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Women and Material Culture, 1660-1830 by J. Batchelor,C. Kaplan Pdf
This book comprises twelve illustrated, interdisciplinary essays on gender and material culture across the eighteenth century. These essays point to the many ways in which gender mediated and was shaped by the consumption and production of goods and elucidate the complex relationships between material and social practice in the period.
Women and the Material Culture of Death by BethFowkes Tobin Pdf
Examining the compelling and often poignant connection between women and the material culture of death, this collection focuses on the objects women make, the images they keep, the practices they use or are responsible for, and the places they inhabit and construct through ritual and custom. Women?s material practices, ranging from wearing mourning jewelry to dressing the dead, stitching memorial samplers to constructing skull boxes, collecting funeral programs to collecting and studying diseased hearts, making and collecting taxidermies, and making sculptures honoring the death, are explored in this collection as well as women?s affective responses and sentimental labor that mark their expected and unexpected participation in the social practices surrounding death and the dead. The largely invisible work involved in commemorating and constructing narratives and memorials about the dead-from family members and friends to national figures-calls attention to the role women as memory keepers for families, local communities, and the nation. Women have tended to work collaboratively, making, collecting, and sharing objects that conveyed sentiments about the deceased, whether human or animal, as well as the identity of mourners. Death is about loss, and many of the mourning practices that women have traditionally and are currently engaged in are about dealing with private grief and public loss as well as working to mitigate the more general anxiety that death engenders about the impermanence of life.
Gender and Material Culture by Roberta Gilchrist Pdf
Gender and Material Culture is the first complete study in the archaeology of gender, exploring the differences between the religious life of men and women. Gender in medieval monasticism influenced landscape contexts and strategies of economic management, the form and development of buildings and their symbolic and iconographic content. Women's religious experience was often poorly documented, but their archaeology indicates a shared tradition which was closely linked with, and valued by local communities. The distinctive patterns observed suggest that gender is essential to archaeological analysis.
Medieval Women, Material Culture, and Power by Jitske Jasperse Pdf
This book argues that the impressive range of belongings that can be connected to Duchess Matilda Plantagenet allows us to perceive elite women's performance of power, even when they are largely absent from the official documentary record. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
"Women and Things, 1750?950 " by MaureenDaly Goggin Pdf
In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.
Author : John Styles,Amanda Vickery Publisher : Paul Mellon Centre for Studies in British Art Page : 382 pages File Size : 48,7 Mb Release : 2006 Category : Art ISBN : STANFORD:36105122855310
Gender, Taste, and Material Culture in Britain and North America, 1700-1830 by John Styles,Amanda Vickery Pdf
Between 1700 and 1830, men and women in the English-speaking territories framing the Atlantic gained unprecedented access to material things. The British Atlantic was an empire of goods, held together not just by political authority and a common language, but by a shared material culture nourished by constant flows of commodities. Diets expanded to include exotic luxuries such as tea and sugar, the fruits of mercantile and colonial expansion. Homes were furnished with novel goods, like clocks and earthenware teapots, the products of British industrial ingenuity. This groundbreaking book compares these developments in Britain and North America, bringing together a multi-disciplinary group of scholars to consider basic questions about women, men, and objects in these regions. In asking who did the shopping, how things were used, and why they became the subject of political dispute, the essays show the profound significance of everyday objects in the eighteenth-century Atlantic world.
Women and the Material Culture of Needlework and Textiles, 1750-1950 by Maureen Daly Goggin,Beth Fowkes Tobin Pdf
With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women's relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles.
The Material Culture of Gender, the Gender of Material Culture by Katharine Martinez,Kenneth L. Ames Pdf
Moving beyond traditional notions of gender as a static concept wherein human beings are passively molded into gender-appropriate behavior, 23 scholars instead view it as a negotiated, contested, and interactive process. In showing some of the ways gender is made visible, they explore avenues such as the gender of things that surround us; subtle and invisible processes of inclusion and exclusion from valuation; fusing form and content, practice and product; and how the material culture of gender produces gendered beings.
Material Culture and Women's Religious Experience in Antiquity by Mark D. Ellison,Catherine Gines Taylor,Carolyn Osiek Pdf
How can material artifacts help illuminate the religious lives of women in antiquity? In what ways do archaeological and art historical studies recover women's religious perspectives and experiences that the literary record misses or underrepresents? The authors of the essays in this volume set out to answer such questions in fascinating, new case studies of women and ancient religions in the Near East and Mediterranean world. They cover a broad historical, geographic, and religious spectrum as they explore women's lives from the time of ancient Egypt in the second millennium BCE into the early medieval period, from the Syrian Desert to Western Europe, in the religious traditions of Egypt, Canaan, Greece, Rome, ancient Israel, early Judaism, and early Christianity. Working at the intersections of religion, archaeology, art history, and women's history, these authors make fresh contributions to interdisciplinary studies, and their essays will be of interest to students and scholars across these academic fields.
Gender, Law, and Material Culture by Annette Caroline Cremer Pdf
Gifts, symbolic values and strategies -- Women' s access to immobile property -- Women, law and property in colonial contexts -- Women and property in transitory zones -- Synthesis.
Asian Material Culture by Marianne Hulsbosch,Elizabeth Bedford,Martha Chaiklin Pdf
This richly illustrated volume offers the reader unique insight into the materiality of Asian cultures and the ways in which objects and practices can simultaneously embody and exhibit aesthetic and functional characteristics, as well as everyday and spiritual aspirations. Though each chapter is representative, rather than exhaustive, in its portrayal of Asian material culture, together they clearly demonstrate that objects are entities that resonate with discourses of human relationships, personal and group identity formations, ethics, values, trade, and, above all, distinctive futures.
Women and Material Culture by Maureen Daly Goggin,Beth Fowkes Tobin Pdf
Reframing the scholarship on women and material culture, this three-volume set explores how women from widely different times and places made meaning-and formed identities-through the materials they created and consumed. The volumes focus respectively on the fiber arts, consumption and collecting, and the production of material objects.
Women and the Material Culture of Needlework and Textiles, 1750-1950 by Maureen Daly Goggin,Beth Fowkes Tobin Pdf
With essays on a range of fiber art practices, including embroidery, knitting, crocheting, machine stitching, rug making, weaving, and quilting, this collection contributes to the ongoing scholarly redefinition of women's relationship to creative activity. Focusing on women as producers of cultural products and creators of social value, the contributors treat women as active subjects and problematize their material practices and artifacts in the complex world of textiles.