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Women Writers in Pre-Revolutionary France by Collette H. Winn,Donna Kuizenga Pdf
This extensive collection of English-language essays examines the many strategies of resistance to male domination that women in France from the 16th through the 18th centuries utilized in their lives and their writings.
This historical study examines the way women used writing to create themselves as modern individuals in post-Revolutionary France.--From publisher description.
British Women Writers and the French Revolution by A. Craciun Pdf
British Women Writers and the French Revolution provides an overview of a wide range of British women's writings on the French Revolution, from writers sympathetic to the Revolution like Mary Robinson, Helen Maria Williams, and Charlotte Smith, to anti-revolutionary writers like Hannah More and Jane West. Based on new research in French and British archives and libraries, the book uncovers little-known writings by British women, and argues that these writers developed a distinct antinationalism, in some cases even a feminist cosmopolitanism, in their responses to the European revolutionary crisis.
French Women Writers by Eva Martin Sartori,Dorothy Wynne Zimmerman Pdf
Marie de France, Mme. De Sävignä, and Mme. De Lafayette achieved international reputations during periods when women in other European countries were able to write only letters, translations, religious tracts, and miscellaneous fragments. There were obstacles, but French women writers were more or less sustained and empowered by the French culture. Often unconventional in their personal lives and occupied with careers besides writing?as educators, painters, actresses, preachers, salon hostesses, labor organizers?these women did not wait for Simone de Beauvoir to tell them to make existential choices and have "projects in the world." French Women Writers describes the lives and careers of fifty-two literary figures from the twelfth century to the late twentieth. All the contributors are recognized authorities. Some of their subjects, like Colette and George Sand, are celebrated, and others are just now gaining critical notice. From Christine de Pizan and Marguerite de Navarre to Rachilde and Häl_ne Cixous, from Louise Labe to Marguerite Duras?these women speak through the centuries to issues of gender, sexuality, and language. French Women Writers now becomes widely available in this Bison Book edition.
Women Writing Opera by Jacqueline Letzter,Robert Adelson Pdf
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".
Women, Writing, and Revolution, 1790-1827 by Gary Kelly Pdf
The pre-Revolutionary call for the feminization of culture acquired new and controversial meaning during the Revolution debate with the claims of Mary Wollstonecraft and others for intellectual, vocational, sexual, and even political equality with men. But women writers of the period were faced with a literary discourse that assigned learned, sublime, and controversial genres, and public and political themes, to men. Women writers therefore undertook bold literary experiments that were derided and suppressed in their time, and which are still misunderstood.
Women of the French Revolution (Classic Reprint) by Winifred Stephens Pdf
Excerpt from Women of the French Revolution The Women of the French Revolution is so vast a theme that hitherto, even in France, it has not yet met with anything like exhaustive treatment. Michelet himself admits that the title of his book, Les F emmes de la Revolution,1 is misleading, and that he has written of a few heroines rather than of the mass of revolutionary women. A much later writer, M. Adrien Lasserre, in his work on Women's Participa tion in the Revolution2 says that he has found it impossible to cover completely a field so extensive. The attempt which M. Lasserre has renounced cannot be made here. All I hope to do is to give some idea of the rank and file of revolutionary women and of their famous leaders, during little more than a brief period of five memorable years. That period extends from May, 1789, until July, 1794, with some glances now and then, before and after. One aspect of this subject of revolutionary women - their connection with the secret societies of the day I have purposely ignored. It is obscure and highly controversial. Unfortunately, though these societies have been much written about, and especially of late, it has often been in a partisan spirit. This book will constantly deal with parties, but I trust not in the spirit of a partisan. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Gender and Genre explores the ways in which German women writers used literature, in the sense of belles lettres, to comment on the French Revolution and its aftermath. By doing so, these authors adapted major literary genres and questioned these genres' representation of women in the eighteenth- and nineteenth-century literary sphere.
Writing the Revolution by Lindsay A. H. Parker Pdf
Writing the Revolution is a microhistory of a middle-class Parisian woman, Rosalie Jullien, whose nearly 1,000 familiar letters have never before been studied. The Jullien name is not new to histories of the French Revolution. Rosalie's son, Marc-Antoine, known in the family as Jules, was closely connected to the Committee of Public Safety during the Reign of Terror. However, despite being the wife and mother of revolutionary elites, Rosalie led a private life. Connected to the Revolution in very personal ways, she was also distanced from the lime light because of her gender and her proclivity for modesty. Her correspondence allows readers to enter her private world and see the intellectual, emotional, and familial life of a revolutionary in all of its complexity. The prevailing thesis in the field holds that the revolutionary elite constructed the New Regime against women, effectively excluding them from the political sphere, although nearly every existing study of women has approached the subject through oblique sources and mostly male voices. Rosalie Jullien's long missives to her husband and son, however, document her relationship to politics as she explained it. Despite never seeking a public role, Rosalie developed a political identity that included a revolutionized understanding of womanhood. Writing the Revolution builds on the innovative scholarship on the history of the family during the Revolution and demonstrates how the family sphere was revolutionized even in cases where the wife maintained a traditional family role. Jullien's correspondence boasts many values as an artifact of the Revolutionary experience, of women's lives, and of epistolary culture. Rosalie demonstrates the individual's experience within the evolving structures of a modernizing state, family, and gender identity. The period covered spans from 1775 to 1810. A portrayal of Rosalie's early married life, and the decade she spent with her husband and children in a small town north of Grenoble, begins the book, and is followed by a chapter on the couple's reading practices and their views toward religion prior to the Revolution. The heart of the research focuses on Rosalie's life and experiences in Revolutionary Paris and her decision, in the aftermath of the Terror, to emphasize private, domestic life over politics.
Women Writing Latin by Laurie J. Churchill,Phyllis R. Brown,Jane E. Jeffrey Pdf
This book is part of a 3-volume anthology of women's writing in Latin from antiquity to the early modern era. Each volume provides texts, contexts, and translations of a wide variety of works produced by women, including dramatic, poetic, and devotional writing. Volume One covers the age of Roman Antiquity and early Christianity.
