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Writing Women of the Fin de Siècle by Adrienne E. Gavin,Carolyn Oulton Pdf
Concentrating on a period of significant social and political change and exploring both canonical and newly rediscovered texts, this book critically assess the changing culture of the late-Victorian period as represented by a range of women writers through a range of essays by leading academics in the field and cutting-edge work by newer scholars.
Women's Emancipation Writing at the Fin de Siecle by Elena V. Shabliy,Dmitry Kurochkin,O’Donnell Karen Pdf
This work investigates women’s emancipation writing in the second half of the nineteenth and the early twentieth centuries. Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century and at the fin de siècle. Philosophers, poets, writers, and journalists were concerned with this problem and began popularizing wholeheartedly the so-called "burning" questions. The new femininity was represented not only in the Christian context; many other traditions and cultures opened the discussion about the women’s lot. This volume analyzes women’s literary voices from different parts of the world—Turkey, England, the U.S., Italy, Russia, Spain, and others. Imagination, as it is believed, has no borders and is dialogical in its nature.
This collection brings together 20 short stories of the "fin-de-siecle" and includes such writers as George Egerton, Charlotte Perkins Gilman, Vernon Lee, Ada Leverson and Olive Schreiner. The stories range from the lyrical to the Gothic and frequently deal with the conflicts of women writers. At the turn of the century, short stories by- and often about- 'New Women' flooded the pages of English and American magazines like The Yellow Book, The Savoy, Atlantic Monthly and Harpers. This daring new fiction, often innovative in form, and courageous in its candid literary aspiration, shocked Victorian critics who parodied the experimental stories in Punch as symptoms of fin de siecle decadence, or denounced the authors as 'literary degenerates' or 'erotomaniacs.' This collection brings together twenty of the most original and important stories, including such little-known writers as Victoria Cross, George Egerton, Vernon Lee, Constance Fenimore Wollson and Charlotte Mew. Ranging from the lyrical to the Gothic, and frequently dealing with the conflicts of women artists, the short fiction of the fin de siecle is the missing link between the Golden Age of Victorianism women writers and the new era of feminist modernism.
By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.
Using a wide range of unexplored archival material, this book examines the 'spectral' influence of Victorian spiritualism and Psychical Research on women's writing, analyzing the ways in which modern writers have both subverted and mimicked nineteenth century sources in their evocation of the séance.
Brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer. This book includes novels that confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity.
Author : Mary Louise Roberts Publisher : University of Chicago Press Page : 366 pages File Size : 41,5 Mb Release : 2017-03-15 Category : Social Science ISBN : 9780226360751
In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.
Much has been written regarding the New Woman in the fin de siècle and the changes women’s groups fought so hard to achieve. However, the social and gender changes demanded by women as the nineteenth century drew to a close necessitated a corresponding change in traditional masculinities. Redefinition of the male role was not easily negotiated in an era of rampant patriarchy and Victorian supremacy; the distinct boundaries between male and female social space made this increasingly problematic for both genders. Some Victorian men, who had seen the public sphere as exclusively theirs, felt both their masculinity and male privilege threatened and were confused by women’s challenges and their attempted encroachment into what had previously been perceived as solely male domains. While many female authors explored possibilities for the New Woman figure, as the fin de siècle approached, male authors began to consider how masculinities might respond to changing gender dynamics. Authors such as Sir Arthur Conan Doyle and Bram Stoker, amongst others, addressed ways in which their male characters could negotiate a quandary of masculinities under threat by alterations to conventional gender spheres while remaining “manly” in situations which required a rethinking of many of their basic tenets during this time of flux. This book examines the opinions of women within both the dominant and reverse discourses, and parallels them with ideas surrounding changes in masculinities that began to emerge in male-authored texts. As such, it details an often vociferous negotiation of volatile issues which led to a major upheaval of gender roles in the approach to a new century that demanded changes which were difficult to achieve.
A World Apart and Other Stories by Kathleen Hayes Pdf
“It grew dark and a mist spread over the countryside like a curtain. We were at the Bohemian border. Customs control, shouting, the din of the station, and finally the train moved on with a monotonous drone. ‘It was right here that I met Teresa Elinson,’ Marta said, in the corner of the cozy compartment. I replied: ‘Who is Teresa Elinson? I don’t remember you ever mentioning her.’ ‘No, never. It was a kind of adventure. That time too the train hurtled into the dark, where red sparks flew and lights flashed, scattering in the mist...’” Thus begins the story by Růžena Jesenská that gives this book its name. In this anthology, Kathleen Hayes has selected and translated eight stories by Czech female authors at the turn of the 19th and 20th century: a period of female political emancipation and impressive literary development. All of the writers included in the present volume were recognized in their own day and constitute a cross-section of the literary styles of the period. Tilschová’s “A Sad Time” is written in a Naturalist style; Jesenská’s “A World Apart” presents themes and motifs that appealed to the Decadents. Malířová’s “The Sylph” is both diaristic and satirical, while Svobodová’s ironical “A Great Passion”, with its rural setting and folklore motifs, reminds one of the writings of Karel Jaromír Erben. Preissová’s short story may be read as a celebration of folk culture. Benešová’s “Friends” is interesting for its psychological presentation of a child’s point of view and its implicit criticism of anti-Semitism. The book is accompanied by the biographies of each author and an introduction by Kathleen Hayes.
The New Woman in Fiction and Fact by A. Richardson,C. Willis Pdf
A cultural icon of the fin de siècle , the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins . The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.
'Sexual anarchy' - dire predictions, disasters, apocalypse - became the hallmark of the closing decades of the nineteenth century. The New Woman and the Odd Woman threatened male identity and self-esteem; teh emergence of feminism and homosexuality meant the redefining of masculinity and femininity. This is the terrain which Elaine Showalter explores with such consummate originality and wit. Looking at parallels between the ends of the 19th and 20th centuries and their representations in literature, art and film, she ranges over the trial of Oscar Wilde, the public furore over prostitution and syphilis, moral outrage over the breakdown of the family, abortion rights and AIDS. High and low culture - from male quest romances to contemporary male bonding movies (Heart of Darkness reworked into Apocalypse Now), Freud to Fatal Attraction - all are part of this scholarly and entertaining study of the fin de siecle.
Shakespeare's Women and the Fin de Siècle by Sophie Duncan Pdf
Shakespeare's Women and the Fin de Siecle illuminates the most iconoclastic performances of Shakespeare's heroines in late Victorian theatre, through the celebrity, commentary, and wider careers of the actresses who played them. By bringing together fin-de-siecle performances of Shakespeare and contemporary Victorian drama for the first time, this book illuminates the vital ways in which fin-de-siecle Shakespeare and contemporary Victorian theatre culture conditioned each other. Actresses' movements between Shakespeare and fin-de-siecle roles reveal the collisions and unexpected consonances between apparently independent areas of the fin-de-siecle repertory. Performances including Ellen Terry's Lady Macbeth, Madge Kendal's Rosalind, and Lillie Langtry's Cleopatra illuminate fin-de-siecle Shakespeare's lively intersections with cultural phenomena including the "Jack the Ripper" killings, aestheticism, the suicide craze, and the rise of metropolitan department stores. If, as previous studies have shown, Shakespeare was everywhere in Victorian culture, Sophie Duncan explores the surprising ways in which late-Victorian culture, from Dracula to pornography, and from Ruskin to the suffragettes, inflected Shakespeare. Via a wealth of unpublished archival material, Duncan reveals women's creative networks at the fin de siecle, and how Shakespearean performance traditions moved between actresses via little-studied performance genealogies. At the same time, controversial new stage business made fin-de-siecle Shakespeare as much a crucible for debates over gender roles and sexuality as plays by Ibsen and Shaw. Increasingly, actresses' creative networks encompassed suffragist activists, who took personal inspiration from star Shakespearean actresses. From a Salome-esque Juliet to a feminist Paulina, fin-de-siecle actresses created cultural legacies which Shakespeare-in-performance still negotiates today.
A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsmen. It is also a moving vindication of historical study itself, in the face of modernism's defiant suggestion that history is obsolete." -- David A. Hollinger, History Book Club Review "Each of [the seven separate studies] can be read separately....Yet they are so artfully designed and integrated that one who reads them in order is impressed by the book's wholeness and the momentum of its argument." -- Gordon A. Craig, The New Republic "A profound work...on one of the most important chapters of modern intellectual history" -- H.R. Trevor-Roper, front page, The New York Times Book Review "Invaluable to the social and political historian...as well as to those more concerned with the arts" -- John Willett, The New York Review of Books "A work of original synthesis and scholarship. Engrossing." -- Newsweek
The New Woman was the symbol of the shifting categories of gender and sexuality and epitomised the spirit of the fin de siècle . This informative monograph offers an interdisciplinary approach to the growing field of New Woman studies by exploring the relationship between first-wave feminist literature, the nineteenth-century women's movement and female consumer culture. The book expertly places the debate about femininity, feminism and fiction in its cultural and socio-historical context, examining New Woman fiction as a genre whose emerging theoretical discourse prefigured concepts central to second-wave feminist theory.
Victorian Women Writers and the Woman Question by Nicola Diane Thompson Pdf
This book was first published in 1999. This collection of essays by leading scholars from Britain, the USA and Canada opens up the limited landscape of Victorian novels by focusing attention on some of the women writers popular in their own time but forgotten or neglected by literary history. Spanning the entire Victorian period, this study investigates particularly the role and treatment of 'the woman question' in the second half of the century. There are discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art. Moving from Margaret Oliphant and Charlotte Mary Yonge to Mary Ward, Marie Corelli, 'Ouida' and E. Nesbit, this book illuminates the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.