World Socialist Cinema

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World Socialist Cinema

Author : Masha Salazkina
Publisher : Univ of California Press
Page : 388 pages
File Size : 51,9 Mb
Release : 2023-06-13
Category : Performing Arts
ISBN : 9780520393769

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World Socialist Cinema by Masha Salazkina Pdf

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.

World Socialist Cinema

Author : Masha Salazkina
Publisher : Univ of California Press
Page : 388 pages
File Size : 45,6 Mb
Release : 2023-06-13
Category : Electronic
ISBN : 9780520393752

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World Socialist Cinema by Masha Salazkina Pdf

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.

In Excess

Author : Masha Salazkina
Publisher : University of Chicago Press
Page : 232 pages
File Size : 54,8 Mb
Release : 2009-08-01
Category : Performing Arts
ISBN : 9780226734163

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In Excess by Masha Salazkina Pdf

During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.

Socialist Internationalism in the Cold War

Author : Patryk Babiracki,Austin Jersild
Publisher : Springer
Page : 355 pages
File Size : 55,6 Mb
Release : 2016-12-10
Category : History
ISBN : 9783319325705

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Socialist Internationalism in the Cold War by Patryk Babiracki,Austin Jersild Pdf

This volume examines how numerous international transfers, circulations, and exchanges shaped the world of socialism during the Cold War. Over the course of half a century, the Soviets shaped politics, values and material culture throughout the vast space of Eurasia, and foreign forces in turn often influenced Soviet policies and society. The result was the distinct and interconnected world of socialism, or the Socialist Second World. Drawing on previously unavailable archival sources and cutting-edge insights from “New Cold War” and transnational histories, the twelve contributors to this volume focus on diverse cultural and social forms of this global socialist exchange: the cults of communist leaders, literature, cinema, television, music, architecture, youth festivals, and cultural diplomacy. The book’s contributors seek to understand the forces that enabled and impeded the cultural consolidation of the Socialist Second World. The efforts of those who created this world, and the limitations on what they could do, remain key to understanding both the outcomes of the Cold War and a recent legacy that continues to shape lives, cultures and policies in post-communist states today.

1968 and Global Cinema

Author : Christina Gerhardt,Sara Saljoughi
Publisher : Wayne State University Press
Page : 413 pages
File Size : 44,6 Mb
Release : 2018-10-17
Category : Performing Arts
ISBN : 9780814342947

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1968 and Global Cinema by Christina Gerhardt,Sara Saljoughi Pdf

Examines the political cinema of 1968 in relation to global events.

Cinema of Exploration

Author : James Leo Cahill,Luca Caminati
Publisher : Routledge
Page : 310 pages
File Size : 41,6 Mb
Release : 2020-12-29
Category : Performing Arts
ISBN : 9780429890321

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Cinema of Exploration by James Leo Cahill,Luca Caminati Pdf

Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. This is the first anthology dedicated to analysing cinema’s relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing on insights from science and technology studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes not only cinema’s implication in imperial conquest but also its cutting-edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts and films made in or about peoples in South America, Asia, Africa, Indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau alongside amateur and scientific filmmakers. The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields.

Billy Wilder

Author : Joseph McBride
Publisher : Columbia University Press
Page : 414 pages
File Size : 41,5 Mb
Release : 2021-10-26
Category : Performing Arts
ISBN : 9780231554114

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Billy Wilder by Joseph McBride Pdf

The director and cowriter of some of the world's most iconic films—including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment—Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder’s films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.

Socialist Senses

Author : Emma Widdis
Publisher : Indiana University Press
Page : 428 pages
File Size : 50,9 Mb
Release : 2017-09-11
Category : History
ISBN : 9780253027078

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Socialist Senses by Emma Widdis Pdf

“Widdis’s rich and fascinating book has opened a new perspective from which to think about the Soviet cinema.” —Kritika This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a ‘sensory revolution’ to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: Film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.

Third Cinema, World Cinema and Marxism

Author : Ewa Mazierska,Lars Kristensen
Publisher : Bloomsbury Publishing USA
Page : 303 pages
File Size : 45,6 Mb
Release : 2020-09-17
Category : Performing Arts
ISBN : 9781501348280

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Third Cinema, World Cinema and Marxism by Ewa Mazierska,Lars Kristensen Pdf

Third Cinema, World Cinema and Marxism offers an analysis of Third Cinema and World Cinema from the perspective of Marxism. Its starting point is an observation that of all cinematic phenomena none is as intimately related to Marxism as Third Cinema, which decries neoliberalism, the capitalist system, and the Hollywood model of cinema as mere entertainment to make money. This is largely to do with the fact that both Marxism and Third Cinema are preoccupied with inequalities resulting from capital accumulation, of which colonialism is the most extreme manifestation. Third Cinema also defines cinematic modes in terms of representing interest of different classes, with First Cinema expressing imperialist, capitalist, bourgeois ideas, Second Cinema the aspirations of the middle stratum, the petit bourgeoisie and Third Cinema is a democratic, popular cinema.

From Internationalism to Postcolonialism

Author : Rossen Djagalov
Publisher : McGill-Queen's Press - MQUP
Page : 293 pages
File Size : 47,7 Mb
Release : 2020-03-19
Category : Literary Criticism
ISBN : 9780228002024

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From Internationalism to Postcolonialism by Rossen Djagalov Pdf

Would there have been a Third World without the Second? Perhaps, but it would have looked very different. From Internationalism to Postcolonialism recounts the story of two Cold War-era cultural formations that claimed to represent the Third World project in literature and cinema, and offers a compelling genealogy of contemporary postcolonial studies.

The Socialist Sixties

Author : Anne E. Gorsuch,Diane P. Koenker
Publisher : Indiana University Press
Page : 350 pages
File Size : 45,6 Mb
Release : 2013-06-12
Category : History
ISBN : 9780253009494

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The Socialist Sixties by Anne E. Gorsuch,Diane P. Koenker Pdf

“A very engaging collection of essays that adds much to an evolving literature on the social history of the Soviet Union and broader socialist societies.” —Choice The 1960s have reemerged in scholarly and popular culture as a protean moment of cultural revolution and social transformation. In this volume socialist societies in the Second World (the Soviet Union, East European countries, and Cuba) are the springboard for exploring global interconnections and cultural cross-pollination between communist and capitalist countries and within the communist world. Themes explored include flows of people and media; the emergence of a flourishing youth culture; sharing of songs, films, and personal experiences through tourism and international festivals; and the rise of a socialist consumer culture and an esthetics of modernity. Challenging traditional categories of analysis and periodization, this book brings the sixties problematic to Soviet studies while introducing the socialist experience into scholarly conversations traditionally dominated by First World perspectives.

The Triumph of Propaganda

Author : Hilmar Hoffmann
Publisher : Berghahn Books
Page : 276 pages
File Size : 53,7 Mb
Release : 1996
Category : History
ISBN : 1571811222

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The Triumph of Propaganda by Hilmar Hoffmann Pdf

Seeing German film during the Third Reich as a powerful and sinister tool for both indoctrination and escapist pacification, analyses the pictorial and spoken language to identify the psychological techniques used in the various genres, including news reels, documentaries, features, and cultural films. Two chapters focus on the role of flags, and another explains the rise of Hitler. Not illustrated. No subject index. First published as Und die Fahne fuhrt uns in die Ewigkeit in 1988 by Fischer Taschenbuch Verlag in Frankfurt am Main. Annotation copyright by Book News, Inc., Portland, OR

The Divo and the Duce

Author : Giorgio Bertellini
Publisher : University of California Press
Page : 328 pages
File Size : 47,9 Mb
Release : 2019-01-15
Category : Performing Arts
ISBN : 9780520301368

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The Divo and the Duce by Giorgio Bertellini Pdf

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.

Sirens of Modernity

Author : Samhita Sunya
Publisher : Univ of California Press
Page : 270 pages
File Size : 51,8 Mb
Release : 2022-07-26
Category : Performing Arts
ISBN : 9780520976788

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Sirens of Modernity by Samhita Sunya Pdf

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.

Third World Film Making and the West

Author : Roy Armes
Publisher : Univ of California Press
Page : 406 pages
File Size : 46,7 Mb
Release : 1987-07-29
Category : Performing Arts
ISBN : 0520908015

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Third World Film Making and the West by Roy Armes Pdf

This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.