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Annie West's irreverent art brings to life W.B. Yeats's futile pursuit of the beautiful, unobtainable Maud Gonne. Introduced by Theo Dorgan, and complete with poetry by Yeats as well as quotes by those who bore witness to his infatuation, including Katharine Tynan, Douglas Hyde and his own sisters, Lolly and Lily, Yeats in Love is a truly original depiction of a decades-long adolescent crush.
The Love Story Of W.B. Yeats & Maud Gonne by Margery Brady Pdf
Set in the late nineteenth and early twentieth centuries, this romantic tale unfolds against a background of political unrest and tenant agitation in Ireland. The poet William Butler Yeats is a central figure in the Irish literary revival, while Maud Gonne, a political activist, is passionately involved in the struggle for Irish independence. But this is not a dissertation about Yeats' work, nor is it about the history of the day or the political involvements of Maud Gonne. It is a love story, containing some of the most poignant poems ever written.
The concepts of love in William Butler Yeats's poetry by Stefan Hinterholzer Pdf
Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1, University of Innsbruck (Department of English), course: The Irish Literary Revival, 2 entries in the bibliography, language: English, abstract: Love was one of William Butler Yeats’s great inspirations. It was love that kept him moving and developing. It was love that confused him and made him reflect. It was love that shattered him and made him mourn. Yeats’s experience with love was rich and fulfilling as well as frustrating and devastating. In order to come to a better understanding of Yeats’s love poetry, we need to take a look into his private life: “Yeats met the fiery revolutionary [Maud Gonne] in 1889. He fell deeply in love with her and would propose to her in 1891, 1899, 1900, 1901, and 1916. Gonne had no use for Yeats's proposals. However, she did have a use for his talents. Gonne would use Yeats for his ability as an orator. Maud Gonne, dragging him at her heels on nationalist agitations, soon found that he was a natural orator and could easily dominate committees. Maud Gonne would continue to turn Yeats proposals down, yet she continued to be the catalyst for the finest love poetry Yeats would ever create. Gonne would once ask for Yeats's help in London, ending a brief but happy love affair with Olivia Shakespear. Sensing divided loyalty, Shakespear would end the affair and it was shortly thereafter that Lady Gregory would save Yeats from a potentially more tragic end, like the poets of the tragic generation” (cf. nadn.navy). Yeats really loved Maud Gonne. She was the love of his life, and still, she would never really react to, let alone return his love. Yeats has experienced the many different facets of love through this continuous interaction between his everlasting true and sincere affection and dedication and her cold and calculating rejection. But although this may be a personal tragedy it also resulted in something positive and beautiful, namely Yeats’s love poetry Maud Gonne inspired him to. Yeats managed to deal with all his positive and negative experiences in a productive way and included them into his poetry. Maud Gonne once even said to him that she could not stop rejecting him as he would not write such beautiful poetry about her anymore then. As said, Yeats’s perception and concepts of love can be identified in his poetry. Furthermore, we can identify a development of Yeats’s depiction of love in his poetry. We can find many different sides of love in Yeats’s poems. In some poems, Yeats describes it as an almost divine power. In other poems, he starts doubting whether love is really that fulfilling or not. And in further poems, he even focuses on the dark and destructive sides of love. These different concepts of love will be described in this paper through the analysis of selected poems.
A study of the poetry of Hardy, Yeats, and Larkin in relation to their shared preoccupation with time, change, and loss, the most ancient and fertile theme in lyric and reflective verse, known to earlier English poets as mutability. Though the importance of the socio-political and ideological context is in every case acknowledged, the literary-history context is viewed as primary: hence the introductory survey of foundational Renaissance and Romantic poets with whose work Hardy, Yeats, and Larkin were thoroughly familiar. Although a preoccupation with the subject of time and change in the work of these three poets is a critical commonplace, no one has ever isolated it for special attention, or used it to link them either together or with their historical predecessors. This is an entirely new approach to their work. The critical methodology employed is evidential and analytical rather than theoretical, focussed throughout on the meaning and the mood of each poem and the distinctive individuality of each poet.
Gender and History in Yeats's Love Poetry by Elizabeth B. Cullingford Pdf
In this, the first sustained feminist analysis of Yeats, Elizabeth Butler Cullingford resituates his love poems in their cultural and historical context. Yeats himself said that when he started to write verse, "no matter how I begin, it becomes love poetry." Cullingford argues that the politics of sexuality are at the heart of his creative enterprise. From the early lyrics prompted by his frustrated love for Maud Gonne through later works such as "Leda and the Swan," "Among School Children," and the Crazy Jane sequence, she traces the complex intersections between history, aesthetics, and desire. Cullingford shows how women's demand for emancipation brought pressure to bear on the conventions of love poetry, which idealize woman as an aesthetic object; and how Yeats's revision of these formal conventions modifies his idea of the Irish nation, which has traditionally been represented as female. Yeats described himself as "a man of my time, through my poetical faculty living its history": his love poetry bears the impress of the shifting balance of sexual power and the struggle to define a postcolonial Irish identity.
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves. Y is for Yeats. A specially compiled edition for the Penguin Drop Caps series, When You Are Old will include the most accessible, best-known poems by W.B. Yeats from his early years that made the Nobel Prize winning writer and poet popular in his day. The volume will include all the major love poems written most notably for the brilliant yet elusive Irish revolutionary Maude Gonne. Recalling Yeats’s 1890s fascination in aestheticism and the arts and crafts movement, selections will draw from the first published versions of poems from works such as Crossways, The Rose, The Wind Among the Reeds, In the Seven Woods, The Green Helmet and Other Poems, Responsibilities, The Wild Swans at Coole, and Michael Robartes and the Dancer. A selection Irish myths and fairytales including “The Wanderings of Oisin,” a Celtic fable and his first major poem, represent his fascination with mysticism, spiritualism and the rich and imaginative heritage of his native land.
The Love Story of Yeats and Maud Gonne by Margery Brady Pdf
"A ... story of the great love of W. B. Yeats for Maud Gonne, the woman he immortalized in his poems. Set in the late nineteenth and early twentieth centuries, this romantic tale unfolds against a backdrop of political unrest and tenant agitation in Ireland. The poet W. B. Yeats was a central figure in the Irish literary revival while Maud Gonne, a political activist, was passionately involved in the struggle for Irish independence"--From back cover.
Rich selection of 134 poems published between 1889 and 1914: "Lake Isle of Innisfree," "When You Are Old," "Down by the Salley Gardens," many more. Note. Alphabetical lists of titles and first lines.
Shedding fresh light on the life and work of William Butler Yeats--widely acclaimed as the major English-language poet of the twentieth century--this new study by leading scholar Patrick J. Keane questions established understandings of the Irish poet's long fascination with the occult: a fixation that repelled literary contemporaries T.S. Eliot and W.H. Auden, but which enhanced Yeats's vision of life and death. Through close reading of selected poems, the first section of Making the Void Fruitful assesses Yeats's spiritualised treatment of corporeal themes, exploring sex and eroticism as the expression of a duality inherent to his ontological and supernatural convictions. The power-producing tension in Yeats's work is not only intellectual but emotional. At its vital centre is his Muse: the beautiful political firebrand, Maud Gonne, whose activist Republican politics he considered his one real rival. Through close engagement with the poems and plays she inspired, the second section explores Yeats's complex relationship with Maud, an obsessive and unrequited love which he sublimated and transformed into the greatest body of Muse poetry since Petrarch, in whose tradition of spiritualized eroticism Yeats, perhaps the last of the great Romantics, was consciously writing. Shaped by the conviction that no modern poet exceeded Yeats in animating the enduring themes of love and spirituality through poetry, this book emphasises the influence, of Blake, Nietzsche, and John Donne, on what Yeats called 'the thinking of the body'. Grounded firmly in the textual materiality of Yeats's oeuvre, this book will be of interest to researchers and students of W.B. Yeats, as well as to those in the fields of Anglophone literatures and cultures, and philosophy.
Twelve-year old Jason is accused of the brutal murder of a young girl. Is he innocent or guilty? The shocked town calls on an interrogator with a stellar reputation: he always gets a confession. The confrontation between Jason and his interrogator forms the chilling climax of this terrifying look at what can happen when the pursuit of justice becomes a personal crusade for victory at any cost.
