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In songs, dance and drama the fame of the Yoruba of Nigeria is firmly established and universally acknowledged. Also an established writing and literary tradition, the Yoruba have asserted themselves as a dominant force in the world of creativity. Such stars are represented here, as in the works of Wole Soyinka and Zulu Sofola. The future of language in the making of new idioms and dictionaries is also examined in an attempt to position the Yoruba and their cultures in the ever-changing world of cultural inventions.
"Yoruba Creativity: Cultural Practices of the Modern World provides an interdisciplinary analysis of the multifaceted contributions of the Yoruba, one of the largest ethnic groups in Nigeria. It skillfully interrogates the epistemological foundations of the development of the cultural values, ethos, and survival strategies of the Yoruba from the pre-colonial era to the present day. It presents a compelling examination of the role of Yoruba memoirs in the social construction of memory and identity, as well as the cultural basis of marriage, mothering, and the critical role of the family unit in Yoruba society. Also, the book discusses the crucial role of men and women in entrepreneurship and economic development and the numerous factors that have influenced their participation in trade activities. It presents a cogent analysis of the critical institution of the Monarchy in the past and present, as well as the important role of the institution of the chieftaincy. Using a multi-layered methodological approach, including a lived historical perspective, the author recounts the process through which she also became Yoruba through the conferment of three chieftaincy titles each on her and her husband, the highest of which was presented to them by His Royal Majesty, King (Oba) Michael Adedotun Aremu Gbadebo, the Okukenu IV, Alake and Paramount Ruler of Egbaland"--
Creativity for a New Curriculum: 5-11 by Lynn D. Newton Pdf
This title provides a meaningful account of what creativity really means in the context of children's learning in the primary school, and describes in practical terms what teachers can do to foster it.
Rowland Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts.
Orature and Yoruba Riddles by A. Akinyeme,Akintunde Akinyemi Pdf
Orature and Yorùbá Riddles takes readers into the hitherto unexplored undercurrents of riddles in Africa. Because of its oral and all too often ephemeral nature, riddles have escaped close scrutiny from scholars. The strength of the Yorùbá as the focus of this study is impressive indeed: a major ethnic group in Africa, with established connections with the black diaspora in North America and the Caribean; a rich oral and written culture; a large and diverse population; and an integrated rural-urban society. The book is divided into six chapters for readers' convenience. When read in sequence, the book provides a comprehensive, holistic sense of Yorùbá creativity where riddles are concerned. At the same time, the book is conceived in a way that each chapter could be read individually. Therefore, those readers seeking understanding of a specific type of riddle may target a single chapter appearing most relevant to her/his curiosity.
Encyclopedia of the Yoruba by Toyin Falola,Akintunde Akinyemi Pdf
“The encyclopedia gives a complex, yet detailed, presentation of the Yorùbá, a dominant ethnic group in West Africa . . . an invaluable resource.” —Yoruba Studies Review The Yoruba people today number more than thirty million strong, with significant numbers in the United States, Nigeria, Europe, and Brazil. This landmark reference work emphasizes Yoruba history, geography and demography, language and linguistics, literature, philosophy, religion, and art. The 285 entries include biographies of prominent Yoruba figures, artists, and authors; the histories of political institutions; and the impact of technology and media, urban living, and contemporary culture on Yoruba people worldwide. Written by Yoruba experts on all continents, this encyclopedia provides comprehensive background to the global Yoruba and their distinctive and vibrant history and culture. “Readers unfamiliar with the Yoruba will find the introduction a concise and valuable overview of their language and its dialects, recent history, mythology and religion, and diaspora movements . . . Highly recommended.” —Choice
Yorùbá Performance, Theatre and Politics by Glenn Odom Pdf
This book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.
Handbook of Research on Using Global Collective Intelligence and Creativity to Solve Wicked Problems by Fields, Ziska Pdf
Today’s world is continually facing complex and life-threatening issues that are too difficult or even impossible to solve. These challenges have been titled “wicked” problems due to their radical and multifarious nature. Recently, there has been a focus on global cooperation and gathering creative and diverse methods from around the world to solve these issues. Accumulating research and information on these collective intelligence methods is vital in comprehending current international issues and what possible solutions are being developed through the use of global collaboration. The Handbook of Research on Using Global Collective Intelligence and Creativity to Solve Wicked Problems is a pivotal reference source that provides vital research on the collaboration between global communities in developing creative solutions for radical worldwide issues. While highlighting topics such as collaboration technologies, neuro-leadership, and sustainable global solutions, this publication explores diverse collections of problem-solving methods and applying them on a global scale. This book is ideally designed for scholars, researchers, students, policymakers, strategists, economists, and educators seeking current research on problem-solving methods using collective intelligence and creativity.
The History of Islam in Africa by Nehemia Levtzion,Randall L. Pouwels Pdf
The history of the Islamic faith on the continent of Africa spans fourteen centuries. For the first time in a single volume, The History of Islam in Africa presents a detailed historic mapping of the cultural, political, geographic, and religious past of this significant presence on a continent-wide scale. Bringing together two dozen leading scholars, this comprehensive work treats the historical development of the religion in each major region and examines its effects. Without assuming prior knowledge of the subject on the part of its readers, The History of Islam in Africa is broken down into discrete areas, each devoted to a particular place or theme and each written by experts in that particular arena. The introductory chapters examine the principal “gateways” from abroad through which Islam traditionally has influenced Africans. The following two parts present overviews of Islamic history in West Africa and the Sudanic zone, and in subequatorial Africa. In the final section, the authors discuss important themes that have had an impact on Muslim communities in Africa. Designed as both a reference and a text, The History of Islam in Africa will be an essential tool for libraries, scholars, and students of this growing field. Contributors: Edward A. Alpers, René A. Bravmann, Abdin Chande, Eric Charry, Allan Christelow, Roberta Ann Dunbar, Kenneth W. Harrow, Lansiné Kaba, Lidwien Kapteijns, Nehemia Levtzion, William F. S. Miles, David Owusu-Ansah, M. N. Pearson, Randall L. Pouwels, Stefan Reichmuth, David Robinson, Peter von Sivers, Robert C.-H. Shell, Jay Spaulding, David C. Sperling with Jose H. Kagabo, Jean-Louis Triaud, Knut S. Vikør, John O. Voll, and Ivor Wilks
Religious Beliefs and Knowledge Systems in Africa by Toyin Falola,Nicole Griffin Pdf
Key to African studies is understanding the knowledge systems of the continent and her diaspora. The representation and understanding of Africa are dependent on the observer’s definition of knowledge. Afrocentric knowledge is comprised of a collection of political, religious, and indigenous belief systems. Religious Beliefs and Knowledge Systems in Africa begins with deconstructing the Western philosophy of knowledge before defining and exploring the epistemic disciplines of Africa. It transcends postcolonial critique, through an Afrocentric approach to knowledge divided into three key themes. The first of these is the African worldview, exploring knowledge through eldership, witchcraft, and divination. This is followed up by kingship ideology and epistemologies, exploring discussing how politics, religion, and belief shape African society. Finally, the world religion chapter examines Christianity, Islam, and Pentecostalism in their impact on African ways of knowing. This book calls to action new fields of study in universities, encouraging a greater understanding of African ways of knowing through more nuanced disciplines.
Methodology, Ideology and Pedagogy of African Art by Moyo Okediji Pdf
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.