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Wordsworth's Poems of Travel 1819-1842 by J. Wyatt Pdf
There is a long-held view that Wordsworth's inspiration dried up before the age of forty. This book opposes that view by examining the substantial body of poetry written after his fiftieth year. The argument is that, in order to appreciate this work, much of which was inspired by itineraries in Britain and in Europe, we have to read the poems as they were first published. By adopting the perspective of the contemporary reader, Wordsworth's grand design can be appreciated.
Wordsworth's Poems of Travel, 1819-42 by Alfred Fisher Pdf
This volume of The Cornell Fisher contains eight collections of poems, mostly describing an imagined journey. Ecclesiastical Sketches, by far the largest group in the volume, consists entirely of sonnets and moves through historical time rather than topographical space. Memorials of a Tour on the Continent, 1820 is a record of an actual tour, containing when first published 23 sonnets and 15 other poems.
William Wordsworth's later poetry complicates possibilities of life and art in war's aftermath. This illuminating study provides new perspectives and reveals how his work following the end of the revolutionary and Napoleonic wars reflects a passionate, lifelong engagement with the poetics and politics of peace. Focusing on works from between 1814 and 1822, Philip Shaw constructs a unique and compelling account of how Wordsworth, in both his ongoing poetic output and in his revisions to earlier works, sought to modify, refute, and sometimes sustain his early engagement with these issues as both an artist and a political thinker. In an engaging style, Shaw reorients our understanding of the later writings of a major British poet and the post-war literary culture in which his reputation was forged. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Nothing was more important to Wordsworth than tracing the evidence that affinities had been preserved between all the stages of the life of man. In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain such continuities and shows how revisitings of various kinds are at the heart of his creativity. Habitually reviewing all of his work, both published and that still in manuscript, Wordsworth painstakingly revised at the level of verbal detail or recast it more largely. New poems frequently emerged from re-engagement with old, often serving as a sequel to or commentary from the maturer poet on his own earlier creation, and acts of self-borrowing and self-reference are plentiful. These linkings provide insights into the powerful vision the poet maintained that his imaginative creation was one evolving unity and reveal much about the obsessions and drives of the great poet. Combining textual analysis, critical commentary, and biographical narrative, Gill explores what binds Wordsworth's later, less well-known poems to his earlier work. At the centre of the book is an account of the evolution of The Prelude from 1804 to 1839, in which it is argued that Wordsworth's masterpiece must be followed through all its versions, seen as a poem growing old alongside its creator.
Dante and Italy in British Romanticism by F. Burwick Pdf
From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.
Sonnet Series and Itinerary Poems, 1820-1845 by William Wordsworth Pdf
This volume of The Cornell Wordsworth contains eight collections of poems, mostly sonnets, published between 1820 and 1845. The River Duddon is a series of sonnets describing an imagined journey. Ecclesiastical Sketches, by far the largest group in the volume, consists entirely of sonnets and moves through historical time rather than topographical space. Memorials of a Tour on the Continent, 1820 is a record of an actual tour, containing when first published 23 sonnets and 15 other poems. In Yarrow Revisited, and Other Poems, celebrating another tour, all but three of the 26 poems are sonnets. Memorials of a Tour in Scotland, 1833 originally consisted entirely of sonnets. Memorials of a Tour in Italy includes five poems that are not sonnets. The remaining two groups, Sonnets upon the Punishment of Death and Sonnets Dedicated to Liberty and Order, which are both quite short, move through neither space nor time, but are thematically linked.An account of the genesis, dates of composition, and publication of each series is followed by reading texts, including all available variants. The poems are followed by Wordsworth's own notes and by the editor's notes. Photographic reproductions of manuscript pages of special interest, with transcriptions, are included for all the collections except Sonnets Dedicated to Liberty and Order.
In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life—1770 to 1850—tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.
Though displaced in the eyes of twentieth-century readers by the Prelude (written 1798-1805, but unknown to the poet's contemporaries), the Excursion was for three generations Wordsworth's major work. It had bulk, gravitas, sonorous (sometimes beautiful) blank verse, epic pretensions. Published in 1814, it debated in the persons of the Wanderer, Pastor and Solitary the big questions of the day: the effects of the French and industrial revolutions, education, man in his relation to nature, society, God. As Wordsworth's reputation grew in the 1820s and '30s, the Excursion came, almost ex officio, to seem the grandest poem since Paradise lost. The text of 1814, like the Prelude text of 1805, was later weakened by revision. Reprinted here for the first time, it should go far to explain why Keats numbered the Excursion among the 'three things to rejoice at in [his] Age.'.
Romantic Marks and Measures by Julia S. Carlson Pdf
In the late eighteenth century, British print culture took a diagrammatic and accentual turn. In graphs of emphasis and tonal inflection, in signs for indicating poetic stress, and in tabulations of punctuation, elocutionists, grammarians, and prosodists deployed new typographic marks and measures to represent English speech on the page. At the same time, cartographers and travel writers published reconfigurations of landscape on large-scale topographical maps, in geometric surveys, and in guidebooks that increasingly featured charts and diagrams. Within these diverse fields of print, blank verse was employed as illustration and index, directing attention to newly discovered features of British speech and space and helping to materialize the vocal and visual contours of the nation. In Romantic Marks and Measures, Julia S. Carlson examines Wordsworth's poetry of "speech" and "nature" as a poetry of print, written and read in the midst of topographic and typographic experimentation and change. Investigating the notebook drafts of "The Discharged Soldier," the printer's copy of Lyrical Ballads, Lake District guidebooks, John Thelwall's scansion of The Excursion, and revisions and editions of The Prelude, she explores Wordsworth's major blank verse poems as sites of intervention—visual and graphic as well as formal and thematic—in cultural contests to represent Britain, on the page, as a shared landscape and language community.
