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Words, Music and Propaganda by Tjaša Mohar,Victor Kennedy Pdf
Music is used to sell everything from cars to political candidates. How can words and melody so successfully manipulate us? This volume provides answers by examining the ways in which music of various genres, including folk, popular music, rock, and rap, is used to protest and to promote structures of political, commercial, and religious authority. Students, teachers, musicians, historians, policy makers, and fans of music and popular culture will find answers to questions such as: How does music help to build national identity, foster a sense of patriotism, and reflect changes in society? What role did music play in building socialism in Czechoslovakia and in Belarus’ 2020 democratic movement? What are the most important features of Ukrainian songs of resistance? The book highlights the role of music in the feminist movement by analysing the Riot Grrrl movement and the history of Olivia Records, as well as the use of music as propaganda in the education system and as “purity propaganda” in religion. Two chapters focus on famous American protest singers, Woody Gurthie and Phil Ochs, and one highlights an ex-socialist society’s response to David Bowie’s music.
The Encyclopedia of Propaganda examines all aspects of propaganda through history, and is organized in an A to Z format. The set defines the arenas in which propaganda is used such as politics, war, advertising and media; pinpoints the political systems in which it is used, such as Nazism, Communism and McCarthyism; and describes notable progenitors of propaganda and their works, including Hitler and "Mein Kampf", Machiavelli and "The Prince", Sun Tzu and "The Art of War", and Plato and "The Republic". "The Encyclopedia of Propaganda" also examines noteworthy individuals who have employed propaganda to further their own agenda, including Walt Disney, Fidel Castro, Jane Fonda, the Rev. Jerry Falwell, Saddam Hussein, Rush Limbaugh and Eleanor Roosevelt. Organizations which have utilized propaganda in a systematic fashion are also included, among them the Black Panther Party, the Sandinista National Liberation Front, and the People for Ethical Treatment of Animals. This well organized, easy-to-use reference should be a valuable research tool for students of world history, politics and literature.
Perris examines the past and present uses of music as a means for political and social change, overt or disguised. He presents evidence of music as propaganda ranging from Broadway to the official compositions of the totalitarian regimes of Nazi Germany, Soviet Russia, and Communist China, as well as from concert halls to the protest movements of the 1960s. Familiar classics are analyzed, as well as operas of nineteenth-century nationalist composers. Shostakovich, Henze, and Penderecki, as well as Bob Dylan and many rock and roll bands are shown as composers who were adversaries of the state, while others, consciously or not, reinforced the status quo of their particular era. The sensuous encroachment of music in Western religious services is compared and contrasted with the status and use of music in Eastern religions.
Author : Joseph Arthur Mann Publisher : Liverpool University Press Page : 306 pages File Size : 45,7 Mb Release : 2020-09-11 Category : Music ISBN : 9781949979244
Printed Musical Propaganda in Early Modern England by Joseph Arthur Mann Pdf
Printed Musical Propaganda in Early Modern England reveals how consistently music, in theory and practice, was used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William and Mary. These printed items—bawdy broadside ballads, pamphlets paid for by Parliament, sermons advertising the Church of England’s love of music, catch-all music collections, music treatises addressed to monarchs, and masque and opera texts—when connected in a contextual mosaic, reveal a new picture of not just individual propaganda pieces, but multi-work propaganda campaigns with contributions that cross social boundaries. Musicians, Royalists, Parliamentarians, government officials, propagandists, clergymen, academics, and music printers worked together setting musical traps to catch the hearts and minds of their audiences and readers. Printed Musical Propaganda proves that the influential power of music was not merely an academic matter for the early modern English, but rather a practical benefit that many sought to exploit for their own gain.
This book will show you how music can either indoctrinate or educate you, spark rebellion or patriotism, and drive you to the devil or draw you closer to God.
Music as Propaganda in the German Reformation by Rebecca Wagner Oettinger Pdf
Over the first four decades of the Reformation, hundreds of songs written in popular styles and set to well-known tunes appeared across the German territories. These polemical songs included satires on the pope or on Martin Luther, ballads retelling historical events, translations of psalms and musical sermons. They ranged from ditties of one strophe to didactic Lieder of fifty or more. Luther wrote many such songs and this book contends that these songs, and the propagandist ballads they inspired, had a greater effect on the German people than Luther’s writings or his sermons. Music was a major force of propaganda in the German Reformation. Rebecca Wagner Oettinger examines a wide selection of songs and the role they played in disseminating Luther’s teachings to a largely non-literate population, while simultaneously spreading subversive criticism of Catholicism. These songs formed an intersection for several forces: the comfortable familiarity of popular music, historical theories on the power of music, the educational beliefs of sixteenth-century theologians and the need for sense of community and identity during troubled times. As Oettinger demonstrates, this music, while in itself simple, provides us with a new understanding of what most people in sixteenth-century Germany knew of the Reformation, how they acquired their knowledge and the ways in which they expressed their views about it. With full details of nearly 200 Lieder from this period provided in the second half of the book, Music as Propaganda in the German Reformation is both a valuable investigation of music as a political and religious agent and a useful resource for future research.
Music in the Social and Behavioral Sciences by William Forde Thompson Pdf
This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader's Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections.
"Words on the Street" is an experienced insider's analysis of Wall Street language. This informative and entertaining exploration of marketplace rhetoric focuses on metaphors derived from the fascinating arenas of games, love, war, politics, religion, the fine arts, and natural physical science. This expose reviews that wordplay in the context of the American Dream. Armies of books describe marketplace structure and instruments, recount economic history, or unveil personalities and strategies of heroic (or scandalous) individuals and institutions. "Words on the Street" is different. It enlightens Wall Street professionals, Main Street audiences, policy makers, and academics regarding Wall Street talk and its implications. Wall Street and American Dream rhetoric reflect and shape marketplace perspectives and thereby influence quests to make, keep, and manage money. Therefore Wall Street propaganda has major financial consequences for both Wall Street insiders and Main Street. "Words" may change marketplace viewpoints, including dogmas related to investment. This cultural investigation shows how investors and other players are persuaded to venture into and stay within stock, interest rate, currency, and commodity arenas. The opportunity to make money is a very incomplete explanation. The book is extensively documented from financial sources and via references to literature, film, and music. This study of Wall Street's language and rhetorical methods benefits Wall Street professionals, Main Street residents, businesses, politicians, and regulators seeking insight on how and why Wall Street sermons attract and convince them. Enticed by the oratory of Wall Street and its allies, many millions of Main Street dwellers around the globe have marched into and remained within Wall Street, often to "invest." The recent worldwide economic crisis underlines the importance of Wall Street marketplaces, even for those who have not carried their own money directly to Wall Street tables. "Words on the Street" demolishes the scientific ambitions and claims, not only of Wall Street, but also of economics and other social "sciences." "Words" investigates and discredits the counterfeit science (alleged objectivity) of the influential armies of would-be Newtons, Einsteins, Darwins, and Fords roaming throughout Wall Street and economics. Its analysis of Wall Street language in the context of the American Dream will fascinate American history scholars and students. Finally, "Words" provides an innovative yet persuasive explanation of cultural reasoning and how it differs from scientific rationality. Leo Haviland has three decades of experience in the Wall Street trading environment. Leo has worked for Goldman Sachs, Sempra Energy Trading, and other institutions. In his research and sales career in stock, interest rate, foreign exchange, and commodity battlefields, he has dealt with numerous and diverse financial institutions and individuals. He is a graduate of the University of Chicago (Phi Beta Kappa) and the Cornell Law School.
Gerhard on Music by Roberto Gerhard,Meirion Bowen Pdf
This title was first published in 2000: Catalan-born composer Roberto Gerhard (1896-1970) left significant legacies - both musical and documentary. Exiled in Cambridge with the onset of the Spanish Civil War, he gradually achieved wide recognition by performers and conductors, in both Britain and America, as a composer whose music was essential to the modern repertoire. In this work, the author collects many of the composer's articles, reviews, lectures and broadcasts to demonstrate the full extent and continuity of Gerhard's artistic and creative thinking. The writings have been arranged thematically to emphasize the evolution of Gerhard's musical interests. His attachment to Spanish and Catalonian traditions broadened into a fascination with folk music of all kinds. His studies with Schoenberg in the mid 1920s gave him the key to his own creative individuality; thereafter, his imaginative vitality led him eventually to experiment with electronic and concrete music and he continued breaking new ground, even in his final years.
Winnie and Wolf is the story of the extraordinary relationship between Winifred Wagner and Adolf Hitler that took place during the years 1923-40, as seen through the eyes of the secretary at the Wagner house in Bayreuth. Winifred, an English girl, brought up in an orphanage in East Grinstead, married at the age of eighteen to the son of Germany's most controversial genius, is a passionate Germanophile, a Wagnerian dreamer, a Teutonic patriot. In the debacle of the post-Versailles world, the Wagner family hope for the coming, not of a warrior, a fearless Siegfried, but of a Parsifal, a mystic idealist, a redeemer-figure. In 1923, they meet their Parsifal - a wild-eyed Viennese opera-fanatic in a trilby hat, a mac and a badly fitting suit. Hitler has already made a name for himself in some sections of German society through rabble-rousing and street corner speeches. It is Winifred, though, who believes she can really see his poetry. Almost at once they drop formalities and call one another 'Du' rather than 'Sie'. She is Winnie and he is Wolf. Like Winnie, Hitler was an outsider. Like her, he was haunted by the impossibility of reconciling the pursuit of love and the pursuit of power; the ultimate inevitability, if you pursued power, of destruction. Both had known the humiliations of poverty. Both felt angry and excluded by society. Both found each other in an unusual kinship that expressed itself through a love of opera.
Music and Propaganda in the Short Twentieth Century by Massimiliano Sala Pdf
This volume investigates the relationships between music and propaganda in the twentieth-century. Music can be utilised to attribute and ascribe multivalent meanings. Due to its great evocative power, it has often been directly exploited by regimes and governments. In what ways does music convey the messages of propaganda? Which are the political and economical implications behind musical propaganda? Much has been written about the relationship between music and propaganda during the two world wars, but the post-war dimensions of the topic also require investigation.
Creative and Critical Projects in Classroom Music by John Finney,Chris Philpott,Gary Spruce Pdf
Creative and Critical Projects in Classroom Music is both a celebration and extension of John Paynter and Peter Aston’s groundbreaking work on creative classroom music, Sound and Silence, first published in 1970. Building on the central themes of the original work – the child as artist, the role of musical imagination and creativity, and the process of making music – the authors and contributors provide a contemporary response to the spirit and style of Sound and Silence. They offer reflections on the ideas and convictions underpinning Paynter and Aston’s work in light of scholarship developed during the intervening years. This critical work is accompanied by 16 creative classroom projects designed and enacted by contemporary practitioners, raising questions about the nature and function of music in education and society. In summary, this book aims to: Celebrate seminal work on musical creativity in the classroom. Promote the integration of practical, critical and analytical writing and thinking around this key theme for music education. Contribute to initiating the next 50 years of thought in relation to music creativity in the classroom. Offering a unique combination of critical scholarship and practical application, and published on the occasion of the 50th anniversary of Sound and Silence, themes from Paynter and Aston’s work are here given fresh context that aims to inspire a new generation of innovative classroom practice and to challenge current ways of thinking about the music classroom.
Twentieth Century Higher Pack by Chris Andrews Pdf
Aspects of History covers the core areas of the Key Stage Curriculum, with separate packs dedicated to higher and lower abilities. These resources comprise of a comprehensive resource book and 20 full colour A4 flashcards.
Author : Klaus Nathaus,Martin Rempe Publisher : Walter de Gruyter GmbH & Co KG Page : 455 pages File Size : 53,9 Mb Release : 2020-12-16 Category : History ISBN : 9783110648218
Musicking in Twentieth-Century Europe by Klaus Nathaus,Martin Rempe Pdf
Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.
