World War I In 40 Posters Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of World War I In 40 Posters book. This book definitely worth reading, it is an incredibly well-written.
Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war.
Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
World War One Posters by Dover Publications, Inc. Pdf
From the heyday of poster art comes this choice selection of 100 full-page color reproductions accompanied by detailed captions. Magnificent hardcover edition features posters by Lyendecker, Christy, Flagg, Brangwyn, Steinlen, others.
World War I was the first war in which the pictorial full color poster played a major propaganda role. The era's greatest illustrators and fine artists contributed their energies to produce hundreds of great and classic posters. A surprising number of these posters have survived and many are still found in attics and barns today. This book illustrates over 450 World War I posters that were produced in the United States, Canada, and Europe. Many great classics are featured, but numerous less dramatic posters are also included which still have much historic importance. The text discusses the history of World War I posters and how they were designed and printed by color lithography. The book also devotes considerable attention to issues relevant to collectors: condition, conservation, display, and value. World War I posters are increasing in recognition and value as new collectors discover the beauty and power of these historic artifacts.
Posters of the First World War by David Bownes,Robert Fleming Pdf
The First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
The production, recruiting and War Bond posters of World War II were America's "weapons on the wall." Millions of posters of hundreds of unique designs cascaded off the presses and onto the American landscape, raising hopes in the dark days after Pearl Harbor and convincing folks on the home front that their efforts were the key to victory. Encouraging the people of America to do their part to aid in the war efforts as well as take care of themselves, these War Bond posters were a beacon during World War II. Posters That Won the War expertly preserve the most important posters of the World War II era. Inside Posters That Won the War, find beautiful prints of the posters of World War II. Through times of emotional and physical struggle in postwar America, artists did their best to engage a sense of safety and lovingness for their fellow Americans. The result was a beautiful array of posters that will remain priceless always. These "Weapons on the wall" are a crucial piece of American history that will never be forgotten. If you are searching for a gift for the history buff in your life, or an addition for your own library, Posters That Won the War will delight them for years.
World War I coincided with a golden age of achievement in the art of poster design, and all sides in the conflict employed the best talents to make maximum use of the poster's ability to stir emotions. This book tries to re-create a more innocent era in which a poster could be used to "sell'' a war. While the book is undeniably attractive, it covers too much ground and is too unfocused (despite the title, posters from many countries are illustrated; further, too many nonposter forms of propaganda are considered.) Instead of offering insights, the text simply rehashes popular World War I history adequately covered elsewhere. The general reader will find this sprawling study more confusing than enlightening.
Design for Victory by William L. Bird,Harry Rubenstein Pdf
The poster - inexpensive, colorful, and immediate - was an ideal medium for delivering messages about Americans' duties on the home front during World War II. Design for Victory presents more than 150 of these stunning images - many never reproduced since their first issue - culled from the collections of the National Museum of American History, Smithsonian Institution. William L. Bird, Jr. and Harry R. Rubenstein delve beneath the surface of these colorful graphics, telling the stories behind their production and revealing how posters fulfilled the goals and needs of their creators. The authors describe the history of how specific posters were conceived and received, focusing on the workings of the wartime advertising profession and demonstrating how posters often reflected uneasy relations between labor and management.
Over 200 exciting full-colour posters from World War II, each one accompanied by a caption describing its origins, design and purpose. The posters cover a wide range of topics, such as recruitment, security, finance, food and hygiene. Contains posters sourced from European and U.S. archives, both Axis and Allied, and shows how posters played a vital function in disseminating information to the civilian population.
A collection of over two hundred posters which appeared during the Second World War in Britain, Germany, France, Italy, Russia, the United States, Japan, and other countries involved in the war.
'THE ART OF WAR: VOLUME 1' IS A COLLECTION OF 130 BRITISH WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.
