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Ultimately, Cohn argues, women are the protagonists of this book, whether the issue is their support of other women or the resolution of conflict in the streets of Florence, the control of their own dowries or the salvation of their own souls.
Women of the Street by Susan Dewey,Tonia St. Germain Pdf
Explores encounters between those who make their living by engaging in street-based prostitution and the criminal justice and social service workers who try to curtail it Working together every day, the lives of sex workers, police officers, public defenders, and social service providers are profoundly intertwined, yet their relationships are often adversarial and rooted in fundamentally false assumptions. The criminal justice-social services alliance operates on the general belief that the women they police and otherwise regulate choose sex work as a result of traumatization, rather than acknowledging the fact that socioeconomic realities often inform their choices. Drawing on extraordinarily rich ethnographic research, including interviews with over one hundred street-involved women and dozens of criminal justice and social service professionals, Women of the Street argues that despite the intimate knowledge these groups have about each other, measures designed to help these women consistently fail because they do not take into account false assumptions about street life, homelessness, drug use and sex trading. Reaching beyond disciplinary silos by combining the analysis of an anthropologist and a legal scholar, the book offers an evidence-based argument for the decriminalization of prostitution.
Why Loiter? by Shilpa Phadke,Sameera Khan,Shilpa Ranade Pdf
Presenting an original take on women’s safety in the cities of twenty-first century India, Why Loiter? maps the exclusions and negotiations that women from different classes and communities encounter in the nation’s urban public spaces. Basing this book on more than three years of research in Mumbai, Shilpa Phadke, Sameera Khan and Shilpa Ranade argue that though women’s access to urban public space has increased, they still do not have an equal claim to public space in the city. And they raise the question: can women’s access to public space be viewed in isolation from that of other marginal groups? Going beyond the problem of the real and implied risks associated with women’s presence in public, they draw from feminist theory to argue that only by celebrating loitering—a radical act for most Indian women—can a truly equal, global city be created.
Women invest differently than men. Collectively, their approach has proven profitable and reliable, and it outperforms the industry at large. The portfolio managers interviewed in this book exemplify the best traits that women investors tend to exhibit. Read Women of the Street to learn from them and start investing a little more like a girl.
The Unequal Homeless explores the persistence, as opposed to the occurrence, of homelessness. With this focus, which is absent in most of the contemporary homelessness literature, the author shows how cultural expressions of beliefs about gender difference help to perpetuate the homelessness of particular groups of people in New York City. The people who are persistently homeless in New York are, overwhelmingly, black men. The reason, Passaro contends, is that homelessness is not simply an economic predicament, but a cultural and moral location as well.
Gilded Age cities offered extraordinary opportunities to women--but at a price. As clerks, factory hands, and professionals flocked downtown to earn a living, they alarmed social critics and city fathers, who warned that self-supporting women were just steps away from becoming prostitutes. With in-depth research possible only in a mid-sized city, Sharon E. Wood focuses on Davenport, Iowa, to explore the lives of working women and the prostitutes who shared their neighborhoods. The single, self-supporting women who migrated to Davenport in the years following the Civil War saw paid labor as the foundation of citizenship. They took up the tools of public and political life to assert the respectability of paid employment and to confront the demon of prostitution. Wood offers cradle-to-grave portraits of individual girls and women--both prostitutes and "respectable" white workers--seeking to reshape their city and expand women's opportunities. As Wood demonstrates, however, their efforts to rewrite the sexual politics of the streets met powerful resistance at every turn from men defending their political rights and sexual power.
Women of the Mean Streets: Lesbian Noir by J.M. Redmann,Greg Herren Pdf
Women. Crime. Justice. At least the search for it. On the mean streets, the back allies, the dark corners. These are stories of tough women in hard places. The nights are long, the women are fast, and danger is always a short block or quick minute away. Edited by award winning author/editors J.M. Redmann and Greg Herren, Women of the Mean Streets is an anthology of some of the top, tough women crime writers today, noir stories with a lesbian twist.
Police power was built on women's bodies. Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In The Streets Belong to Us—a searing history of women and police in the modern United States—Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and their right to move freely through city streets. Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of "broken windows" policing in the 1980s, police targeted white and Black women in distinct but interconnected ways. These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of "urban vice" into the gentrified sites of Black displacement and banishment we live in today. By illuminating both the racial dimension of sexual liberalism and the gender dimension of policing in Black neighborhoods, The Streets Belong to Us illustrates the decisive role that race, gender, and sexuality played in the construction of urban police regimes.
Women of the Dark Streets: Lesbian Paranormal by Radclyffe,Stacia Seaman Pdf
Enter a midnight world of the supernatural—a world of vampires, werewolves, witches, ghosts, and demons. A seductive world limited only by your imagination, full of dark fantasies, hidden desires, and sexy women who rule the night. Edited by award-winning editors Radclyffe and Stacia Seaman, Women of the Dark Streets presents all new tales of the paranormal from your favorite Bold Strokes authors.
Walking the Victorian Streets by Deborah Epstein Nord Pdf
Literary traditions of urban description in the nineteenth century revolve around the figure of the stroller, a man who navigates and observes the city streets with impunity. Whether the stroller appears as fictional character, literary persona, or the nameless, omnipresent narrator of panoramic fiction, he casts the woman of the streets in a distinctive role. She functions at times as a double for the walker's marginal and alienated self and at others as connector and contaminant, carrier of the literal and symbolic diseases of modern urban life. In Walking the Victorian Streets, Deborah Epstein Nord explores the way in which the female figure is used as a marker for social suffering, poverty, and contagion in texts by De Quincey, Lamb, Pierce Egan, and Dickens. What, then, of the female walker and urban chronicler? While the male spectator enjoyed the ability to see without being seen, the female stroller struggled to transcend her role as urban spectacle and her association with sexual transgression. In novels, nonfiction, and poetry by Elizabeth Gaskell1 Flora Tristan, Margaret Harkness, Amy Levy, Maud Pember Reeves, Beatrice Webb, Helen Bosanquet, and others, Nord locates the tensions felt by the female spectator conscious of herself as both observer and observed. Finally, Walking the Victorian Streets considers the legacy of urban rambling and the uses of incognito in twentieth-century texts by George Orwell and Virginia Woolf.
“A startling, clear-eyed” memoir of an immigrant girl’s childhood in early 20th century NYC from the journalist and Tony-winning co-author of Kiss Me Kate (Booklist). Born in Transylvania in 1899, Bella Spewack arrived on the streets of New York’s Lower East Side when she was three. At twenty-two, while working as a reporter with her husband in Europe, she wrote a memoir of her childhood that was never published. More than seventy years later, the publication of Streets recovers a remarkable voice and offers a vivid chronicle of a lost world. Bella, who went on to a brilliant career write for stage and screen with her husband Sam, describes the sights, sounds, and characters of urban Jewish immigrant life after the turn of the century. Witty, street-smart, and unsentimental, Bella was a genuine American heroine who displays in this memoir “a triumph of will and spirit” (The Jewish Week).
Women Street Photographers by Gulnara Samoilova Pdf
With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.
The Weather In The Streets by Rosamond Lehmann Pdf
ONE OF THE MOST REMARKABLE BRITISH WRITERS OF THE TWENTIETH CENTURY 'With brilliant dialogue and intense passages of elation and despair, The Weather in the Streets takes you on the rollercoaster of their relationship' ESTHER FREUD, SUNDAY TELEGRAPH 'Lehmann legitimised a type of writing that took on deep personal themes' ENGLISH PEN 'The first writer to filter her stories through a woman's feelings & perceptions' ANITA BROOKNER Taking up where Invitation to the Waltz left off, The Weather in the Streets shows us Olivia Curtis ten years older, a failed marriage behind her, thinner, sadder, and apparently not much wiser. A chance encounter on a train with a man who enchanted her as a teenager leads to a forbidden love affair and a new world of secret meetings, brief phone calls and snatched liaisons in anonymous hotel rooms. Years ahead of its time when first published, this subtle and powerful novel shocked even the most stalwart Lehmann fans with its searing honesty and passionate portrayal of clandestine love. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame.
