Author : Anonim
Publisher : Unknown
Page : 190 pages
File Size : 45,6 Mb
Release : 1985
Category : Haiku
ISBN : UOM:39015015549515
現代日本俳人全集
Anonim
現代日本俳句選集
現代日本俳句選集 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of 現代日本俳句選集 book. This book definitely worth reading, it is an incredibly well-written.
吟遊俳句2000
夏石番矢
Author : 夏石番矢
Publisher : Unknown
Page : 184 pages
File Size : 42,8 Mb
Release : 2000-08
Category : Haiku
ISBN : 4879440337
吟遊俳句2000 by 夏石番矢 Pdf
National Union Catalog
Anonim
Author : Anonim
Publisher : Unknown
Page : 1032 pages
File Size : 49,6 Mb
Release : 1983
Category : Union catalogs
ISBN : UOM:39015082930622
National Union Catalog by Anonim Pdf
Includes entries for maps and atlases.
俳句と haiku
Anonim
Author : Anonim
Publisher : Unknown
Page : 120 pages
File Size : 52,7 Mb
Release : 1989
Category : Children's poetry, English
ISBN : STANFORD:36105130702165
俳句と haiku by Anonim Pdf
現代俳句精銳選集
Anonim
Author : Anonim
Publisher : Unknown
Page : 181 pages
File Size : 55,6 Mb
Release : 2017
Category : Electronic
ISBN : 4812909090
現代俳句精銳選集 by Anonim Pdf
現代俳句大事典
山下一海
Author : 山下一海
Publisher : Unknown
Page : 778 pages
File Size : 46,9 Mb
Release : 2005-11
Category : Haiku
ISBN : UVA:X030011870
現代俳句大事典 by 山下一海 Pdf
調べる,読む,詠む,鑑賞する俳句大事典
"Rise, Ye Sea Slugs!"
Robin D Gill
Author : Robin D Gill
Publisher : Paraverse Press
Page : 481 pages
File Size : 41,7 Mb
Release : 2003
Category : Poetry
ISBN : 9780974261805
"Rise, Ye Sea Slugs!" by Robin D Gill Pdf
Rise, Ye Sea Slugs! is a book of many faces. First, it is a book of translated haiku and contains over 900 of these short Japanese poems in the original (smoothly inserted in the main body),with phonetic and literal renditions, as well as the authors English translations and explanations. All but a dozen or two of the haiku are translated for the first time. There is an index of poets, poems and a bibliography. Second, it is a book of sea slug haiku, for all of the poems are about holothurians, which scientists prefer to call sea cucumbers. (The word cucumber is long for haiku and metaphorically unsuitable for many poems, so poetic license was taken.) With this book, the namako, as the sea cucumber is called in Japanese, becomes the most translated single subject in haiku, surpassing the harvest moon, the snow, the cuckoo, butterflies and even cherry blossoms. Third, it is a book of original haiku. While the authors original intent was to include only genuine old haiku (dating back to the 17th century), modern haiku were added and, eventually, Keigu (Gills haiku name) composed about a hundred of his own to help fill out gaps in the metaphorical museum. For many if not most modern haiku taken from the web, it is also their first time in print! Fourth, it is a book of metaphor. How may we arrange hundreds of poems on a single theme? Gill divides them into 21 main metaphors, including the Cold Sea Slug, the Mystic Sea Slug, the Helpless Sea Slug, the Slippery Sea Slug, the Silent Sea Slug, and the Melancholy Sea Slug, giving each a chapter, within which the metaphors may be further subdivided, and adds a 100 pages of Sundry Sea Slugs (scores of varieties including Monster, Spam, Flying, Urban Myth, and Exploding). Fifth, it is a book on haiku. E ditors usually select only the best haiku, but, Gill includes good and bad haiku by everyone from the 17th century haiku master to the anonymous haiku rejected in some internet contest. This is not to say all poems found were included, but that the standard was along more taxonomic or encyclopedic lines: poems that filled in a metaphorical or sub-metaphorical gap were always welcome. Also, Gill shows there is more than one type of good haiku. These are new ways to approach haiku. Sixth, it is a book on translation. There are approximately 2 translations per haiku, and some boast a dozen. These arearranged in mixed single, double and triple-column clusters which make each reading seem a different aspect of a singular, almost crystalline whole. The authors aim is to demonstrate that multiple reading (such as found in Hofstadters Le Ton Beau de Marot) is not only a fun game but a bona fide method of translating, especially useful for translating poetry between exotic tongues. Seventh, it is a book of nature writing, natural history or metaphysics (in the Emersonian sense). Gill tried to compile relevant or interesting (not necessarily both) historical -- this includes the sea slug in literature, English or Japanese, and in folklore -- and scientific facts to read haiku in their light or, conversely, bringor wring out science from haiku. Unlike most nature writers, Gill admits to doing no fieldwork, but sluggishly staying put and relying upon reportsfrom more mobile souls. Eighth, it is a book about food symbolism. The sea cucumber is noticed by Japanese because they eat it; the eating itselfinvolves physical difficulties (slipperiness and hardness) and pleasures from overcoming them. It is also identified with a state of mind, where you are what you eat takes on psychological dimensions not found in the food literature of the West. Ninth, it is a book about Japanese culture. Gill does not set out to explain Japan, and the sea slug itself is silent;but the collection of poems and their explanations, which include analysis by poets who responded to the author's questions as well has historical sources, take us all around the culture, from ancient myths to contemporary dreams. Tenth, it is a book about sea cucumbers. While most species of sea cucumbers are not mentioned and the coverage of the Japanese sea cucumber is sketchy from the scientific point of view, Gill does introduce this animal graced to live with no brain thanks to the smart materials comprising it and blessed for sucking in dirty sediment and pooping it out clean. Eleventh, it is a book about ambiguity. Gill admits there is much that cannot be translated, much he cannot know and much to be improved in future editions, for which purpose he advises readers to see the on-line Glosses and Errata in English and Japanese. His policy is to confide in, rather than slip by the reader unnoticed, in the manner of the invisible modern translator and allow the reader to makechoices or choose to allow multiple possibilities to exist by not chosing.Twelfth, the book is the first of dozens of spin-offs from a twenty-book haiku saijiki (poetic almanac) called In Praise of Olde Haiku (IPOOH, for short) Gill hopes to finish within the decade. Thirteenth. The book is a novelty item. It has a different (often witty) header (caption) on top of each page and copious notes that are rarely academic and oftehumorous.
山口誓子自選集 : 現代俳句
Seishi Yamaguchi
Author : Seishi Yamaguchi
Publisher : Weatherhill, Incorporated
Page : 374 pages
File Size : 44,7 Mb
Release : 1993
Category : Haiku
ISBN : UCSC:32106013809998
山口誓子自選集 : 現代俳句 by Seishi Yamaguchi Pdf
Monographic Series
Library of Congress
Author : Library of Congress
Publisher : Unknown
Page : 860 pages
File Size : 45,5 Mb
Release : 1982
Category : Monographic series
ISBN : UIUC:30112024897628
Monographic Series by Library of Congress Pdf
明治・大正・昭和前期雑誌記事索引集成
Anonim
Author : Anonim
Publisher : Unknown
Page : 624 pages
File Size : 51,5 Mb
Release : 1995
Category : Humanities
ISBN : UCSD:31822033730532
明治・大正・昭和前期雑誌記事索引集成 by Anonim Pdf
Library of Congress Catalogs
Library of Congress
Author : Library of Congress
Publisher : Unknown
Page : 896 pages
File Size : 40,6 Mb
Release : 1976
Category : Monographic series
ISBN : UOM:39015054479608
Library of Congress Catalogs by Library of Congress Pdf
大阪府立中之島図書館増加図書目錄
大阪府立中之島図書館
Author : 大阪府立中之島図書館
Publisher : Unknown
Page : 736 pages
File Size : 41,7 Mb
Release : 1988
Category : Electronic
ISBN : UCAL:B3580229
大阪府立中之島図書館増加図書目錄 by 大阪府立中之島図書館 Pdf
近代雑誌目次文庫
Anonim
Author : Anonim
Publisher : Unknown
Page : 338 pages
File Size : 54,6 Mb
Release : 1995
Category : Japanese periodicals
ISBN : UCLA:L0092787977
