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Part instruction, part inspiration, this resource shows women that just as mothering is rich in material for writing, writing is an invaluable tool for mothering.
'Thought-provoking essays, interviews and poetry by high-profile writers detail experiences of creating art while engaging in the compelling, exhausting, exhilaratng work of motherhood' --backcover.
A daring, funny, and poignant novel about the desire and duty to procreate, by one of our most brilliant and original writers. Motherhood treats one of the most consequential decisions of early adulthood—whether or not to have children—with the intelligence, wit and originality that have won Sheila Heti international acclaim, and which led her previous work, How Should a Person Be?, to be called "one of the most talked-about books of the year" (TIME magazine). Having reached an age when most of her peers are asking themselves when they will become mothers, Heti's narrator considers, with the same urgency, whether she will do so at all. Over the course of several years, under the influence of her partner, body, family, friends, mysticism and chance, she struggles to make a moral and meaningful choice. In a compellingly direct mode that straddles the forms of the novel and the essay, Motherhood raises radical and essential questions about womanhood, parenthood, and how—and for whom—to live.
Good Mom on Paper by Stacey May Fowles,Jen Sookfong Lee Pdf
The experience of motherhood is fundamental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it? Good Mom on Paper is a collection of essays that goes beyond the clichés to explore the fraught, beautiful and complicated relationship between motherhood and creativity. These texts disclose the often-invisible challenges of a literary life with little ones: the manuscript written with a baby sleeping in a carrier, missing a book launch for a bedtime, crafting a promotional tour around childcare. But they also celebrate the systems that nurture writers who are mothers; the successes; the intricate, interconnected joys of these roles. Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers, and asks how we can better support their work. Mothers have long been telling each other these vital stories in private. Good Mom on Paper makes them available to everyone who needs them. With contributions by Carrie Snyder, Meaghan Strimas, Jael Richardson, Sofia Mostaghimi, Rachel Giese, Lorri Neilsen Glenn, Erin Wunker, Jonina Kirton, Jennifer Whiteford, Teresa Wong, Nikkya Hargrove, Lesley Buxton, Amber Riaz, Adelle Purdham, Harriet Alida Lye, Kelle Ngan, Heather O'Neill, Alison Pick, and Lee Maracle. A portion of each sale will be donated to Mothers Matter: a not for profit dedicated to empowering isolated, at risk mothers.
Every year, American universities publish glowing reports stating their commitment to diversity, often showing statistics of female hires as proof of success. Yet, although women make up increasing numbers of graduate students, graduate degree recipients, and even new hires, academic life remains overwhelming a man's world. The reality that the statistics fail to highlight is that the presence of women, specifically those with children, in the ranks of tenured faculty has not increased in a generation. Further, those women who do achieve tenure track placement tend to report slow advancement, income disparity, and lack of job satisfaction compared to their male colleagues. Amid these disadvantages, what is a Mama, PhD to do? This literary anthology brings together a selection of deeply felt personal narratives by smart, interesting women who explore the continued inequality of the sexes in higher education and suggest changes that could make universities more family-friendly workplaces. The contributors hail from a wide array of disciplines and bring with them a variety of perspectives, including those of single and adoptive parents. They address topics that range from the level of policy to practical day-to-day concerns, including caring for a child with special needs, breastfeeding on campus, negotiating viable maternity and family leave policies, job-sharing and telecommuting options, and fitting into desk/chair combinations while eight months pregnant. Candid, provocative, and sometimes with a wry sense of humor, the thirty-five essays in this anthology speak to and offer support for any woman attempting to combine work and family, as well as anyone who is interested in improving the university's ability to live up to its reputation to be among the most progressive of American institutions.
Writing Mothers by BettyAnn Martin,Michelann Parr Pdf
Finally, by re-imagining, we create opportunities to re-write all dimensions of experience (temporal, personal, and cultural) in ways that reclaim and redeem the narrative composition of our lives. When these narrative acts are engaged, we write alternate realities and open futures into existence. Each narrative act is illustrated in the collection by stories that most exemplify its function and power. Stories in the first movement, demonstrate authors' engagement with the process of reflecting through memory and over time to make sense of experience, in particular, the reality of change and trauma. In the second movement, the act of re-imagining is illustrated as writers challenge limited definitions of care and explore futures beyond convention. .
The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering. Many of the writers articulate difficult and socially unsanctioned maternal anger and ambivalence. In Mother Reader, motherhood is scrutinized for all its painful and illuminating subtleties, and addressed with unconventional wisdom and candor. What emerges is a sense of a community of writers speaking to and about each other out of a common experience, and a compilation of extraordinary literature never before assembled in a single volume.
Motherhood and Creativity in Contemporary Self-Life Writing by Alice Braun Pdf
This book aims to study the representation of motherhood in self-life writing by English-speaking authors. It highlights the particular issues women writers are faced with when they try to combine their vocation as artists with their duties to their children. For those women who claim their right to be both mothers and writers, several cultural myths need to be taken down, chief among which is the representations that we have of what being an artist should be like, as well as the role a mother should have towards her children. This book looks at self-life writing by women from English-speaking countries to reveal the common themes and tropes which recur in texts written on the subject of motherhood, by looking at them from both a literary and a cultural perspective. It also aims to demonstrate that a new generation of women writers is taking up the subject and forging a new literary tradition.
In Imagined Sons Carrie Etter has written a book of vivid, heartbreaking poems on the experience of giving up a child for adoption. A prize-winning author, lecturer, critic and popular blogger, Etter imagines the possible destinies for the child and presents us with various scenarios from the tragic to the absurd. That the child's birthday is also Sept. 11th adds a layer of irony and pathos, 'What is the anniversary of loss?' - asks the narrator in one of the 'Birthmother's Catechism' poems. "In Imagined Sons Carrie Etter reflects on the experience of a birthmother who gave up her son when she was seventeen. In a series of haunting, psalmlike prose poems of enormous courage and insight, she describes possible encounters with this son, now in his late teens, expressing how 'sometimes the melancholy arrives before the remembering'. The series of 'Birthmother's Catechisms' return to repeated, harrowing questions that yield different answers at different moments. This quite extraordinary book by a writer of great imagistic power and skill leaves a mark on the reader which is ineradicable. These are poems of the utmost importance." - Bernard O'Donoghue "Carrie Etter's stellar new volume folds the wrenching passion of displaced motherhood into a fascinating sequence of poems. Etter writes with intelligence, imagination and style - and not a shred of sentiment. Neither a memoir nor a narrative, the book opens lyric windows to interior experiences, and it rings with psychological truths. This gifted poet defines poetry as she wrestles with ambiguity." - Molly Peacock
A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist
A Black mother bumps up against the limits of everything she thought she believed—about science and medicine, about motherhood, and about her faith—in search of the truth about her son. "The memoir dedicates important space to the numbing bureaucracy that often accompanies medical visits, particularly as seen through the eyes of a Black woman in the South. Having moved often within White neighborhoods and educational institutions around her home in Charlottesville, Harris is unflinching about her periodic unease in those quarters. . . Harris also brings humor to bear in moments of great adversity."—Karen Iris Tucker, Washington Post One morning, Tophs, Taylor Harris’s round-cheeked, lively twenty-two-month-old, wakes up listless, only lifting his head to gulp down water. She rushes Tophs to the doctor, ignoring the part of herself, trained by years of therapy for generalized anxiety disorder, that tries to whisper that she’s overreacting. But at the hospital, her maternal instincts are confirmed: something is wrong with her boy, and Taylor’s life will never be the same. With every question the doctors answer about Tophs’s increasingly troubling symptoms, more arise, and Taylor dives into the search for a diagnosis. She spends countless hours trying to navigate health and education systems that can be hostile to Black mothers and children; at night she googles, prays, and interrogates her every action. Some days, her sweet, charismatic boy seems just fine; others, he struggles to answer simple questions. A long-awaited appointment with a geneticist ultimately reveals nothing about what’s causing Tophs’s drops in blood sugar, his processing delays—but it does reveal something unexpected about Taylor’s own health. What if her son’s challenges have saved her life? This Boy We Made is a stirring and radiantly written examination of the bond between mother and child, full of hard-won insights about fighting for and finding meaning when nothing goes as expected.
Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others
This daring and dazzling debut shines a light on the unsung heroes of our communities: the carers. Jay is devoted to the care of her teenage twins who view the world as differently as it views them. Frank is sweet, sensitive and bullied, while whip-smart Teddy needs an iPad to speak. With an absent husband and battling a nightmare bureaucracy, Jay leans heavily on Keep, her lifelong half-real friend. But in the corner of her eye lurks her mother, and a childhood Jay knows she can't ever outrun. Jay believes she is managing quite well, with a half-grip on this half-life of hers. That is, until Teddy starts to get sick, refusing to eat, while doctors refuse to listen, confounding everything Jay thought she knew about what lies ahead. The Keepers is an incredible and fiercely honest novel about the damage done by parents who can't love, the failures of a community that only claims to care, and the resilience of those whose stories mostly go untold.
BONUS: This edition contains an After You discussion guide. When tragedy strikes across the ocean, Ellie Lerner drops everything—her marriage, her job, her life in the Boston suburbs—to travel to London and pick up the pieces of her best friend Lucy’s life. While Lucy’s husband, Greg, retreats into himself, his and Lucy’s eight-year-old daughter, Sophie, has simply stopped speaking. Desperate to help Sophie, Ellie turns to a book that gave her comfort as a child, The Secret Garden. As its story of hurt, magic, and healing blooms around them, so, too, do Lucy’s secrets—some big, some small. Peeling back the layers of her friend’s life, Ellie is forced to confront her own as well: the marriage she left behind, the loss she’d hoped to escape. And suddenly Ellie’s carefully constructed existence is spinning out of control in a chain of events that will transform her life—and the lives of those around her—forever.