Women Artists In Interwar France

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Women Artists in Interwar France

Author : PaulaJ. Birnbaum
Publisher : Routledge
Page : 358 pages
File Size : 43,5 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351536714

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Women Artists in Interwar France by PaulaJ. Birnbaum Pdf

Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members?Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka?brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing?one reason for the lack of attention paid to their efforts?Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years.

Women Artists in Interwar France

Author : Paula Birnbaum
Publisher : Unknown
Page : 279 pages
File Size : 40,5 Mb
Release : 2016
Category : Electronic books
ISBN : 1351536699

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Women Artists in Interwar France by Paula Birnbaum Pdf

"Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing one reason for the lack of attention paid to their efforts Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years."--Provided by publisher.

Femmes Artistes Modernes

Author : Paula Birnbaum
Publisher : Unknown
Page : 128 pages
File Size : 40,5 Mb
Release : 1996
Category : Art
ISBN : OCLC:84316517

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Femmes Artistes Modernes by Paula Birnbaum Pdf

Impressions from Paris: Women Creatives in Interwar Years France

Author : Sylvie Eve Blum-Reid
Publisher : Vernon Press
Page : 205 pages
File Size : 49,5 Mb
Release : 2024-01-16
Category : Literary Criticism
ISBN : 9781648898112

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Impressions from Paris: Women Creatives in Interwar Years France by Sylvie Eve Blum-Reid Pdf

‘Impressions from Paris’ studies the contributions of various women artists and writers who lived in Paris during the Interwar Years, from the 1920s to 1940. The “Roaring Twenties” constituted years of experimentation and freedom to test new techniques and lifestyles at a time affected by serious political changes leading to World War II. Their trajectories have left traces that can be mapped out, studied, and addressed today, a hundred years later. The volume revisits their experiences through various lenses that include art history, gender, fashion, literary analysis, psychology, philosophy, as well as film and food. The volume revisits the artistic, literary, and journalistic contributions of women worldwide, including France, as they flocked to Paris from the 1920s to 1940. The overall principle lies in the inclusion of female painters, visual artists, and writers from diverse international and national backgrounds. Scholars who participate in the volume explore the possibilities presented in a modern literary and artistic history while building on previous scholarship. Two seminal books and a documentary film inspire this project: Shari Benstock’s ‘Women of the Left Bank. Paris 1900-1940’ (Texas UP 1986) and Andrea Weiss’s ‘Paris was a woman. Portraits from the Left Bank’ (HarperSanFrancisco 1995), which in turn produced an eponymous film (Greta Schiller/Andrea Weiss 1996). These works highlight the community of women artists, editors and writers during the interwar years in Paris. There is scholarship in the area, although most of it is scattered in single monographs, crossing various genres, and various languages, from (recent) graphic novels, to fiction, biographical studies, cultural histories as well as scholarly artistic and literary studies.

Women Artists and the Parisian Avant-garde

Author : Gillian Perry
Publisher : Manchester University Press
Page : 236 pages
File Size : 53,7 Mb
Release : 1995
Category : Painting, French
ISBN : 0719041651

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Women Artists and the Parisian Avant-garde by Gillian Perry Pdf

A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

Women and Visual Culture in Nineteenth-century France, 1800-1852

Author : Gen Doy
Publisher : Burns & Oates
Page : 296 pages
File Size : 52,9 Mb
Release : 1998
Category : Art
ISBN : UVA:X004187522

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Women and Visual Culture in Nineteenth-century France, 1800-1852 by Gen Doy Pdf

This book examines the relationship of class, gender and race to visual culture in early nineteenth-century France. Drawing extensively on contemporary sources, the author looks at the work of women artists, women art critics and writers to demonstrate that many of the assumptions about female invisibility and objectification in bourgeois culture and society need serious reconsideration. The first half of the nineteenth century was a complex and contradictory period in the formation and contestation of bourgeois ideologies of 'the feminine'. Women, though at a serious disadvantage, became visible as artists, critics and patrons and were not merely invisible, domesticated or 'constructed' by forces outside their control. Women artists such as Angelique Mongez painted heroic neo-classical nudes, while many named (and anonymous) women wrote art criticism, articulating their views as female spectators. Doy also examines notions of 'appropriate' work for women in relation to landscape, genre, sculpture and the emergence of Realism. Of particular interest is the discussion of the representation of black women during this period, when Fren

The Image of the Popular Front

Author : Simon Dell
Publisher : Springer
Page : 201 pages
File Size : 47,9 Mb
Release : 2006-11-17
Category : History
ISBN : 9780230286955

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The Image of the Popular Front by Simon Dell Pdf

During the 1930s Europe was convulsed by political violence. The National Socialists rose to power in Germany and Fascists campaigned in Britain, Spain and France. Yet Europe was also transformed in this decade through new applications of film, photography and radio. In fact, these political and technological developments were closely intertwined.

Essays on Women's Artistic and Cultural Contributions 1919-1939

Author : Paula Birnbaum,Anna Novakov
Publisher : Unknown
Page : 328 pages
File Size : 40,5 Mb
Release : 2009
Category : Art
ISBN : UOM:39015080839775

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Essays on Women's Artistic and Cultural Contributions 1919-1939 by Paula Birnbaum,Anna Novakov Pdf

This book showcases innovative scholarship in the area of women's studies, art history, history and cultural theory by presenting the history of women artists within a multi-cultural context, exposing readers to the richness of cultural production during the interwar years.

Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939

Author : Laura Hamer
Publisher : Routledge
Page : 218 pages
File Size : 49,9 Mb
Release : 2018-05-20
Category : Music
ISBN : 9781315451473

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Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 by Laura Hamer Pdf

Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.

Dissertation Abstracts International

Author : Anonim
Publisher : Unknown
Page : 734 pages
File Size : 53,8 Mb
Release : 2008
Category : Dissertations, Academic
ISBN : STANFORD:36105131550332

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Dissertation Abstracts International by Anonim Pdf

Elles@centrepompidou

Author : Musée national d'art moderne/Centre de création industrielle (France),Centre Georges Pompidou
Publisher : Unknown
Page : 396 pages
File Size : 48,7 Mb
Release : 2009
Category : Art
ISBN : UIUC:30112100240131

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Elles@centrepompidou by Musée national d'art moderne/Centre de création industrielle (France),Centre Georges Pompidou Pdf

This exhibition brings together a selection of over 500 works by more than 200 women artists, from the beginning of the 20th century up to the present day.

Women Artists in Paris, 1850-1900

Author : Laurence Madeline,Pauline Willis
Publisher : Yale University Press
Page : 289 pages
File Size : 51,5 Mb
Release : 2017-01-01
Category : Art
ISBN : 9780300223934

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Women Artists in Paris, 1850-1900 by Laurence Madeline,Pauline Willis Pdf

Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.

Rethinking Art Between the Wars

Author : Hans Dam Christensen,Øystein Hjort,Niels Marup Jensen
Publisher : Museum Tusculanum Press
Page : 160 pages
File Size : 41,8 Mb
Release : 2001
Category : Art
ISBN : 8772895233

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Rethinking Art Between the Wars by Hans Dam Christensen,Øystein Hjort,Niels Marup Jensen Pdf

In the interwar period art revealed itself as part of the social and ideological order. The work of art became a point of intersection for the modern, unstable and ambiguous world. Works of art produced in these decades reflect a range of discourses on power and subjectivity. They contribute to the foundation of the post-war development of aesthetic pluralism and point out the socially conditioned framings of the Fine Arts. During the last decades, research in the field of interwar art has reworked and reconceptualised existing notions on the period. This book offers four new approaches which also contribute to reflections on methodological questions regarding the changes in the disciple of Art History since the early 1970s. The articles discuss topics such as Le Corbusier's connection with the French fascist movement, the position of women in the avant garde movement, Giorgio de Chirico's play with kitsch and avant garde practices, and the semiotics of the surrealist image.

Femme, femme, femme

Author : F. Ribemont,New Orleans Museum of Art,Réunion des musées nationaux (France)
Publisher : RMN
Page : 220 pages
File Size : 49,9 Mb
Release : 2007
Category : Art, French
ISBN : UCSC:32106019265773

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Femme, femme, femme by F. Ribemont,New Orleans Museum of Art,Réunion des musées nationaux (France) Pdf

Catalogue of an exhibition of 83 works from the Louvre, the Musée d̕ Orsay, and 43 other museums throughout France. Consists of photographs of paintings by a wide range of artists, including Renoir, Manet, Degas and Toulouse-Lautrec. The exhibition concentrates on images of the emergence of the modern woman. This evolution of women's roles is grouped by five themes ranging from domestic duties and intellectual pursuits, from recreation to rural labor.

"Women's Contributions to Visual Culture, 1918?939 "

Author : KarenE. Brown
Publisher : Routledge
Page : 200 pages
File Size : 42,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351536417

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"Women's Contributions to Visual Culture, 1918?939 " by KarenE. Brown Pdf

An exploration of women?s contributions to visual culture in major urban centres between the wars (1918-1939), this collection sheds new light on women?s relationships with the processes of modernism and modernization. Women?s work in a variety of mediums is explored, including design, print, illustration, murals, poster art, and costume design, as well as more conventional forms of painting and sculpture. International in scope, the volume discusses artists and exhibitions from the United Kingdom, Greece, Mexico, France, Ireland and the United States. The contributors place a strong emphasis on archival research yet each addresses contemporary concerns in feminist art history. By focusing on a very specific time period, the essays place a central concern on the history and theory of art and gender and are united by their coherent focus on women?s role in the agency and mediation of artistic production in the interwar period.