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As an Iranian woman, Shirin Neshat's startling photographs convey a power that is more than merely exotic. Veiled women brandish guns in defiant stances, with Arabic calligraphy drawn upon the background of the photos. Though their non-Western iconography may at first disorient the viewer, these pictures have a boldly stylized look that is utterly compelling.
"Inspired by Nina Ansary's scholarly journey, Jewels of Allah is a provocative roller coaster ride that shatters the stereotypical assumptions and the often misunderstood story of women in Iran today"--Back cover.
In 1957, Henny Harald Hansen, the first Danish female anthropologist, was invited to take part in an archaeological expedition to the site of the projected Dokan Dam on the Little Zab river in Northern Iraq. Although her responsibilities were originally ethnological, she became the guest first of the local sheik and later of her interpreter’s family and as a result, the doors of many Kurdish homes were opened to her that normally would have remained closed to foreigners. She travelled widely among the mountain villages of Iraqi Kurdistan and was able to see from very close range the everyday life of women. First published in 1958 and translated in 1960, this book contains the intimate and fascinating account of Henny Harald Hansen’s travels and her encounters with the women of Kurdistan. It will be of keen interest to those studying women in Islamic societies and anthropology.
Fourteen centuries of Islamic thought have produced a legacy of interpretive readings of the Qu'ran written almost entirely by men. Now, with Qu'ran and Woman, Amina Wadud provides a first interpretive reading by a woman, a reading which validates the female voice in the Qu'ran and brings it out of the shadows. Muslim progressives have long argued that it is not the religion but patriarchal interpretation and implementation of the Qu'ran that have kept women oppressed. For many, the way to reform is the reexamination and reinterpretation of religious texts. Qu'ran and Woman contributes a gender inclusive reading to one of the most fundamental disciplines in Islamic thought, Qu'ranic exegesis. Wadud breaks down specific texts and key words which have been used to limit women's public and private role, even to justify violence toward Muslim women, revealing that their original meaning and context defy such interpretations. What her analysis clarifies is the lack of gender bias, precedence, or prejudice in the essential language of the Qur'an. Despite much Qu'ranic evidence about the significance of women, gender reform in Muslim society has been stubbornly resisted. Wadud's reading of the Qu'ran confirms women's equality and constitutes legitimate grounds for contesting the unequal treatment that women have experienced historically and continue to experience legally in Muslim communities. The Qu'ran does not prescribe one timeless and unchanging social structure for men and women, Wadud argues lucidly, affirming that the Qu'ran holds greater possibilities for guiding human society to a more fulfilling and productive mutual collaboration between men and women than as yet attained by Muslims or non-Muslims.
She who Tells a Story by Kristen Gresh,Museum of Fine Arts, Boston Pdf
She Who Tells a Story introduces the pioneering work of twelve leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past twenty years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 reproductions of photographs and film and video stills, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty.
This excellent collection of critical commentaries on the Koran brings together outstanding articles by noted scholars from the beginning of the 20th century to recent times. These important studies, as well as the editor's own lengthy introduction, show that little about the text of the Koran can be taken at face value. Among the fascinating topics discussed is evidence that early Muslims did not understand Muhammad's original revelation, that the ninth-century explosion of literary activity was designed to organize and make sense of an often incoherent text, and that much of the traditions surrounding Muhammad's life were fabricated long after his death in an attempt to give meaning to the Koran. Also of interest are suggestions that Coptic and other Christian sources heavily influenced much of the text and that some passages reflect an essential background reaching back to the community of the Dead Sea Scrolls. This valuable compilation will be a welcome resource to interested lay readers and scholars alike.
Women in Islam is an attractive book of simple compilation of quotations from the Qur’an and Hadith collections that refer to or address women specifically. It engages the reader in a moment of reflection on the Islamic view of womanhood: her existence as a creation of Allah, her role as a positive stakeholder in building a God-conscious society and her capacity for attaining proximity with Allah.
Tracing the Iranian-born artist's personal journey in exile from her native Iran, this book presents Shirin Neshat's iconic early videos and photographs along with new work making its global debut. In the 1990s, Shirin Neshat's startling black-and-white videos of Iranian women won enormous praise for their poetic reflections on post-revolutionary life in her native country. Writing in the New Yorker, Peter Schjeldahl called her multi-screen video meditations on the culture of the chador in Islamic Iran "the first undoubtable masterpieces of video installation." Over the next twenty-five years Neshat's work has continued its passionate engagement with ancient and recent Iranian history, extending its reach to the universal experience of living in exile and the human impact of political revolution. This book connects Neshat's early video and photographic works--including haunting films such as Rapture, 1999 and Tooba, 2002--to her current projects which focus on the relation of home to exile and dreams such as The Home of My Eyes, 2015, and a new, never-before-seen project, Land of Dreams, 2019. It includes numerous stills from her series, Dreamers, in which she documents the lives of outsiders and exiles in the United States. This volume also includes essays by prominent Iranian cultural figures as well as an interview with the artist. Neshat has always been a voice for those whose individual freedoms are under attack. With this monograph, her audience will gain a deeper understanding of Neshat's own emotional, psychological, and political identities, and how they have helped her create compassionate portraits of the fraught and delicate spaces between attachment and alienation. Published with The Broad
In this comprehensive portrait of the women of Chechnya in modern war, Paul Murphy challenges conventional thinking on why they fight and are willing to kill themselves in the name of Allah. His book covers the two wars with Russia in 1994 and 1999 and the present conflict with Islamic Jihadists. It argues that these wars forced Chechen women to venture far beyond their traditional roles and advance their human rights but that the current movement championing traditional Islam is taking those rights away. Drawing on personal interviews, insider resources, and other materials, Murphy presents powerful portrayals of women who fight in the Chechen Jihad, including snipers, suicide bombers and the mysterious “Black Widows,” as well as women who collect intelligence, hide arms, and perform other non-combatant roles.
Muhammad the Liberator of Women by Mirza Bashir-ud-Din Mahmud Ahmad Pdf
Throughout history, women have been powerless and weak. Before the Holy Prophet Muhammad's arrival, a woman was regarded as man's slave and property, and no religion or nation could offer the woman rights and freedom. When their husbands died, they were forced to marry relatives or sold for money. There was no law that could protect them. Prophet Muhammad proclaimed in the name of God that men and women are equal. He declared that a man does not own his wife. He may not sell or force her into slavery. The teaching of the Holy Prophet raised the status of women as being not only equal to men, but also gave them freedom for social, physical and spiritual development. This book is about women's rights and freedom in Islam and shows that Holy Prophet Muhammad was indeed the liberator of women.
West Africa's Women of God examines the history of direct revelation from Emitai, the Supreme Being, which has been central to the Diola religion from before European colonization to the present day. Robert M. Baum charts the evolution of this movement from its origins as an exclusively male tradition to one that is largely female. He traces the response of Diola to the distinct challenges presented by conquest, colonial rule, and the post-colonial era. Looking specifically at the work of the most famous Diola woman prophet, Alinesitoué, Baum addresses the history of prophecy in West Africa and its impact on colonialism, the development of local religious traditions, and the role of women in religious communities.
Women Warriors for Allah by Janny Groen,Annieke Kranenberg Pdf
Dutch investigative journalists Janny Groen and Annieke Kranenberg offer an indispensable corrective to the conventional view that Muslim women in jihad are either pacifist nurturers who steer their husbands and brothers away from violence or passive bystanders who play a mere supporting role in networks run by domineering men.
