Writing And Materiality In China

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Writing and Materiality in China

Author : Judith T. Zeitlin
Publisher : BRILL
Page : 662 pages
File Size : 45,9 Mb
Release : 2020-10-26
Category : History
ISBN : 9781684170425

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Writing and Materiality in China by Judith T. Zeitlin Pdf

Speaking about Chinese writing entails thinking about how writing speaks through various media. In the guises of the written character and its imprints, traces, or ruins, writing is more than textuality. The goal of this volume is to consider the relationship of writing to materiality in China’s literary history and to ponder the physical aspects of the production and circulation of writing. To speak of the thing-ness of writing is to understand it as a thing in constant motion, transported from one place or time to another, one genre or medium to another, one person or public to another. Thinking about writing as the material product of a culture shifts the emphasis from the author as the creator and ultimate arbiter of a text’s meaning to the editors, publishers, collectors, and readers through whose hands a text is reshaped, disseminated, and given new meanings. By yoking writing and materiality, the contributors to this volume aim to bypass the tendency to oppose form and content, words and things, documents and artifacts, to rethink key issues in the interpretation of Chinese literary and visual culture.

The Inscription of Things

Author : Thomas Kelly
Publisher : Columbia University Press
Page : 382 pages
File Size : 44,6 Mb
Release : 2023-11-14
Category : Literary Criticism
ISBN : 9780231558037

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The Inscription of Things by Thomas Kelly Pdf

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things broadens understandings of the links between the literary and the material.

Visual and Material Cultures in Middle Period China

Author : Anonim
Publisher : BRILL
Page : 350 pages
File Size : 55,7 Mb
Release : 2017-07-20
Category : Art
ISBN : 9789004349377

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Visual and Material Cultures in Middle Period China by Anonim Pdf

Eight studies examine key features of Chinese visual and material cultures, ranging from tombs and ceramics to Buddhist paintings and colophons on calligraphies. The essays connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade.

Impagination – Layout and Materiality of Writing and Publication

Author : Ku-ming (Kevin) Chang,Anthony Grafton,Glenn Warren Most
Publisher : Walter de Gruyter GmbH & Co KG
Page : 428 pages
File Size : 55,6 Mb
Release : 2021-01-18
Category : History
ISBN : 9783110698756

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Impagination – Layout and Materiality of Writing and Publication by Ku-ming (Kevin) Chang,Anthony Grafton,Glenn Warren Most Pdf

This volume is the first comparative history that studies the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.

Making Saints in Modern China

Author : David Ownby,Vincent Goossaert,Ji Zhe,Chi Che
Publisher : Oxford University Press
Page : 529 pages
File Size : 44,7 Mb
Release : 2017
Category : Biography & Autobiography
ISBN : 9780190494568

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Making Saints in Modern China by David Ownby,Vincent Goossaert,Ji Zhe,Chi Che Pdf

Each chapter of this book offers a biography of a religious leader and a detailed discussion of his or her rise to sainthood over the course of China's twentieth century. Throughout, emphasis is on the creative and largely successful strategies deployed in the face of state indifference or hostility.

The Tapestry of Popular Songs in 16th- and 17th Century China

Author : Kathryn A. Lowry
Publisher : BRILL
Page : 446 pages
File Size : 49,8 Mb
Release : 2005
Category : Music
ISBN : 9789004145863

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The Tapestry of Popular Songs in 16th- and 17th Century China by Kathryn A. Lowry Pdf

This study of popular songs offers a new hypothesis about the role of elite in popular culture and evidences how commercial publishing facilitated the rise of selective reading and imitation of texts in late-Ming China, creating a new basis for describing desire and the self.

Women’s Poetry of Late Imperial China

Author : Xiaorong Li
Publisher : University of Washington Press
Page : 264 pages
File Size : 48,5 Mb
Release : 2013-05-03
Category : History
ISBN : 9780295804439

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Women’s Poetry of Late Imperial China by Xiaorong Li Pdf

This study of poetry by women in late imperial China examines the metamorphosis of the trope of the "inner chambers" (gui), to which women were confined in traditional Chinese households, and which in literature were both a real and an imaginary place. Originally popularized in sixth-century "palace style" poetry, the inner chambers were used by male writers as a setting in which to celebrate female beauty, to lament the loneliness of abandoned women, and by extension, to serve as a political allegory for the exile of loyal and upright male ministers spurned by the imperial court. Female writers of lyric poetry (ci) soon adopted the theme, beginning its transition from male fantasy to multidimensional representation of women and their place in society, and eventually its manifestation in other poetic genres as well. Emerging from the role of sexual objects within poetry, late imperial women were agents of literary change in their expansion and complication of the boudoir theme. While some take ownership and de-eroticizing its imagery for their own purposes, adding voices of children and older women, and filling the inner chambers with purposeful activity such as conversation, teaching, religious ritual, music, sewing, childcare, and chess-playing, some simply want to escape from their confinement and protest gender restrictions imposed on women. Women's Poetry of Late Imperial China traces this evolution across centuries, providing and analyzing examples of poetic themes, motifs, and imagery associated with the inner chambers, and demonstrating the complication and nuancing of the gui theme by increasingly aware and sophisticated women writers.

The Cambridge History of Chinese Literature: From 1375

Author : Kang-i Sun Chang,Stephen Owen
Publisher : Cambridge University Press
Page : 830 pages
File Size : 49,7 Mb
Release : 2010
Category : Chinese literature
ISBN : 0521855594

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The Cambridge History of Chinese Literature: From 1375 by Kang-i Sun Chang,Stephen Owen Pdf

Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.

Keeping Record

Author : Abigail S Armstrong,Matthias J Kuhn,Jörg Peltzer,Chun Fung Tong
Publisher : Walter de Gruyter GmbH & Co KG
Page : 312 pages
File Size : 44,7 Mb
Release : 2024-06-04
Category : History
ISBN : 9783111323664

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Keeping Record by Abigail S Armstrong,Matthias J Kuhn,Jörg Peltzer,Chun Fung Tong Pdf

The production and retention of written records was a common and important facet of pre-modern rulership and administration. Much of our understanding of governmental practices and expressions of authority come from the contents of such documents, which have been well studied. Less studied, however, are the records themselves as artefacts. This volume is an attempt to redress this balance by taking a more holistic, material approach to a range of written records. Through a series of case studies, this volume explores questions regarding the material characteristics of various records and their use. It demonstrates that the material features of the records, including the size and shape, the hands that wrote them and the material substrate, can shed new light on the functioning of government and the declarations of power these records asserted. The ten contributions of this volume focus on records from a variety of rulers, political systems and administrations. With four case studies from early China and six from medieval Europe, this volume offers transcultural perspectives to demonstrate how different cultures expressed rulership and administration materially through the use of text-bearing artefacts.

Printing and Book Culture in Late Imperial China

Author : Cynthia J. Brokaw,Kai-Wing Chow
Publisher : Univ of California Press
Page : 559 pages
File Size : 50,8 Mb
Release : 2005-03-07
Category : History
ISBN : 9780520231269

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Printing and Book Culture in Late Imperial China by Cynthia J. Brokaw,Kai-Wing Chow Pdf

"A very useful book on a topic of growing importance and interest. Brokaw's introduction is one of the most valuable and best-written prefaces to an edited volume that I have encountered in some time."—Kent Guy, author of The Emperor's Four Treasures

Art by the Book

Author : J. P. Park
Publisher : University of Washington Press
Page : 336 pages
File Size : 44,6 Mb
Release : 2017-05-01
Category : Art
ISBN : 9780295807034

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Art by the Book by J. P. Park Pdf

Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publications. Focusing on Zhou's work, Art by the Book describes how such publications accommodated the cultural taste and demands of the general public, and shows how painting manuals functioned as a form in which everything from icons of popular culture to graphic or literary cliche was presented to both gratify and shape the sensibilities of a growing reading public. As a special commodity of early modern China, when cultural standing was measured by a person's command of literati taste and lore, painting manuals provided nonelite readers with a device for enhancing social capital.

Rulers and Ruled in Ancient Greece, Rome, and China

Author : Hans Beck,Griet Vankeerberghen
Publisher : Cambridge University Press
Page : 481 pages
File Size : 40,7 Mb
Release : 2021-02-04
Category : History
ISBN : 9781108485777

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Rulers and Ruled in Ancient Greece, Rome, and China by Hans Beck,Griet Vankeerberghen Pdf

A comparative study of the ancient Mediterranean and Han China, seen through the lens of political culture.

Languages, Scripts, and Chinese Texts in East Asia

Author : Peter Francis Kornicki
Publisher : Oxford University Press
Page : 424 pages
File Size : 48,8 Mb
Release : 2018
Category : FOREIGN LANGUAGE STUDY
ISBN : 9780198797821

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Languages, Scripts, and Chinese Texts in East Asia by Peter Francis Kornicki Pdf

This is a wide-ranging study of vernacularization in East Asia, examining Chinese script of the early common era, the spread of Chinese Buddhist, Confucian, and medical texts throughout East Asia, all the way to the end of the nineteenth century when nationalism created new roles for vernacular languages and vernacular scripts.

Role of Japan in Modern Chinese Art

Author : Joshua A. Fogel
Publisher : Univ of California Press
Page : 503 pages
File Size : 46,6 Mb
Release : 2012
Category : Art
ISBN : 9780520289840

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Role of Japan in Modern Chinese Art by Joshua A. Fogel Pdf

The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.

Mirroring China's Past

Author : Tao Wang
Publisher : Yale University Press
Page : 265 pages
File Size : 46,9 Mb
Release : 2018-03-27
Category : Art
ISBN : 9780300228632

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Mirroring China's Past by Tao Wang Pdf

A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history.