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Women in the Printing Trades: A Sociological Study by Various Pdf
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WOMEN IN THE PRINTING TRADES A by James Ramsay 1866-1937 MacDonald Pdf
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Women in the Printing Trades by James Ramsay MacDonald Pdf
Excerpt from Women in the Printing Trades: A Sociological Study My only qualification for writing this preface is the circumstance that, as a representative of the Royal Economic Society, I attended the meetings of the Committee appointed to direct and conduct the investigations of which the results are summarised in the following pages. From what I saw and heard at those meetings I received the impression that the evidence here recorded was collected with great diligence and sifted with great care. It seems to constitute a solid contribution to a department of political economy which has perhaps not received as much attention as it deserves. Among the aspects of women's work on which some new light has been thrown, is the question why women in return for the same or a not very different amount of work should often receive very much less wages. It is a question which not only in its bearing on social life is of the highest practical importance, but also from a more abstract point of view is of considerable theoretical interest, so far as it seems to present the paradox of entrepreneurs paying at very different rates for factors of production which are not so different in efficiency. The question as stated has some resemblance to the well-known demand for an explanation which Charles II. preferred to the Royal Society: there occurs the preliminary question whether the circumstance to be explained exists. The alleged disproportion between the remuneration of men and women is indeed sometimes only apparent, or at least appears to be greater than it is really. Often, however, it is real and great where it is not apparent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Natural Enemies of Books. A Messy History of Women in Printing and Typography by Anonim Pdf
Natural Enemies of Books' is a response to the groundbreaking 1937 publication 'Bookmaking on the Distaff Side', which brought together contributions by women printers, illustrators, authors, printers, typographers and typesetters, highlighting the print industry?s inequalities and proposing a takeover of the history of the book.00Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), 'Natural Enemies of Books' includes newly commissioned essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines, Ulla Wikander and conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Downey, as well as reprints of the original book and other publications.0.
Women and the Book Trade in Sixteenth-Century France by Susan Broomhall Pdf
Focusing on the vastly understudied area of how women participated in the book trades, not just as authors, but also as patrons, copyists, illuminators, publishers, editors and readers, Women and the Book Trade in Sixteenth-Century France foregrounds contributions made by women during a period of profound transformation in the modes and understanding of publication. Broomhall asks whether women's experiences as authors changed when manuscript circulation gave way to the printed book as a standard form of publication. Innovatively, she broadens the concept of publication to include methods of scribal publication, through the circulation and presentation of manuscripts, and expands notions of authorship to incorporate a wide sample group of female writers and publishing experiences. She challenges the existing view that manuscript offered a "safe" means of semi-public exposure for female authors and explores its continuing presence after the introduction of print. The study introduces a wide and rich range of unexamined sources on early modern women, using an extensive range of manuscripts and the entire corpus of women's printed texts in sixteenth-century France. Most of the original texts, uncovered during the author's own extensive archival and bibliographical research, have never been re-published in modern French. Most of the citations from them are here translated into English for the first time. The work presents the only checklist of all known women's writings in printed texts, from prefaces and laudatory verse to editions of prose and poetry, between 1488 and 1599. Women and the Book Trade in Sixteenth-Century France constitutes the most comprehensive assessment of women's contribution to contemporary publishing yet available. Broomhall's innovative approach and her conclusions have relevance not only for book historians and French historians, but for a broad range of scholars who work with other European literatures and histories, as well as women's studies.
Rolling Our Own by Eileen Cadman,Gail Chester,Agnes Pivot Pdf
Monograph on woman workers' involvement in the publishing activities of women's rights interest groups in the UK - gives experiences of women in the feminist printing industry and in book distribution, and includes a directory of feminist periodicals, printers, publishers and interest groups.
Women and Letterpress Printing 1920–2020 by Claire Battershill Pdf
This Element analyses the relationship between gender and literary letterpress printing from the early 20th century to the beginning of the 21st. Drawing on examples from modernist writer/printers of the 1920s to literary book artists of the early 21st, it offers a way of thinking about the feminist historiography of printing as we confront the presence and particular character of letterpress in a digital age. This Element is divided into four sections: the first, 'Historicizing' traces the critical histories of women and print through to the twentieth and twenty-first centuries. The second section, 'Learning,' offers an analysis of some of the modes of discourse and training through which women and gender minorities have learned the craft of printing. The third section, 'Individualizing' offers brief biographical vignettes. The fourth section, 'Writing,' focuses on printers' own written reflections about letterpress. This title is also available as Open Access on Cambridge Core.
Author : Lisa M. Maruca Publisher : University of Washington Press Page : 240 pages File Size : 42,5 Mb Release : 2012-03-15 Category : Literary Criticism ISBN : 9780295801759
The Work of Print traces a shift in the very definition of literature, from one that encompasses the material conditions of the production and distribution of books to the more familiar emphasis on the solitary author's ownership of an abstract text. Drawing on contemporary accounts of those involved in the trade - printers, booksellers, publishers, and distributors - Lisa Maruca examines attitudes about the creative process and approaches to the commodification of writing. The "work of print" describes the labors through which literature was produced: both the physical labor of making books and the underlying cultural work performed by a set of ideologies about who counted as a maker of texts. Printers' manuals, tracts on typography, legal documents, and booksellers' autobiographies reveal that print workers conceived of their roles as central to the production of literature. Maruca's insightful readings of these documents alongside traditional works of fiction and authors' correspondence show that the claims of print workers and booksellers were part of a struggle for ownership and control as the concept of author as proprietor of his or her intellectual property began to take hold in the mid-1700s, gradually eclipsing print workers' contributions to the process of textual creation. The print trade asserted its authority using a rhetoric of hierarchical and binary sexuality and gender, which affected women working in the industry and limited the type of work they were allowed to perform. In response, women developed strategies to redeploy conventional ideas of gender to gain concessions for themselves as publishers and distributors of printed material, strategies that formed a foundation for the rise of female authorship later in the eighteenth century. Encompassing the histories of literature, labor, technology, publishing, and gender, The Work of Print ultimately offers significant insights into the ideology of authorship and intellectual property and our understanding of textuality and print in the digital age.
Women in Print 1 by Artemis Alexiou,Rose Roberto,John Hinks Pdf
"Women in Print 1 is a collection of essays in two related volumes which consider the diversity of roles occupied by women in the authorship, design, production, distribution and consumption of printed material from the fifteenth century onwards. Focusing on individuals and their careers, Women in Print 1 looks at the role of women in the design of printed work, or more broadly, design issues related to the business of publishing. While it is known that women participated in the development of printing technology and the printing trades, their impact on printing history either as producers, consumers or distributors has not only been neglected and undervalued in some instances - it has been deliberately obscured. Collectively the chapters in this volume cover, and recover, the lives and work of women in design for printing and publishing from medieval Italy to twentieth-century Europe, and highlights how their contributions brought positive change not only to the allied industries of printing and publishing but also to the wider social and cultural settings of their time. Women in Print 2 is a collection of essays in two related volumes which consider the diversity of roles occupied by women in the authorship, design, production, distribution and consumption of printed material from the fifteenth century onwards. The contributions included in Women in Print 2 cover the whole of the 'letterpress era' in Europe from the early fifteenth century to the mid-twentieth century. The essays address three themes: the role of women in the production of print; in its distribution; in addition to some neglected areas of women's consumption of print. To a greater extent the participation of women in the production and distribution of print has been written by the men who dominated the trade. Women in Print 2 explores the often-overlooked contribution to the business aspects of the printing and publishing industries, particularly female involvement in roles that were customarily seen as male preserves. This collection of essays brings together insights from multiple perspectives, seeking to recover the unheard voices and hitherto unnoticed activities of the many women who participated in the production, distribution and consumption of the printed word and image"--
