Writing Conscience And The Nation In Revolutionary England
Writing Conscience And The Nation In Revolutionary England Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Writing Conscience And The Nation In Revolutionary England book. This book definitely worth reading, it is an incredibly well-written.
Writing Conscience and the Nation in Revolutionary England by Giuseppina Iacono Lobo Pdf
Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Revolutions of Conscience -- 1 Charles I, Eikon Basilike, and the Pulpit-Work of the King's Conscience -- 2 Oliver Cromwell and the Duties of Conscience -- 3 Early Quaker Writing and the Unifying Light of Conscience -- 4 Thomas Hobbes's Leviathan and the Civilizing Force of Conscience -- 5 Lucy Hutchinson's Revisions of Conscience -- 6 Milton's Nation of Conscience -- Afterword -- Notes -- Bibliography -- Index
Writing Conscience and the Nation in the English Revolution by Giuseppina Iacono Lobo Pdf
In this dissertation, I examine uses of conscience meant to reform and re-envision the nation in English polemics, political philosophy, personal correspondence and literature during the English Revolution. Writings from this turbulent period are rife with the language of conscience. While recent scholars have recognized the significance of this prevalent language in early modern England, important gaps remain. After all, little attention has been paid to exactly how and why writers used the language of conscience so profusely in the midst of war and revolution. This thesis will demonstrate how the civil wars opened up a space in writing for politico-spiritual experimentation in which the language of conscience took on an unprecedented formative role, with conscience itself becoming an instrument for formulating and deploying radically new visions of the English nation. More specifically, I argue that during this period the use of conscience undergoes a dramatic change: it transitions from governing individual faith and behavior to political applications in revolutionary times. This study brings a new dimension to our understanding of the ideological fluidity between the self and the state during the middle of the seventeenth-century. In this way, focusing on conscience reintegrates the religious, political and social aspects of the English Revolution in a way never before considered, while also providing a new lens for evaluating issues of nationhood and national identity. This project examines the distinctive language of conscience used by five writers or groups of writers: Charles I, Oliver Cromwell, the Quakers, Lucy Hutchinson, and John Milton. In chapter one, on Eikon Basilike (1649), I discuss how the text’s authors used the King’s conscience as a means to maintain his subjects’ conscientious obedience even after the regicide. In chapter two, on Cromwell’s writings and speeches, I consider how Cromwell struggled to implement his program of liberty of conscience in England through his constitutional experiments of the 1650s. In chapter three, on early Quaker writing, I demonstrate how the Quakers attempted to affect national change by appealing directly to Cromwell’s conscience. In chapter four, on Lucy Hutchinson’s Memoirs of the Life of Colonel Hutchinson, I argue that Hutchinson revised her husband’s conscience so that he might become a republican hero, keeping alive the hope for a republican England. In chapter five, I investigate how John Milton’s Paradise Lost (1667) employs the idea of conscience during the Restoration to cast the restored nation as ungodly, and thus provoke dissent from his fellow nonconformists. Finally, in a brief epilogue, I discuss how Thomas Hobbes divests the individual conscience of its authority in favor of a “national conscience” in Leviathan (1651). This dissertation builds upon studies of early modern conscience, religion and nonconformity, writing of the English Revolution, and conceptions of the nation in the sixteenth and seventeenth-centuries.
Writing Conscience and the Nation in Revolutionary England by Giuseppina Iacona Lobo Pdf
Examining works by well-known figures of the English Revolution, including John Milton, Oliver Cromwell, Margaret Fell Fox, Lucy Hutchinson, Thomas Hobbes, and King Charles I, Giuseppina Iacono Lobo presents the first comprehensive study of conscience during this crucial and turbulent period. Writing Conscience and the Nation in Revolutionary England argues that the discourse of conscience emerged as a means of critiquing, discerning, and ultimately reimagining the nation during the English Revolution. Focusing on the etymology of the term conscience, to know with, this book demonstrates how the idea of a shared knowledge uniquely equips conscience with the potential to forge dynamic connections between the self and nation, a potential only amplified by the surge in conscience writing in the mid-seventeenth-century. Iacono Lobo recovers a larger cultural discourse at the heart of which is a revolution of conscience itself through her readings of poetry, prose, political pamphlets and philosophy, letters, and biography. This revolution of conscience is marked by a distinct and radical connection between conscience and the nation as writers struggle to redefine, reimagine, and even render anew what it means to know with as an English people.
"'Bold Conscience' chronicles the shifting conception of conscience in early modern England, as it evolved from a faculty of restraint--what the author labels "cowardly conscience"--to one of bold and forthright self-assertion. Caught at the vortex of public and private concerns, the concept of the conscience played an important role in post-Reformation England, from clerical leaders on down to laymen, not least because of its central place in determining loyalties during the English Civil War and the consequent regicide of King Charles I. Yet within this mix of perspectives, the most sinuous, complex, and ultimately lasting perspectives on bold conscience emerge from deliberately literary, rhetorically artistic voices--Shakespeare, Donne, and Milton. Joshua Held argues that literary texts by these authors, in re-casting the idea of conscience as a private, interior, shameful state to one of boldness fit for the public realm, parallel a historical development in which the conscience becomes a platform both for royal power and for common dissent in post-Reformation England. With the 1649 regicide of King Charles I as a fulcrum that unites both literary and historical timelines, Held tracks the increasing power of the conscience from William Shakespeare's Hamlet and Henry VIII to John Donne's court sermons, and finally to Milton's Areopagitica and Charles's defense of his kingship, Eikon Basilike. In a direct attack on Eikon Basilike, Milton destroys the prerogative of the royal conscience in Eikonoklastes, and later in Paradise Lost proposes an alternative basis for inner confidence, rooting it not in divine right but in the 'paradise within,' a metonym for conscience. Applying a fine-grain literary analysis to literary England from about 1601 to 1667, this study looks backward as well to the theological foundations of the concept in Luther of the 1520s and forward to its transformation by Locke into the term 'consciousness' in 1689. Ultimately, Held's study shows how the idea of a conscience in early modern England, long central to the private self and linked to the will, memory, and mind-emerges as a nexus between the private self and the realm of public action, a bulwark against absolute sovereignty, and its attenuation as a means of more limited, personal certainty. Whether in Milton's struggle against King Charles or Hamlet's against King Claudius, the conscience born of the Reformation becomes less a state of inner critique and more a form of outward expression fit for the communal life and commitments demanded by the early modern era"--
Encyclopedia of Renaissance Philosophy by Marco Sgarbi Pdf
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
During the tumultuous years of the English Revolution and Restoration, national crises like civil wars and the execution of the king convinced Englishmen that the end of the world was not only inevitable but imminent. National Reckonings shows how this widespread eschatological expectation shaped nationalist thinking in the seventeenth century. Imagining what Christ's return would mean for England's body politic, a wide range of poets, philosophers, and other writers—including Milton, Hobbes, Winstanley, and Thomas and Henry Vaughan,—used anticipation of the Last Judgment to both disrupt existing ideas of the nation and generate new ones. Ryan Hackenbracht contends that nationalism, consequently, was not merely a horizontal relationship between citizens and their sovereign but a vertical one that pitted the nation against the shortly expected kingdom of God. The Last Judgment was the site at which these two imagined communities, England and ecclesia (the universal church), would collide. Harnessing the imaginative space afforded by literature, writers measured the shortcomings of an imperfect and finite nation against the divine standard of a perfect and universal community. In writing the nation into end-times prophecies, such works as Paradise Lost and Leviathan offered contemporary readers an opportunity to participate in the cosmic drama of the world's end and experience reckoning while there was still time to alter its outcome.
Shakespeare and the Theater of Religious Conviction in Early Modern England by Walter S H Lim Pdf
This book analyzes Shakespeare’s use of biblical allusions and evocation of doctrinal topics in Hamlet, Measure for Measure, The Winter’s Tale, Richard II, and The Merchant of Venice. It identifies references to theological and doctrinal commonplaces such as sin, grace, confession, damnation, and the Fall in these plays, affirming that Shakespeare’s literary imagination is very much influenced by his familiarity with the Bible and also with matters of church doctrine. This theological and doctrinal subject matter also derives its significance from genres as diverse as travel narratives, sermons, political treatises, and royal proclamations. This study looks at how Shakespeare’s deployment of religious topics interacts with ideas circulating via other cultural texts and genres in society. It also analyzes how religion enables Shakespeare’s engagement with cultural debates and political developments in England: absolutism and law; radical political theory; morality and law; and conceptions of nationhood.
Making Milton by Emma Depledge,John S. Garrison,Marissa Nicosia Pdf
A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.
Milton, Toleration, and Nationhood by Elizabeth Sauer Pdf
This study examines how Milton's polemical and imaginative literature intersects with representations of English Protestant nationhood. Through detailed case studies of Milton's works, Elizabeth Sauer shows the extent to which seventeenth-century English notions of nationhood and toleration can be subjected to literary and historicist inquiry.
The Oxford Handbook of Literature and the English Revolution by Laura Lunger Knoppers Pdf
This Handbook offers a comprehensive introduction and thirty-seven new essays by an international team of literary critics and historians on the writings generated by the tumultuous events of mid-seventeenth-century England. Unprecedented events-civil war, regicide, the abolition of monarchy, proscription of episcopacy, constitutional experiment, and finally the return of monarchy-led to an unprecedented outpouring of texts, including new and transformed literary genres and techniques. The Handbook provides up-to-date scholarship on current issues as well as historical information, textual analysis, and bibliographical tools to help readers understand and appreciate the bold and indeed revolutionary character of writing in mid-seventeenth-century England. The volume is innovative in its attention to the literary and aesthetic aspects of a wide range of political and religious writing, as well as in its demonstration of how literary texts register the political pressures of their time. Opening with essential contextual chapters on religion, politics, society, and culture, the largely chronological subsequent chapters analyse particular voices, texts, and genres as they respond to revolutionary events. Attention is given to aesthetic qualities, as well as to bold political and religious ideas, in such writers as James Harrington, Marchamont Nedham, Thomas Hobbes, Gerrard Winstanley, John Lilburne, and Abiezer Coppe. At the same time, the revolutionary political context sheds new light on such well-known literary writers as John Milton, Andrew Marvell, Robert Herrick, Henry Vaughan, William Davenant, John Dryden, Lucy Hutchinson, Margaret Cavendish, and John Bunyan. Overall, the volume provides an indispensable guide to the innovative and exciting texts of the English Revolution and reevaluates its long-term cultural impact.
Author : R. C. Richardson,G. M. Ridden Publisher : Manchester University Press Page : 196 pages File Size : 43,6 Mb Release : 1986 Category : English literature ISBN : 0719018803
Women Writers and the Nation's Past 1790-1860 by Mary Spongberg Pdf
1790 saw the publication of Edmund Burke's Reflections on the Revolution in France -- the definitive tract of modern conservatism as a political philosophy. Though women of the period wrote texts that clearly responded to and reacted against Burke's conception of English history and to the contemporary political events that continued to shape it, this conversation was largely ignored or dismissed, and much of it remains to be reconsidered today. Examining the works of women writers from Jane Austen and Mary Wollstonecraft to the Strickland sisters and Mary Anne Everett Green, this book begins to recuperate that conversation and in doing so uncovers a more complete and nuanced picture of women's participation in the writing of history. Professor Mary Spongberg puts forward an alternate, feminized historiography of Britain that demonstrates how women writers' recourse to history caused them to become generically innovative and allowed them to participate in the political debates that framed the emergence of modern British historiography, and to push back against the Whig interpretation of history that predominated from 1790-1860.
Revolutionary England and the National Covenant by Edward Vallance Pdf
An assessment of the importance of oaths, and the taking of, and the idea of national covenants during a turbulent time in English history. This book studies the oaths and covenants taken during the late sixteenth to the late seventeenth century, a time of great religious and political upheaval, assessing their effect and importance. From the reign of Mary I to the Exclusion crisis, Protestant writers argued that England was a nation in covenant with God and urged that the country should renew its contract with the Lord through taking solemn oaths. In so doing, they radically modified understandings of monarchy, political allegiance and the royal succession. During the civil war, the tendering of oaths of allegiance, the Protestation of 1641 and the Vow and Covenant and Solemn League and Covenant of 1643 (all describedas embodiments of England's national covenant) also extended the boundaries of the political nation. The poor and illiterate, women as well as men, all subscribed to these tests of loyalty, which were presented as social contracts between the Parliament and the people. The Solemn League and Covenant in particular continued to provoke political controversy after 1649 and even into the 1690s many English Presbyterians still viewed themselves as bound by itsterms; the author argues that these covenants had a significant, and until now unrecognised, influence on 'politics-out-of-doors' in the eighteenth century. EDWARD VALLANCE is Lecturer in Early Modern British History, University of Liverpool.
The Roman poet Ovid was one of the most-imitated classical writers of the Elizabethan age and a touchstone for generations of English writers. In The Ovidian Vogue, Daniel Moss argues that poets appropriated Ovid not just to connect with the ancient past but also to communicate and compete within late Elizabethan literary culture. Moss explains how in the 1590s rising stars like Thomas Nashe and William Shakespeare adopted Ovidian language to introduce themselves to patrons and rivals, while established figures like Edmund Spenser and Michael Drayton alluded to Ovid's works as a way to map their own poetic development. Even poets such as George Chapman, John Donne, and Ben Jonson, whose early work pointedly abandoned Ovid as cliché, could not escape his influence. Moss's research exposes the literary impulses at work in the flourishing of poetry that grappled with Ovid's cultural authority.
