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Visual and Material Cultures in Middle Period China by Anonim Pdf
Eight studies examine key features of Chinese visual and material cultures, ranging from tombs and ceramics to Buddhist paintings and colophons on calligraphies. The essays connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade.
As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.
Among Chinese religious sites, Mount Putuo, the "Island of Guanyin," stands out as a fascinating embodiment of China's vibrant Buddhist tradition. A small island in the East China Sea, it has been the single most important pilgrimage site for the worship of Guanyin, the beloved Bodhisattva of Compassion, who is venerated from Sri Lanka to Japan. Attracting thousands of visitors every year, the site has accumulated a multi-layered historical record, as it appears in different lights in poems, biographies, maps, and legends across the centuries. From its foundation in Mahayana Buddhist scriptures to its descriptions in local histories known as "gazetteers," Mount Putuo's distinctive profile makes it an abiding landmark throughout the checkered history of Chinese Buddhism. This book, the first monograph on Mount Putuo in any language, follows the structure of a gazetteer as it presents important texts about this sacred site, which are here translated for the first time, groups them according to the individual genres found in the gazetteers, and analyzes their function. This brings out the full meaning of the texts against their historical, geographical, and religious contexts, producing a panoramic view of Mount Putuo through the lens of its textual heritage. Revealing the dense fabric of one deep-rooted devotional tradition, the book will be of interest to all students of Asian Buddhism.
Zhixin Jason Sun,I-tien Hsing,Cary Y. Liu,Pengliang Lu,Lillian Lan-ying Tseng,Yang Hong,Robin D. S. Yates,Zhonglin Yukina Zhang
Author : Zhixin Jason Sun,I-tien Hsing,Cary Y. Liu,Pengliang Lu,Lillian Lan-ying Tseng,Yang Hong,Robin D. S. Yates,Zhonglin Yukina Zhang Publisher : Metropolitan Museum of Art Page : 270 pages File Size : 40,8 Mb Release : 2017-03-27 Category : Art ISBN : 9781588396174
Age of Empires by Zhixin Jason Sun,I-tien Hsing,Cary Y. Liu,Pengliang Lu,Lillian Lan-ying Tseng,Yang Hong,Robin D. S. Yates,Zhonglin Yukina Zhang Pdf
Spanning four centuries, from 221 B.C. to A.D. 220, the Qin and Han dynasties were pivotal to Chinese history, establishing the social and cultural underpinnings of China as we know it today. Age of Empires: Art of the Qin and Han Dynasties is a revelatory study of the dawn of China’s imperial age, delving into more than 160 objects that attest to the artistic and cultural flowering that occurred under Qin and Han rule. Before this time, China consisted of seven independent states. They were brought together by Qin Shihuangdi, the self-proclaimed First Emperor of the newly unified realm. Under him, the earliest foundations of the Great Wall were laid, and the Qin army made spectacular advances in the arts of war—an achievement best expressed in the magnificent army of lifesize terracotta warriors and horses that stood before his tomb, seven of which are reproduced here. The Han built on the successes of the Qin, the increasing wealth and refinement of the empire reflected in dazzling bronze and lacquer vessels, ingeniously engineered lamps, and sparkling ornaments of jade and gold from elite Han tombs. But of all the achievements of the Qin-Han era, the most significant is, no doubt, the emergence of a national identity, for it was during this time of unprecedented change that people across the empire began to see themselves as one, with China as their common homeland. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} With its engaging, authoritative essays and evocative illustrations, Age of Empires provides an invaluable record of a unique epoch in Chinese history, one whose historic and artistic impact continues to resonate into the modern age.