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Author : Eli Bartra Publisher : University of Wales Press Page : 194 pages File Size : 53,9 Mb Release : 2013-12-15 Category : Art ISBN : 9781783160747
The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.
This volume initiates a gender-based framework for analyzing the folk art of Latin America and the Caribbean. Defined here broadly as the "art of the people" and as having a primarily decorative, rather than utilitarian, purpose, folk art is not solely the province of women, but folk art by women in Latin America has received little sustained attention. Crafting Gender begins to redress this gap in scholarship. From a feminist perspective, the contributors examine not only twentieth-century and contemporary art by women, but also its production, distribution, and consumption. Exploring the roles of women as artists and consumers in specific cultural contexts, they look at a range of artistic forms across Latin America, including Panamanian molas (blouses), Andean weavings, Mexican ceramics, and Mayan hipiles (dresses). Art historians, anthropologists, and sociologists from Latin America, the Caribbean, and the United States discuss artwork from Mexico, Argentina, Chile, Colombia, Ecuador, Panama, Suriname, and Puerto Rico, and many of their essays focus on indigenous artists. They highlight the complex webs of social relations from which folk art emerges. For instance, while several pieces describe the similar creative and technical processes of indigenous pottery-making communities of the Amazon and of mestiza potters in Mexico and Colombia, they also reveal the widely varying functions of the ceramics and meanings of the iconography. Integrating the social, historical, political, geographical, and economic factors that shape folk art in Latin America and the Caribbean, Crafting Gender sheds much-needed light on a rich body of art and the women who create it. Contributors Eli Bartra Ronald J. Duncan Dolores Juliano Betty LaDuke Lourdes Rejón Patrón Sally Price María de Jesús Rodríguez-Shadow Mari Lyn Salvador Norma Valle Dorothea Scott Whitten
This book uses a feminist approach to analyzing gender relations in the production and distribution of folk art in four different cultures. It examines examples of women’s creativity within male-dominated societies and offers an analysis of different art forms, including clay figures, baskets, lacquer work, and dolls.
"Though their work is informed by a shared sense of culture, place, and identity as women, each artist has her own unique style, source of inspiration, and approach to her craft. Daily life and flights of fancy, spiritual devotion and earthly concerns all find expression in these finely crafted and beautifully colored ceramic marvels, including street scenes and nativities, Virgins and Zapotec creatures, vases, plates, candleholders, and figures of Frida Kahlo."--BOOK JACKET.
Mexican Folk Art by Arden Rothstein,Anya Rothstein Pdf
"Arden Rothstein (New York U. Psychoanalytic Institute) and daughter Anya share their love of the contemporary folk art of Oaxaca, Mexico, in this guide for beginning collectors. Ten chapters cover ceramics, textiles, woodcarving, metal work, miniatures and toys, jewelry, candles, basketry, dried flower crafts, and images from the Day of the Dead. Sample pieces by 87 artists are featured, with information on current market values included. The guide is illustrated with some 500 color photographs. Oversize: 9.5x11"." -- Publisher.
Author : Mingei International Museum of World Folk Art Publisher : University of Washington Press Page : 62 pages File Size : 51,5 Mb Release : 1980 Category : Crafts & Hobbies ISBN : UTEXAS:059173023527998
Love and friendship, art and craft, language and culture are the subjects of this look back at one woman's experiences in Mexico over a period of twenty years. What first propels Linda Grant Niemann south are the migrants she encounters in her job as a railroad brakeman in the Southwest. She decides to learn Spanish, and in Mexico she soon meets some surprising kindred spirits. An admirer of craft and expertise, Niemann seeks out individual artists who make exquisite things--Otomi papermakers, the families who produce the famous ceramics of Mata Ortiz, the man in Michoacán who knows how to fashion full-size jaguar thrones in bent cane. Some of her searches lead her to tiny villages and to artists who seldom get to meet their own fans. Niemann wonders if she is experiencing an ordinary shopaholic's obsession or if this is something more. The something more reveals itself as the connection of one artist to another.
2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness. México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
Great Masters of Mexican Folk Art by Candida Fernandez de Calderon Pdf
A massive, luxurious, silk-bound compilation of Mexico's incredible wealth of folk art and craft Mexico accounts for one of the richest and most diverse folk arts in the world. The artisans ́ mastery in different materials such as clay, wood, stone, textiles, metals, leather and plant fibers reflects an aura of genius and creativity that has been passed down by previous generations highlighting the wealth and tenacity of Mexican culture. This new edition of the acclaimed Grand Masters of Mexican Folk Art, first published in 1999 and now expanded to more than 600 pages, pays tribute to the 180 artisans who composed the previous collection and celebrates the 400 artisans that have surfaced since. The book does an exquisite job of capturing the essence of Mexican craftspersons and their meticulous techniques in more than 1,800 full-page portraits and colorful images of the works.
Becoming Modern, Becoming Tradition by Adriana Zavala Pdf
Explores the imagery of woman in Mexican art and visual culture. Examines how woman signified a variety of concepts, from modernity to authenticity and revolutionary social transformation, both before and after the Mexican Revolution.
Folk Treasures of Mexico by Marion Oettinger, Jr. Pdf
In his foreword, former New York governor and vice president of the United States Nelson A. Rockefeller remembers his first trip to Mexico in 1933 and his subsequent, life-long fascination with the Mexican people and their popular art. Rockefeller's collection of more than 3,000 pieces of Mexican folk art is widely considered to be the most exceptional in the U.S., and Folk Treasures of Mexico celebrates these icons, created from the eighteenth to the twentieth centuries, with more than 150 photos of the pieces, many of which are quite rare. This updated edition of the long out-of-print book focusing on this stunning collection of Mexican folk art contains a new foreword by Rockefeller's daughter, Ann Rockefeller Roberts, and a new prologue by Marion Oettinger, Jr., the director of the San Antonio Museum of Art, who wrote the principal text about the collection. Oettinger describes the objects according to function: utilitarian, ceremonial, decorative, or for play. Among the many noteworthy objects are a wooden-carved centurion helmet mask from the eighteenth century depicting a Roman guard, which is one of the few remaining masks of this type in existence, and a nineteenth century ceramic pitcher from Oaxaca that combines many stylistic techniques. Other objects include a variety of children's toys, clothing, and items for eating and drinking. First published in 1990, the book also contains the original preface by Rockefeller's daughter, who was instrumental in finding permanent homes for her father's collection, which can now be found in the San Antonio Museum of Art and the Mexican Museum in San Francisco. Including a glossary, bibliography, and chronology, Folk Treasures of Mexico is a must-read for anyone interested in Latin American art, culture, and history.