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Woody Guthrie, American Radical by Will Kaufman Pdf
Although Joe Klein's Woody Guthrie and Ed Cray's Ramblin' Man capture Woody Guthrie's freewheeling personality and his empathy for the poor and downtrodden, Kaufman is the first to portray in detail Guthrie's commitment to political radicalism, especially communism. Drawing on previously unseen letters, song lyrics, essays, and interviews with family and friends, Kaufman traces Guthrie's involvement in the workers' movement and his development of protest songs. He portrays Guthrie as a committed and flawed human immersed in political complexity and harrowing personal struggle. Since most of the stories in Kaufman's appreciative portrait will be familiar to readers interested in Guthrie, it is best for those who know little about the singer to read first his autobiography, Bound for Glory, or as a next read after American Radical.
Woody Guthrie - American Radical Patriot by Bill Nowlin Pdf
Don't miss this tribute to the writer and composer of the greatest love song ever written, This Land is Your Land. Woody Guthrie's voice takes us back to the America that created a movement of such voices; you listen to Woody at the risk of being won over to the cause of working class Americans and the understanding that their cause is yours as well. --Norman Lear This book was written to accompany the Rounder Records release of the same title, which encompasses six compact discs and one DVD. It includes a complete transcription of all the words to all the songs and stories which Woody Guthrie recorded for the Library of Congress, the recordings he made for the Bonneville Power Administration, the radio dramas recorded for the Office of War Information during World War II and to help with public health efforts in the years after the war. There is also an essay on the SS Reuben James (including a recent interview with the last-known survivor).
Ramblin' Man: The Life and Times of Woody Guthrie by Ed Cray Pdf
The groundbreaking biography, available for the centennial of Woody Guthrie’s birth in July 2012. A patriot and a political radical, Woody Guthrie captured the spirit of his times in his enduring songs. Ed Cray, the first biographer to be granted access to the Woody Guthrie Archive, has created a haunting portrait.
Woody Guthrie's Modern World Blues by Will Kaufman Pdf
Mention Woody Guthrie, and people who know the name are likely to think of the “Okie Bard,” dust storms behind him, riding a boxcar or walking a red-dirt road, a battered guitar strapped to his back. But unlock Guthrie from the confines of rural folk and Hollywood mythology, as Will Kaufman does here, and you’ll find an abstract painter and sculptor who wrote about atomic energy and Ingrid Bergman and developed advanced theories of dialectical materialism and human engineering—in short, a folk singer who was deeply engaged with the art, ideas, and issues of his time. Guthrie may have been born in the Oklahoma hills, but his most productive years were spent in the metropolitan centers of Los Angeles and New York. Machines and their physics were among his favorite metaphors, fast cars were his passion, and airplanes and even flying saucers were his frequent subjects. His career-long immersion in radio, recording, and film inspired trenchant observations concerning mass media and communication, and he contributed to modern art as a prolific abstract painter, graphic artist, and sculptor. This book explores how, through multiple artistic forms, Guthrie thought and felt about the scientific method, atomic power, and war technology, as well as the shifting dynamics of gender and race. Drawing on previously unpublished archival sources, Kaufman brings to the fore what Guthrie’s insistently folksy popular image obscures: the essays, visual art, letters, verse, fiction, and voluminous notebook entries that reveal his profoundly modern sensibilities. Woody Guthrie emerges from these pages as a figure whose immense artistic output reflects the nation’s conflicted engagement with modernity. Capturing the breathtaking social and technological changes that took place during his extraordinarily productive career, Woody Guthrie’s Modern World Blues offers a unique and much-needed new perspective on a musical icon.
Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance by Damian A. Carpenter Pdf
With its appeal predicated upon what civilized society rejects, there has always been something hidden in plain sight when it comes to the outlaw figure as cultural myth. Damian A. Carpenter traverses the unsettled outlaw territory that is simultaneously a part of and apart from settled American society by examining outlaw myth, performance, and perception over time. Since the late nineteenth century, the outlaw voice has been most prominent in folk performance, the result being a cultural persona invested in an outlaw tradition that conflates the historic, folkloric, and social in a cultural act. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure’s heroic associations and expands on its historical (Jesse James, Billy the Kid), folk (John Henry, Stagolee), and social (tramps, hoboes) forms. He argues that all three performers represent a culturally disruptive force, whether it be the bad outlaw that Lead Belly represented to an urban bourgeoisie audience, the good outlaw that Guthrie shaped to reflect the social concerns of marginalized people, or the honest outlaw that Dylan offered audiences who responded to him as a promoter of clear-sighted self-evaluation. As Carpenter shows, the outlaw and the law as located in society are interdependent in terms of definition. His study provides an in-depth look at the outlaw figure’s self-reflexive commentary and critique of both performer and society that reflects the times in which they played their outlaw roles.
“I ain’t got no home, I’m just a-roamin’ round,” Woody Guthrie lamented in one of his most popular songs. A native of Oklahoma, he was still in his teens when he moved to Pampa, Texas, where he experienced the dust storms that would play such a crucial role in forming his identity and shaping his work. He later joined thousands of Americans who headed to California to escape the devastation of the Dust Bowl. There he entered the West Coast stronghold of the Popular Front, whose leftward influence on his thinking would continue after his move in 1940 to New York, where the American folk music renaissance began when Guthrie encountered Pete Seeger and Lead Belly. Guthrie kept moving throughout his life, making friends, soaking up influences, and writing about his experiences. Along the way, he produced more than 3,000 songs, as well as fiction, journalism, poetry, and visual art, that gave voice to the distressed and dispossessed. In this insightful book, Will Kaufman examines the artist’s career through a unique perspective: the role of time and place in Guthrie’s artistic evolution. Guthrie disdained boundaries—whether of geography, class, race, or religion. As he once claimed in his inimitable style, “There ain’t no such thing as east west north or south.” Nevertheless, places were critical to Guthrie’s life, thought, and creativity. He referred to himself as a “compass-pointer man,” and after his sojourn in California, he headed up to the Pacific Northwest, on to New York, and crossed the Atlantic as a merchant marine. Before his death from Huntington’s disease in 1967, Guthrie had one more important trip to take: to the Florida swamplands of Beluthahatchee, in the heart of the South. There he produced some of his most trenchant criticisms of Jim Crow racism—a portion of his work that scholars have tended to overlook. To map Guthrie’s movements across space and time, the author draws not only on the artist’s considerable recorded and published output but on a wealth of unpublished sources—including letters, essays, song lyrics, and notebooks—housed in the Woody Guthrie Archives in Tulsa, Oklahoma. This trove of primary documents deepens Kaufman’s intriguing portrait of a unique American artist.
Dismantles the Woody Guthrie we have been taught—the rough-and-ready rambling’ man—to reveal an artist who discovered how intimacy is crucial for political struggle Woody Guthrie is often mythologized as the classic American “rambling’ man,” a real-life Steinbeckian folk hero who fought for working-class interests and inspired Bob Dylan. Biographers and fans frame him as a foe of fascism and focus on his politically charged folk songs. What’s left unexamined is how the bulk of Guthrie’s work—most of which is unpublished or little known—delves into the importance of intimacy in his personal and political life. Featuring an insert with personal photos of Guthrie’s family and previously unknown paintings, Woody Guthrie: An Intimate Life is a fresh and contemporary analysis of the overlapping influences of sexuality, politics, and disability on the art and mind of an American folk icon. Part biography, part cultural history of the Left, Woody Guthrie offers a stunning revelation about America’s quintessential folk legend, who serves as a guiding light for leftist movements today. In his close relationship with dancer Marjorie Mazia, Guthrie discovered a restorative way of thinking about the body, which provided a salve for the trauma of his childhood and the slowly debilitating effects of Huntington’s disease. Rejecting bodily shame and embracing the power of sexuality, he came to believe that intimacy was the linchpin for political struggle. By closely connecting to others, society could combat the customary emotional states of capitalist cultures: loneliness and isolation. Using intimacy as one’s weapon, Guthrie believed we could fight fascism’s seductive call.
The remarkable life and times of the man who popularized American folk music and created the science of song Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives. By the 1940s he was producing concerts that brought white and black performers together, and in the 1950s he set out to record the whole world. Lomax was also a controversial figure. When he worked for the U. S. government he was tracked by the FBI, and when he worked in Britain, MI5 continued the surveillance. In his last years he turned to digital media and developed technology that anticipated today's breakthroughs. Featuring a cast of characters including Eleanor Roosevelt, Leadbelly, Carl Sandburg, Carl Sagan, Jelly Roll Morton, Muddy Waters, and Bob Dylan, Szwed's fascinating biography memorably captures Lomax and provides a definitive account of an era as seen through the life of one extraordinary man.
26 Songs in 30 Days by Greg Vandy,Daniel Person Pdf
In 1941, Woody Guthrie wrote 26 songs in 30 days--including classics like “Roll On Columbia” and “Pastures of Plenty”--when he was hired by the Bonneville Power Administration to promote the benefits of cheap hydroelectric power, irrigation, and the Grand Coulee Dam. Timed to celebrate the 75th anniversary of this project, KEXP DJ Greg Vandy takes readers inside the unusual partnership between one of America’s great folk artists and the federal government, and shows how the American folk revival was a response to hard times. 26 Songs In 30 Days plunges deeply into the historical context of the time and the progressive politics that embraced Social Democracy during an era in which the United States had been severely suffering from The Great Depression. And though this is a musical history of a vibrant American musical icon and a specific part of the country, it couldn’t be a better reminder of how timeless and expansive such topics are in today’s political discourse. From the Hardcover edition.
New York Times Bestseller Finished in 1947 and lost to readers until now, House of Earth is legendary folk singer and American icon Woody Guthrie’s only finished novel. A powerful portrait of Dust Bowl America, it’s the story of an ordinary couple’s dreams of a better life and their search for love and meaning in a corrupt world. Tike and Ella May Hamlin are struggling to plant roots in the arid land of the Texas panhandle. The husband and wife live in a precarious wooden farm shack, but Tike yearns for a sturdy house that will protect them from the treacherous elements. Thanks to a five-cent government pamphlet, Tike has the know-how to build a simple adobe dwelling, a structure made from the land itself—fireproof, windproof, Dust Bowl-proof. A house of earth. A story of rural realism and progressive activism, and in many ways a companion piece to Guthrie’s folk anthem “This Land Is Your Land,” House of Earth is a searing portrait of hardship and hope set against a ravaged landscape. Combining the moral urgency and narrative drive of John Steinbeck with the erotic frankness of D. H. Lawrence, here is a powerful tale of America from one of our greatest artists. An essay by bestselling historian Douglas Brinkley and Johnny Depp introduce House of Earth, the inaugural title in Depp’s imprint at HarperCollins, Infinitum Nihil.
While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labor and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the complex cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact during the 1930s and beyond. Covering myriad musical styles and performers, Cohen narrates a singular history that begins in nineteenth-century labor politics and popular music culture, following the rise of unions and Communism to the subsequent Red Scare and increasing power of the Conservative movement in American politics--with American folk and vernacular music centered throughout. Detailing the influence and achievements of such notable musicians as Pete Seeger, Big Bill Broonzy, and Woody Guthrie, Cohen explores the intersections of politics, economics, and race, using the roots of American folk music to explore one of the United States' most troubled times. Becoming entangled with the ascending American left wing, folk music became synonymous with protest and sharing the troubles of real people through song.
A tour de force of storytelling years in the making: a dual biography of two of the greatest songwriters, Bob Dylan and Woody Guthrie, that is also a murder mystery and a history of labor relations and socialism, big business and greed in twentieth-century America—woven together in one epic saga that holds meaning for all working Americans today. When thirteen-year-old Daniel Wolff first heard Bob Dylan’s "Like a Rolling Stone," it ignited a life-long interest in understanding the rock poet’s anger. When he later discovered "Song to Woody," Dylan’s tribute to his hero, Woody Guthrie, Wolff believed he’d uncovered one source of Dylan’s rage. Sifting through Guthrie’s recordings, Wolff found "1913 Massacre"—a song which told the story of a union Christmas party during a strike in Calumet, Michigan, in 1913 that ended in horrific tragedy. Following the trail from Dylan to Guthrie to an event that claimed the lives of seventy-four men, women, and children a century ago, Wolff found himself tracing the history of an anger that has been passed down for decades. From America’s early industrialized days, an epic battle to determine the country’s direction has been waged, pitting bosses against workers and big business against the labor movement. In Guthrie’s eyes, the owners ultimately won; the 1913 Michigan tragedy was just one example of a larger lost history purposely distorted and buried in time. In this magnificent cultural study, Wolff braids three disparate strands—Calumet, Guthrie, and Dylan—together to create a devastating revisionist history of twentieth-century America. Grown-Up Anger chronicles the struggles between the haves and have-nots, the impact changing labor relations had on industrial America, and the way two musicians used their fury to illuminate economic injustice and inspire change.