Women In African Cinema

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Women in African Cinema

Author : Lizelle Bisschoff,Stefanie Van de Peer
Publisher : Routledge
Page : 368 pages
File Size : 53,9 Mb
Release : 2019-11-14
Category : Performing Arts
ISBN : 9781351854702

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Women in African Cinema by Lizelle Bisschoff,Stefanie Van de Peer Pdf

Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.

Sisters of the Screen

Author : Beti Ellerson
Publisher : Africa Research and Publications
Page : 424 pages
File Size : 50,5 Mb
Release : 2000
Category : Performing Arts
ISBN : UOM:39015048570207

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Sisters of the Screen by Beti Ellerson Pdf

Whilst it is not possible to generalise about the role of African women in cinema, there is, nonetheless, evidence that a growing number of women from all parts of the continent are becoming engaged in the various mediums of film, video and television. This book looks at the diverse experiences of both female film pioneers and women film students; through a series of interviews the author discovers what motivated these women to take up film and discusses both the creative aspects of their work and their broader political concerns.

With Open Eyes

Author : Kenneth W. Harrow
Publisher : Rodopi
Page : 296 pages
File Size : 41,9 Mb
Release : 1997
Category : Language Arts & Disciplines
ISBN : 9042001542

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With Open Eyes by Kenneth W. Harrow Pdf

Bibliografie : p. 193-218 Survey of some projects by female African filmmakers from different countries ; the problematic encounter between Western feminism and African feminist filmmaking practice; the representation of women in African film.

African Cinema

Author : Kenneth W. Harrow
Publisher : Africa World Press
Page : 384 pages
File Size : 49,8 Mb
Release : 1999
Category : Literary Criticism
ISBN : 0865436975

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African Cinema by Kenneth W. Harrow Pdf

This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.

Gender Terrains in African Cinema

Author : Dominica Dipio
Publisher : African Books Collective
Page : 246 pages
File Size : 45,9 Mb
Release : 2019-04-12
Category : Performing Arts
ISBN : 9781920033392

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Gender Terrains in African Cinema by Dominica Dipio Pdf

Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.

Gaze Regimes

Author : Jyoti Mistry,Antje Schuhmann,Max Annas,Beti Ellerson,Henriette Gunkel
Publisher : NYU Press
Page : 264 pages
File Size : 52,8 Mb
Release : 2015-06-01
Category : Social Science
ISBN : 9781868148578

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Gaze Regimes by Jyoti Mistry,Antje Schuhmann,Max Annas,Beti Ellerson,Henriette Gunkel Pdf

Gaze Regimes is a bricolage of essays and interviews showcasing the experiences of women working in film, either directly as practitioners or in other areas as curators, festival programme directors or fundraisers. It does not shy away from questioning the relations of power in the practice of filmmaking and the power invested in the gaze itself. Who is looking and who is being looked at, who is telling women’s stories in Africa and what governs the mechanics of making those films on the continent? The interviews with film practitioners such as Tsitsi Dangarembga, Taghreed Elsanhouri, Jihan El-Tahri, Anita Khanna, Isabel Noronhe, Arya Lalloo and Shannon Walsh demonstrate the contradictory points of departure of women in film – from their understanding of feminisms in relation to lived-experiences and the realpolitik of women working as cultural practitioners. The disciplines of gender studies, postcolonial theory, and film theory provide the framework for the book’s essays. Jyoti Mistry, Antje Schuhmann, Nobunye Levin, Dorothee Wenner and Christina von Braun are some of the contributors who provide valuable context, analysis and insight into, among other things, the politics of representation, the role of film festivals and the collective and individual experiences of trauma and marginality which contribute to the layered and complex filmic responses of Africa’s film practitioners.

African American Women and Sexuality in the Cinema

Author : Norma Manatu
Publisher : McFarland
Page : 245 pages
File Size : 46,8 Mb
Release : 2014-01-10
Category : Performing Arts
ISBN : 0786451440

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African American Women and Sexuality in the Cinema by Norma Manatu Pdf

The representation of African American women is an important issue in the overall study of how women are portrayed in film, and has received serious attention in recent years. Traditionally, "women of color," particularly African American women, have been at the margins of studies of women's on-screen depictions--or excluded altogether. This work focuses exclusively on the sexual objectification of African American women in film from the 1980s to the early 2000s. Critics of the negative sexual imagery have long speculated that control by African American filmmakers would change how African American women are depicted. This work examines sixteen films made by males both white and black to see how the imagery might change with the race of the filmmaker. Four dimensions are given special attention: the diversity of the women's roles and relationships with men, the sexual attitudes of the African American female characters, their attitudes towards men, and their nonverbal and verbal sexual behaviors. This work also examines the role culture has played in perpetuating the images, how film influences viewers' perception of African American women and their sexuality, and how the imagery polarizes women by functioning as a regulator of their sexual behaviors based on cultural definitions of the feminine.

New African Cinema

Author : Valérie Orlando
Publisher : Rutgers University Press
Page : 189 pages
File Size : 41,5 Mb
Release : 2017-04-15
Category : Art
ISBN : 9780813579580

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New African Cinema by Valérie Orlando Pdf

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

A Companion to African Cinema

Author : Kenneth W. Harrow,Carmela Garritano
Publisher : John Wiley & Sons
Page : 550 pages
File Size : 49,6 Mb
Release : 2018-09-17
Category : Performing Arts
ISBN : 9781119100058

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A Companion to African Cinema by Kenneth W. Harrow,Carmela Garritano Pdf

An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.

Awakening African Women

Author : Ginette Curry
Publisher : Cambridge Scholars Press
Page : 210 pages
File Size : 46,5 Mb
Release : 2004
Category : African literature
ISBN : 9781904303343

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Awakening African Women by Ginette Curry Pdf

The book is a comparative analysis of recent films by African male and female filmmakers and literary works by female African authors from Senegal, Mali, the Ivory Coast, Nigeria, Togo and Burkina Faso. The films are Finzan (Cheikh Oumar Sissoko, 1990), Women with Open Eyes (Anne-Laure Folly, 1994), and Faces of Women (Desire Ecare, 1985). In addition, the manuscript includes the study of Women are Different (Flora Nwapa, 1986), Double Yoke (Buchi Emecheta, 1983) and So Long a Letter (Mariama Ba, 1980). Curry analyzes the homogeneous themes such as oppression, sabotage, cultural alienation, exploitation, sexual bargaining and the changing dynamics of sexual relationships that appear through these productions. She concludes that African women continue to undergo a metamorphosis. This transformation is the result of a blend of traditionally African and European influences.Modernist terms such as â oefeminismâ and â oewomanismâ intended to capture the emerging African women as subjects and not objects of study, are avoided. In so doing, a theoretical approach is used, based on the authorâ (TM)s own experiences in West Africa. Then, building from that premise, Curry analyzes the novels and films within this context to either prove or disprove her theories. Enthusiasts without past experiences in the area of African literature and African films, and also students and scholars in African studies, specifically in comparative literature, anthropology, womenâ (TM)s studies, sociology, African history, film studies and social studies, will all find this book of great interest. In raising the issues that West African women face, this book, as the title suggests, aims to awaken other African women and indeed a western readership to the fast changing lives of women in Africa. Georgina Holmes in African Research and Documentation No. 102, 2007

Queer African Cinemas

Author : Lindsey B. Green-Simms
Publisher : Duke University Press
Page : 171 pages
File Size : 43,5 Mb
Release : 2022-02-04
Category : Performing Arts
ISBN : 9781478022633

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Queer African Cinemas by Lindsey B. Green-Simms Pdf

In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.

Holding the World Together

Author : Nwando Achebe,Claire Robertson
Publisher : University of Wisconsin Press
Page : 393 pages
File Size : 41,7 Mb
Release : 2019-04-16
Category : History
ISBN : 9780299321109

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Holding the World Together by Nwando Achebe,Claire Robertson Pdf

Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease. Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney

Focus on African Films

Author : Françoise Pfaff
Publisher : Indiana University Press
Page : 344 pages
File Size : 53,9 Mb
Release : 2004-07-13
Category : Performing Arts
ISBN : 0253216680

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Focus on African Films by Françoise Pfaff Pdf

'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.

Africa Shoots Back

Author : Melissa Thackway
Publisher : Indiana University Press
Page : 248 pages
File Size : 50,8 Mb
Release : 2003
Category : History
ISBN : 0253343496

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Africa Shoots Back by Melissa Thackway Pdf

Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the 1960s to challenge Western stereotypes. This text shows how directors have produced alternatives, focusing on issues of memory and history.

Francophone African Women Documentary Filmmakers

Author : Suzanne Crosta,Sada Niang,Alexie Tcheuyap
Publisher : Indiana University Press
Page : 207 pages
File Size : 48,9 Mb
Release : 2023-10-03
Category : Performing Arts
ISBN : 9780253066541

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Francophone African Women Documentary Filmmakers by Suzanne Crosta,Sada Niang,Alexie Tcheuyap Pdf

Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote.