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Author : Edgar Degas
Publisher : Unknown
Page : 40 pages
File Size : 46,9 Mb
Release : 1957
Category : Women in art
ISBN : STANFORD:36105132348611
Author : Richard Kendall,Griselda Pollock
Publisher : Pandora Press
Page : 236 pages
File Size : 43,8 Mb
Release : 1992
Category : Feminism and art
ISBN : UCSD:31822015623200
This is a collection of essays based on the papers by leading Degas experts given at the Table Gallery, Liverpool in 1989 as well as further American academics, especially commissioned for this book. The text demonstrates the diversity of approaches and issues generated around the problematic material of Degas' images of women, combining art history, cultural theory and psychology. Richard Kendall is an art historian and organizer of the Liverpool conference.
Author : Edgar Degas
Publisher : Unknown
Page : 72 pages
File Size : 53,9 Mb
Release : 1989
Category : Painters
ISBN : OCLC:22207077
Author : Eunice Lipton,Edgar Degas
Publisher : Unknown
Page : 237 pages
File Size : 52,7 Mb
Release : 1988
Category : Art
ISBN : 0520063406
Discusses the themes and cultural background of Degas' paintings, and explains how they deal with class, sexuality, and work
Author : Anonim
Publisher : Unknown
Page : 72 pages
File Size : 43,9 Mb
Release : 1989
Category : Electronic
ISBN : OCLC:886710555
Author : Anonim
Publisher : Unknown
Page : 72 pages
File Size : 47,5 Mb
Release : 1989
Category : Painters
ISBN : OCLC:22207077
Author : Musée d'Orsay,Isabelle Julia
Publisher : Unknown
Page : 140 pages
File Size : 43,8 Mb
Release : 2010
Category : Art
ISBN : STANFORD:36105215360871
Author : Annabelle Thornhill
Publisher : Osmora Incorporated
Page : 130 pages
File Size : 48,5 Mb
Release : 2015-01-06
Category : Art
ISBN : 9782765907565
Edgar Degas seems never to have reconciled himself to the label of "Impressionist," preferring to call himself a "Realist" or "Independent." Nevertheless, he was one of the group’s founders, an organizer of its exhibitions, and one of its most important core members. Like the Impressionists, he sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plain air landscapes, favoring scenes in theaters and cafes illuminated by artificial light, which he used to clarify the contours of his figures, adhering to his Academic training. He is especially identified with the subject of dance; more than half of his works depict dancers. He also was a superb draftsman, and particularly masterful in depicting movement, as can be seen in his interpretations of dancers and female nudes. His portraits are notable for their psychological complexity and for their portrayal of human isolation.
Author : Richard Kendall
Publisher : Unknown
Page : 0 pages
File Size : 51,6 Mb
Release : 1989
Category : Electronic
ISBN : 0295969598
Author : Britany Salsbury,Aleksandra Bursac,Michelle Foa,Gretchen Schultz,Charles Sowerwine
Publisher : Cleveland Museum of Art
Page : 0 pages
File Size : 46,8 Mb
Release : 2023-10-10
Category : Art
ISBN : 0300273223
An exploration of Edgar Degas's laundress works and their significance within broader debates art, urban life, and women's work in the nineteenth century Edgar Degas's depictions of Parisian laundresses are some of the famed Impressionist's most revolutionary works. In paintings, drawings, and prints throughout his long career, Degas emphasized the strenuousness of women's labor and highlighted social-class divides in his idiosyncratic avant-garde style. Laundresses washing, ironing, and carrying heavy baskets of clothing were a highly visible presence within late nineteenth-century Paris, and their job was difficult, dangerous, and poorly paid. Indeed, many laundresses were forced to supplement their income through prostitution. Degas's portrayals of this harsh and complicated life were included in his most significant exhibitions and were praised by artists and critics of his time as epitomizing modernity. Contextualizing Degas's laundress works with those of his contemporaries, such as Gustave Caillebotte, Berthe Morisot, Pierre-Auguste Renoir, and Henri de Toulouse-Lautrec, this volume also looks at examples by painters that Degas influenced and was influenced by, from Honoré Daumier to Pablo Picasso. Richly illustrated and featuring essays by an interdisciplinary group of authors, this study draws on art history, literature, and history to reveal how Degas's stunning works take part in a more widespread debate concerning the topic of laundresses during the late nineteenth century. Distributed for the Cleveland Museum of Art Exhibition Schedule The Cleveland Museum of Art (October 8, 2023-January 14, 2024)
Author : Roberta Crisci-Richardson
Publisher : Cambridge Scholars Publishing
Page : 390 pages
File Size : 40,6 Mb
Release : 2015-06-18
Category : Art
ISBN : 9781443879330
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.
Author : Alfred Werner,Edgar Degas
Publisher : Unknown
Page : 87 pages
File Size : 47,5 Mb
Release : 1969
Category : Pastel drawing
ISBN : 0714823694
Author : Edgar Degas,Jean Sutherland Boggs,Galeries nationales du Grand Palais (France)
Publisher : Metropolitan Museum of Art
Page : 640 pages
File Size : 51,9 Mb
Release : 1988
Category : Art, French
ISBN : 9780870995194
Katalog towarzyszący wystawom w: Galeries Nationales du Grand Palais w Paryżu, 9 luty - 16 maj 1988; National Galery of Canada w Ottawie, 16 czerwiec - 28 sierpień 1988; Metropolitan Museum of Art w Nowym Jorku, 27 wrzesień - 8 styczeń 1989.
Author : George T. M. Shackelford,Edgar Degas,Xavier Rey,Museum of Fine Arts, Boston
Publisher : Unknown
Page : 0 pages
File Size : 50,7 Mb
Release : 2011
Category : Nude in art
ISBN : 0500093628
The nude figure was critical to the art of Edgar Degas throughout his life, and yet his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme dominated his artistic production in all media. With essays by leading critics, the book aims to provide a new interpretation of Degas's evolving conception of the nude and to situate it in the subject's broader context among his peers in 19th-century France. Among the scores of reproductions is one of the most important of Degas's early paintings, Scene of War in the Middle Ages, which exerted a lifelong influence on the artist's treatment of the female nude and includes poses poses repeated throughout his career. Also included are monotypes of the late 1870s, which illustrate Degas's most explicitly sexual depictions of women in Parisian brothels, and pictures portraying the daily life of women wherever they resided. Together these iterations range over more than a half-century of virtuoso achievement and manifest a groundbreaking look at the evolution of this master artist.
Author : Eunice Lipton
Publisher : Unknown
Page : 0 pages
File Size : 51,9 Mb
Release : 1988
Category : Social problems in art
ISBN : OCLC:1150209120
