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Woolf and the City by Elizabeth F. Evans,Sarah E. Cornish Pdf
Edited collection from acclaimed contemporary Woolf scholars, focusing on urban issues. These include addressing the ethical and political implications of Virginia Woolf's work, a move that suggests new insights into Woolf as a "real world" and social critic.
Virginia Woolf and London by Susan Merrill Squier Pdf
To Virginia Woolf, London was a source of creative inspiration, a setting for many of her works, and a symbol of the culture in which she lived and wrote. In a 1928 diary entry, she observed, "London itself perpetually attracts, stimulates, gives me a play & a story & a poem, without any trouble, save that of moving my legs through the streets." The city fascinated Woolf, yet her relationship with it was problematic. In her attempts to resolve her developmental struggles as a woman write in a patriarchal society, Woolf shaped and reshaped the image and meaning of London. Using psychoanalytic, feminist, and social theories, Susan Squier explores the transformed meaning of the city in Woolf's essays, memoirs, and novels as it functions in the creation of a mature feminist vision. Squier shows that Woolf's earlier works depict London as a competitive patriarchal environment that excluded her, but her mature works portray the city as beginning to accept the force of female energy. Squier argues that this transformation was made possible by Woolf's creative ability to appropriate and revise the masculine literary and cultural forms of her society. The act of writing, or "scene making," allowed Woolf to break from her familial and cultural heritage and recreate London in her own literary voice and vision. Virginia Woolf and London is based on analyses of Woolf's memoirs, her little-known early and mature London essays, Night and Day, Mrs. Dalloway, Flush, and The Years. By focusing on Woolf's changing attitudes about the city, Squier is able to define Woolf's evolving belief that women could "reframe" the city-scape and use it to imagine and create a more egalitarian world. Squier's study offers significant new insights into the interplay between self and society as it shapes the work of a woman writer. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Street Haunting and Other Essays by Virginia Woolf Pdf
Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.
The London Scene by Hermione Lee,Virginia Woolf Pdf
'The London Scene' is a collection of essays written by one of London's most acclaimed writers. Virginia Woolf was born and lived much of her life in the city, using it as the backdrop for many of her works.
The Life and Death of Ancient Cities by Greg Woolf Pdf
The dramatic story of the rise and collapse of Europe's first great urban experiment The growth of cities around the world in the last two centuries is the greatest episode in our urban history, but it is not the first. Three thousand years ago most of the Mediterranean basin was a world of villages; a world without money or writing, without temples for the gods or palaces for the mighty. Over the centuries that followed, however, cities appeared in many places around the Inland Sea, built by Greeks and Romans, and also by Etruscans and Phoenicians, Tartessians and Lycians, and many others. Most were tiny by modern standards, but they were the building blocks of all the states and empires of antiquity. The greatest--Athens and Corinth, Syracuse and Marseilles, Alexandria and Ephesus, Persepolis and Carthage, Rome and Byzantium--became the powerhouses of successive ancient societies, not just political centers but also the places where ancient art and literatures were created and accumulated. And then, half way through the first millennium, most withered away, leaving behind ruins that have fascinated so many who came after. Based on the most recent historical and archaeological evidence, The Life and Death of Ancient Cities provides a sweeping narrative of one of the world's first great urban experiments, from Bronze Age origins to the demise of cities in late antiquity. Greg Woolf chronicles the history of the ancient Mediterranean city, against the background of wider patterns of human evolution, and of the unforgiving environment in which they were built. Richly illustrated, the book vividly brings to life the abandoned remains of our ancient urban ancestors and serves as a stark reminder of the fragility of even the mightiest of cities.
Virginia Woolf's London. The character of a city and its people by Nicole Eismann Pdf
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1.7, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), course: Virginia Woolf. Time, Space and Memory, language: English, abstract: “London itself perpetually attracts, stimulates, gives me a play & a story & a poem, without any trouble, save that of moving my legs through the streets.” Virginia Woolf’s home town, London, appears to be one of her greatest inspirations as it is not only setting of several of Woolf's novels but also the main topic in a number of her essays. At first glance, Virginia Woolf's London is a perfect place of beauty and harmony. Despite mentioning them, the negative aspects of London brought up in her works always seem to be played down with the help of linguistic devices such as the use of irony in case of “the moralist” in “Oxford Street Tide” which can be made out in the following quote: “Even a moralist, who is, one must suppose, since he can spend the afternoon dreaming, a man with a balance in the bank – even a moralist must allow [...]”. But is this beauty a real overall picture of Great Britain's capital as it is described by Woolf? Or do the mentioned negative aspects still have a bigger influence on the perception of London the reader gets than it appears? Or is the image, Virginia Woolf presents us, in the end even more negative than positive, and from which point of view? To answer these questions, this paper includes a detailed analysis of two essays which address the city of London as their main issue with a special focus on the people and their perception – “Oxford Street Tide”, one of “The London Scene” essays which describes life in one of London's most famous shopping areas, and “Street Haunting: A London Adventure” in which the narrator takes the reader for a walk around London.
Chase Insteadman is a handsome, inoffensive fixture on Manhattan's social scene, living off his earnings as a child star. Chase owes his current social status to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, and trapped in a vague routine punctuated only by Upper Eastside dinner parties and engagements. Into Chase's life enters Perkus Tooth, a wall-eyed free-range pop-critic, whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers and a desperate ache for meaning. Perkus' countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake and who is complicit take on a life-shattering urgency. Together Chase and Perkus attempt to unearth the Truth - that rarest of artifacts on an island where everything can be bought. Beautiful and tawdry, tragic and forgiving, Lethem's new novel is as always, utterly unique.
From Charles Dickens’ London to today’s megacities, a fascinating exploration of what urban walking tells us about modern life—for fans of Rebecca Solnit, Olivia Laing’s The Lonely City, and literary history. “A labyrinthine journey into the literature of walking and thinking,” as seen in the lives and works of Edgar Allan Poe, Virginia Woolf, Ray Bradbury, and other literary greats (Guardian). There is no such thing as a false step. Every time we walk we are going somewhere. Especially if we are going nowhere. Moving around the modern city is not a way of getting from A to B, but of understanding who and where we are. In a series of riveting intellectual rambles, Matthew Beaumont retraces episodes in the history of the walker since the mid-19th century. From Dickens’s insomniac night rambles to restless excursions through the faceless monuments of today’s neoliberal city, the act of walking is one of self-discovery and self-escape, of disappearances and secret subversions. Pacing stride for stride alongside literary amblers and thinkers such as Edgar Allan Poe, André Breton, H. G. Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Beaumont explores the relationship between the metropolis and its pedestrian life. Through these writings, Beaumont asks: Can you get lost in a crowd? What are the consequences of using your smartphone in the street? What differentiates the nocturnal metropolis from the city of daylight? What connects walking, philosophy and the big toe? And can we save the city—or ourselves—by taking to the pavement?
While women have struggled to gain recognition in the discipline of philosophy, there is no shortage of brilliant female thinkers. What can these women teach us about ethics, politics, and the nature of existence, and how might we relate these big ideas back to the smaller everyday concerns of domestic life, work, play, love, and relationships? Australian novelist Julienne van Loon goes on a worldwide quest to answer these questions, by engaging with eight world-renowned thinkers who have deep insights on humanity and society: media scholar Laura Kipnis, novelist Siri Hustvedt, political philosopher Nancy Holmstrom, psychoanalytic theorist Julia Kristeva, domestic violence reformer Rosie Batty, peace activist Helen Caldicott, historian Marina Warner, and feminist philosopher Rosi Braidotti. As she speaks to these women, she reflects on her own experiences. Combining the intimacy of a memoir with the intellectual stimulation of a theoretical text, The Thinking Woman draws novel connections between the philosophical, personal, and political. Giving readers a new appreciation for both the ethical complexities and wonder of everyday life, this book is inspiration to all thinking people.
The 47 papers discuss such aspects of Woolf's writing as gender crossing, the body, imperialism, teaching her work in the undergraduate classroom, and her relation to Alice Walker, Toni Morrison, contemporary critics and readers, and her own heritage. No index. The CIP shows a subtitle: Themes and Variations. Annotation copyright by Book News, Inc., Portland, OR
Edinburgh Companion to Virginia Woolf and the Arts by Maggie Humm Pdf
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
A Companion to Virginia Woolf by Jessica Berman Pdf
A Companion to Virginia Woolf is a thorough examination of her life, work, and multiple contexts in 33 essays written by leading scholars in the field. Contains insightful and provocative new scholarship and sketches out new directions for future research Approaches Woolf's writing from a variety of perspectives and disciplines, including modernism, post-colonialism, queer theory, animal studies, digital humanities, and the law Explores the multiple trajectories Woolf’s work travels around the world, from the Bloomsbury Group, and the Hogarth Press to India and Latin America Situates Woolf studies at the vanguard of contemporary literature scholarship and the new modernist studies
Walking Virginia Woolf’s London by Lisbeth Larsson Pdf
This innovative volume employs theoretical tools from the field of literary geography to explore Virginia Woolf’s writing and the ways in which she constructs her human subjects. It follows the routes of characters from The Voyage, Jacob’s Room, Mrs. Dalloway, To the Lighthouse and more as they walk around London, demonstrating how Woolf constructs the characters in her stories in a very politically conscious way. As Larsson argues, none of Woolf’s characters are able to walk just anywhere, at any time in history, or at any time of the day. Time, place, gender, and class form the conditions of life that the characters must accept or challenge. Featuring an array of detailed maps, Walking Virginia Woolf’s London: An Investigation in Literary Geography brings a fascinating new perspective to Virginia Woolf’s work. It is essential reading for scholars of modernist literature or geocriticism.
