematic Women, From Objecthood to Heroism: Essays on Female Gender Representation on Western Screens and in TV Productions by Lisa V. Mazey Pdf

Women have fulfilled film roles that exhibit their historically subservient or sexualised positions in society, among others. Over the decades, the gender identity of women has fluctuated to include powerful women, emotionally strong women, lesbian women, and even neurologically atypical women. These identities reflect the change in societal norms and what is now acknowledged as more likely and more mainstream. The evolution of society’s views of women can be mapped through these roles; from 1950’s America where women were depicted as the counterpart to male characters and their masculinity either as a threat or support to the patriarchal norms; to more recent times, where these norms have been questioned, challenged, deconstructed and reconstructed to include women in a more equitable balance. The fight for equal access, equal pay and equal standing still exists in all walks of life and different cultures requiring continued scrutiny of the norms that made that fight necessary. The essays offer a unique vantage of the changing culture and conversations that allowed, encouraged, and praised an evolution of women’s roles. They strive to represent the issues faced by women, from the early heyday of Hollywood through to films as recent as 2007; examining depictions of the masculine gaze, mental and physical oppression, the mother figure, as well as how these roles may develop in the future. The book contains valuable material for film students at an undergraduate or post-graduate level, as well as scholars from a range of disciplines including cultural studies, media studies, film studies and women’s and gender studies.

The Trouble with Men

Phil Powrie,Ann Davies,Bruce Babington
The Trouble with Men Book PDF

Author : Phil Powrie,Ann Davies,Bruce Babington
Publisher : Wallflower Press
Page : 270 pages
File Size : 52,9 Mb
Release : 2004
Category : Performing Arts
ISBN : 1904764088

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The Trouble with Men by Phil Powrie,Ann Davies,Bruce Babington Pdf

A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections -- stars, class and race, fathers and bodies -- areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema.

The Encyclopedia of Sexism in American Films

Salvador Jiménez Murguía,Erica Joan Dymond,Kristina Fennelly
The Encyclopedia of Sexism in American Films Book PDF

Author : Salvador Jiménez Murguía,Erica Joan Dymond,Kristina Fennelly
Publisher : Rowman & Littlefield
Page : 513 pages
File Size : 52,5 Mb
Release : 2019-11-29
Category : Performing Arts
ISBN : 9781538115527

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The Encyclopedia of Sexism in American Films by Salvador Jiménez Murguía,Erica Joan Dymond,Kristina Fennelly Pdf

The treatment—and mistreatment—of women throughout history continues to be a necessary topic of discussion, in order for progress to be made and equality to be achieved. While current articles and books expose troubling truths of the gender divide, modern cinema continues to provide problematic depictions of such behavior—with a few heartening exceptions. The Encyclopedia of Sexism in American Films closely examines the many, pervasive forms of sexism in contemporary productions—from clueless comedies to superhero blockbusters. In more than 130 entries, this volume explores a number of cinematic grievances including: the objectification of women’s bodies the limited character types available for female performers the lack of sexual diversity on the screen the limited range of desirable traits for female performers the use of gratuitous sex the narrow focus on heteronormative depictions of courtship and romance The films discussed here include As Good as It Gets (1999), Beauty and The Beast (2017), The Devil Wears Prada (2006), Do the Right Thing (1989), Easy A (2010), The Forty-Year-Old Virgin (2005), Hidden Figures (2016), Lost in Translation (2003), Mulholland Drive (2001), Showgirls (1995), The Silence of the Lambs (1991), Star Wars (1977), Thelma & Louise (1991), Tootsie (1982), The Witches of Eastwick (1987), and 9 to 5 (1980). By digging deeply into more insidious forms of sexual/gender discrimination, this book illuminates one more aspect of women’s lives that deserves to be understood. Offering insights and analysis from more than fifty contributors, The Encyclopedia of Sexism in American Films will appeal to scholars of cinema, gender studies, women’s studies, and cultural history.

Women at Work in Twenty-First-Century European Cinema

Barbara Mennel
Women at Work in Twenty First Century European Cinema Book PDF

Author : Barbara Mennel
Publisher : University of Illinois Press
Page : 272 pages
File Size : 49,7 Mb
Release : 2019-01-30
Category : Performing Arts
ISBN : 9780252050961

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Women at Work in Twenty-First-Century European Cinema by Barbara Mennel Pdf

From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment. Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.

Women's Pictures

Annette Kuhn
Women s Pictures Book PDF

Author : Annette Kuhn
Publisher : Verso
Page : 304 pages
File Size : 40,7 Mb
Release : 1994-09-17
Category : Performing Arts
ISBN : 1859840108

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Women's Pictures by Annette Kuhn Pdf

Examination of film theory and feminism

Kubrick's Men

Richard Rambuss
Kubrick s Men Book PDF

Author : Richard Rambuss
Publisher : Fordham University Press
Page : 176 pages
File Size : 54,7 Mb
Release : 2021-03-02
Category : Social Science
ISBN : 9780823293896

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Kubrick's Men by Richard Rambuss Pdf

A provocative re-reading of Stanley Kubrick’s work and its focus on masculine desire The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone. The stories that Kubrick’s movies tell range from global nuclear politics to the unpredictable sexual dynamics of a marriage; from a day in the life of a New York City prizefighter preparing for a nighttime bout to the evolution of humankind. These male melodramas center on sociality and asociality. They feature male doubles, pairs, and rivals. They explore the romance of men and their machines, and men as machines. They figure intensely conflicted forms of male sexual desire. And they are also very much about male manners, style, taste, and art. Examining the formal, thematic, and theoretical affiliations between Kubrick’s three bodies of work—his photographs, his documentaries, and his feature films—Kubrick’s Men offers new vantages on to the question of gender and sexuality, including the first extended treatment of homosexuality in Kubrick’s male-oriented work.

The Cinema and Its Shadow

Alice Maurice
The Cinema and Its Shadow Book PDF

Author : Alice Maurice
Publisher : U of Minnesota Press
Page : 400 pages
File Size : 43,6 Mb
Release : 2013-03-15
Category : Art
ISBN : 9781452939391

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The Cinema and Its Shadow by Alice Maurice Pdf

The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past. Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.

Women in War Films

Ralph Donald,Karen MacDonald
Women in War Films Book PDF

Author : Ralph Donald,Karen MacDonald
Publisher : Rowman & Littlefield
Page : 345 pages
File Size : 44,6 Mb
Release : 2014-04-04
Category : Performing Arts
ISBN : 9781442234475

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Women in War Films by Ralph Donald,Karen MacDonald Pdf

War has been depicted in cinema for more than a century, from early silent films to more recent blockbusters such as Saving Private Ryan and Lone Survivor. Most war films, especially combat films, are about men engaged in battle. But while Hollywood has reinforced the cultural stereotype of war as a man’s job, women have not been completely invisible in many of these films, whether waiting for their men to return home or standing shoulder to shoulder with their male counterparts on the battlefield. In Women in War Films: From Helpless Heroine to G.I. Jane, Ralph Donald and Karen MacDonald examine the representations of females in war throughout the history of film. They identify various types of women portrayed in these films, from home-front wives and daughters supporting their loved ones from afar to nurses and doctors stationed near the front lines of combat. The authors also look at depictions of foreign females who comfort homesick soldiers, ordinary women who unexpectedly encounter the enemy, female spies, and modern enlistees taking on roles traditionally reserved for men. Through these representations, the authors explore what war films say about the culture that created them and the social construction of reality that these films assert. The book covers an array of war films distributed in the United States, including Hearts of the World, Wings, Mata Hari, Mrs. Miniver, Casablanca, Cry “Havoc,”Since You Went Away, The Best Years of Our Lives, From Here to Eternity, The Americanization of Emily, M*A*S*H, Coming Home, Courage under Fire, G.I. Jane, and Zero Dark Thirty. Featuring an extensive filmography, Women in War Films will appeal to scholars of gender studies, history, and film, as well as to readers interested in the evolving portrayals of females in military-related cinema.

British Cinema of the 90s

Robert Murphy
British Cinema of the 90s Book PDF

Author : Robert Murphy
Publisher : Bloomsbury Publishing
Page : 208 pages
File Size : 52,9 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838714789

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British Cinema of the 90s by Robert Murphy Pdf

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

Gender roles in "King Kong" (1933). Ann Darrow as an example for independent women or the traditional image of womanhood??

Fabian Lukas
Gender roles in King Kong 1933 Ann Darrow as an example for independent women or the traditional image of womanhood Book PDF

Author : Fabian Lukas
Publisher : GRIN Verlag
Page : 17 pages
File Size : 55,6 Mb
Release : 2016-04-28
Category : Performing Arts
ISBN : 9783668207004

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Gender roles in "King Kong" (1933). Ann Darrow as an example for independent women or the traditional image of womanhood?? by Fabian Lukas Pdf

Seminar paper from the year 2015 in the subject Film Science, University of Cologne, language: English, abstract: The film "King Kong" is one of the most famous films of Pre Code Hollywood. Its success was referred to the variety of topics and narratives that the film includes, combined with an excellent use of sound and special effects. This text lays the focus on the aspect of gender roles in the film. It will be shown that especially the figure of Ann Darrow embodies different stereotypes and that she can be seen as an example for an independent woman but also as a model for a more traditional image of womanhood. First of all the various contexts shall be presented (Historical context, men and women during the Great Depression and Hollywood during the Great Depression). After that follows a short analysis of two other important aspects, the Woman ́s film and the aspect of race in expedition films. Both of them are strongly interwoven with the question about gender roles in "King Kong". Finally the main characters in "King Kong" are going to be analyzed in view of the gender roles they embody and also how they change.