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Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 1159 pages File Size : 45,8 Mb Release : 2019-01-01 Category : Music ISBN : 9781540048585
100 Women of Pop and Rock by Hal Leonard Corp. Pdf
(Piano/Vocal/Guitar Songbook). 100 songs arranged for piano, voice and guitar from 100 iconic female artists are presented in this collection. Artists showcased include Adele, Pat Benatar, Beyonce, Karen Carpenter, Cher, Aretha Franklin, Whitney Houston, Janis Joplin, Carole King, Madonna, Joni Mitchell, Dolly Parton, Diana Ross, Barbra Streisand, Taylor Swift, Tina Turner, Dionne Warwick, Amy Winehouse and many others.
The Lost Women of Rock Music by Helen Reddington Pdf
In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard-players and drummers playing in bands. This sudden influx of female musicians into the male domain of rock music was brought about partly by the enabling ethic of punk rock ('anybody can do it!') and partly by the impact of the Equal Opportunities Act. But just as suddenly as the phenomenon arrived, the interest in these musicians evaporated and other priorities became important to music audiences. Helen Reddington investigates the social and commercial reasons for how these women became lost from the rock music record.
The Cher Bible, Vol. 1: Essentials 2018 Edition by Daniel Wheway Pdf
Rightfully coined the “Goddess of Pop”, Cher has conquered music, film and television during her 50-year showbiz career, selling 100-million records, grossing $650-million on tour, drawing $700-million at the U.S. Box Office and winning Oscar, Grammy, Emmy and Golden Globe Awards. She is one-half of highly-successful duo Sonny & Cher, a multi-million-selling doll, multi-million-selling fitness icon, hit songwriter, enduring sex symbol, award-winning television producer, film director, video director, award-winning fashion icon, author, model, humanitarian, mother, daughter, and of course the idol of a highly diverse fan base. 2017, and more so 2018, have been active and exciting years for Cher — and her fans. With the success of Classic Cher and Edith+Eddie, and the announcements of Mamma Mia! Here We Go Again, the Here We Go Again Tour and The Cher Show, plus Cher receiving the Billboard Icon Award, it paved the way for updated versions of The Cher Bible, Vol. 1: Essentials and The Cher Bible, Vol. 2: Timeline.
The Cher Bible 2 in 1, Vol. 1: Essentials and Vol. 2: Timeline by Daniel Wheway Pdf
The Cher Bible, Vol. 1: Essentials "Let's call it what it is, before Britney, before Madonna, there was only Cher." - Gene Simmons, KISS. Rightfully coined the "Goddess of Pop", Cher has conquered music, film and television during her 50-year showbiz career, selling 100-million records, grossing $650-million on tour, drawing $700-million at the U.S. Box Office and winning Oscar, Grammy, Emmy and Golden Globe Awards. She is one-half of highly-successful duo Sonny & Cher, a multi-million-selling doll, multi-million-selling fitness icon, hit songwriter, enduring sex symbol, award-winning television producer, film director, video director, award-winning fashion icon, author, model, humanitarian, mother, daughter, and of course the idol of a highly diverse fan base. Contents: The Cher Story I. 1946 - 1969: I Got You Babe -- Sonny & Cher Top The Charts II. 1970 - 1980: Living In A House Divided -- TV's Sonny & Cher Separate III. 1981 - 1995: Working Girl -- Cher Earns Hollywood Acclaim IV. 1998 - 2016: Believe -- Cher Claims Her Goddess Of Pop Title The Cher Discography I. Studio Albums II. Compilation Albums III. Live Albums IV. Soundtrack Albums V. Singles Songs Written By Cher The Cher Filmography I. Films II. Television Series' & Specials III. Music Videos Cher's Tours Cher's Awards Cher's Relationships Cher Q&A What Other Stars Say About Cher The Cher Bible, Vol. 2: Timeline "She's been in our lives every decade. She kind of grew up with us." - Cyndi Lauper Cher started her career as a backing vocalist for Phil Spector's iconic Wall of Sound, before shooting to superstardom herself with the sixties anthem I Got You Babe. Cher mastered folk-rock, achieved three US #1's during the singer-songwriter era of the 1970's, whilst having a glittering television career. She made her mark on disco, Broadway and the 1980's hair metal scene and earned the highest acting honor available. Cher absolutely conquered the 1990's dance scene whilst in her 50's, and was given the Goddess Of Pop title in her 60's. Along the way, Cher has knocked The Beatles off #1, had five US Hot 100 hits simultaneously, appeared on the Live Aid stage, had US#1 movies with Meryl Streep and Jack Nicholson, attended Madonna's wedding in a purple wig, called David Letterman an "asshole", inaugurated Disneyland, had the highest-grossing female tour of all-time, had hits in six decades and held Lady Gaga's meat purse. She's done it all. She's Cher - The Goddess of Pop... Contents: A timeline of Cher's career from 1963 to 2016.
Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only was to success been to slot into saleable images of the cute baby or sexy chanteuse? Lucy O'Brien has written the ultimate hands-on history of women in rock, pop, and soul. Billie Holiday, Ella Fitzgerald, Dusty Springfield, Patti Smith, Madonna, Joni Mitchell, whitney Houston, Courtney Love, Alanis Morissette, Destiny's child - all the key names are here. But She Bop II refuses to look at women artists simply as personalities, problems or victims. From dream babes to rock chicks, riot grrrls and ragamuffins, girlpower, Lilith Fair rock and the rise of the corporate diva, She Bop II is the uncompromising story of women as creators and innovators. Lucy O'Brien is the author of two previous books: the bestsellers Annie Lennox (1991) and Dusty (1989). She has contributed to the Guardian, Sunday Times, Observer, Marie Claire, New Musical Express and The Face, and worked extensively in TV and radio, as both guest pundit and producer.
The Women’s Movement in Protest, Institutions and the Internet by Sarah Maddison,Marian Sawer Pdf
The death of feminism is regularly proclaimed in the West. Yet at the same time feminism has never had such an extensive presence, whether in international norms and institutions, or online in blogs and social networking campaigns. This book argues that the women’s movement is not over; but rather social movement theory has led us to look in the wrong places. This book offers both methodological and theoretical innovations in the study of social movements, and analyses how the trajectories of protest activity and institution-building fit together. The rich empirical study, together with focused research on discursive activism, blogging, popular culture and advocacy networks, provides an extraordinary resource, showing how the women’s movements can survive the highs and lows and adapt in unexpected ways. Expert contributors explore the ways in which the movement is continuing to work its way through institutions, and persists within submerged networks, cultural production and in everyday living, sustaining itself in non-receptive political environments and maintaining a discursive feminist space for generations to come. Set in a transnational perspective, this book trace the legacies of the Australian women’s movement to the present day in protest, non-government organisations, government organisations, popular culture, the Internet and the Slut Walk. The Women’s Movement in Protest, Institutions and the Internet will be of interest to international students and scholars of gender politics, gender studies, social movement studies and comparative politics.
Essays by leading music critics look at the most important female rock musicians, singers, and groups, with profiles of Bonnie Raitt, Carol King, Tina Turner, Janis Joplin, Madonna, and many others.
The Cher Bible: 2018 Ultimate Edition by Daniel Wheway Pdf
"She's been there and done everything, before any of us." – Christina Aguilera Cher started her career as a backing vocalist for Phil Spector's iconic Wall of Sound, before shooting to superstardom herself with the sixties anthem I Got You Babe. Cher mastered folk-rock, achieved three US #1's during the singer-songwriter era of the 1970's, whilst having a glittering television career. She made her mark on disco, Broadway and the 1980's hair metal scene and earned the highest acting honor available. Cher absolutely conquered the 1990's dance scene whilst in her 50's, and was given the Goddess Of Pop title in her 60's. Along the way, Cher has knocked The Beatles off #1, had five US Hot 100 hits simultaneously, appeared on the Live Aid stage, had US#1 movies with Meryl Streep and Jack Nicholson, attended Madonna's wedding in a purple wig, called David Letterman an "asshole", inaugurated Disneyland, had the highest-grossing female tour of all-time, had hits in six decades and held Lady Gaga's meat purse. Rightfully coined the "Goddess of Pop", Cher has conquered music, film and television during her 50-year showbiz career, selling 100-million records, grossing $650-million on tour, drawing $700-million at the U.S. Box Office and winning Oscar, Grammy, Emmy and Golden Globe Awards. She is one-half of highly-successful duo Sonny & Cher, a multi-million-selling doll, multi-million-selling fitness icon, hit songwriter, enduring sex symbol, award-winning television producer, film director, video director, award-winning fashion icon, author, model, humanitarian, mother, daughter, and of course the idol of a highly diverse fan base. Cher topped the US Hot 100: before Barbra Streisand did; before Michael Jackson, Elton John, David Bowie and Rod Stewart were famous; and before Celine Dion and Mariah Carey were even born. She had solo hits before Tina Turner and Diana Ross did, and had reinvented herself multiple times (from folk-rock hippie, glamorous TV host, disco diva, rock chick to serious actress) before Madonna had even released her first single. Her music has been covered by a range of artists from Frank Sinatra to Stevie Wonder to Britney Spears. And she broke barriers in censorship and style to pave the way for generations of outlandish female starlets such as Cyndi Lauper, Christina Aguilera and Lady Gaga. "She's a bright and truly funny gal. It goes without saying she is talented and will be doing her thing for as long as she wants to." – Dionne Warwick
Rock Obituaries: Knocking On Heaven's Door by Nick Talevski Pdf
The fascination with tragedy and the subsequent theatre of voyeurism are part of human nature, especially when it involves our icons, celebrities and musicians. Knocking On Heaven's Door is the definitive book of rock 'n' roll, pop, R&B and blues deaths. Often, only the biggest selling artists are written about and sometimes it is the death of a personality that cements their iconic status. Knocking On Heaven's Door not only covers the rock legends who lived hard and died young, this detailed reference contains over 1,000 obituaries of music industry personalities, famous and obscure from mid-fifties to the present day. Alphabetical entries of all the important individuals, including: noteworthy producers, managers, songwriters, record company founders A&R men and even critics, puts all the information at your finger tips. Nick Talevski has spent a decade researching this comprehensive and authoritative reference book and it will be an indispensable and practical addition to every music library, full of irresistible and intriguing information.
A stellar and unprecedented celebration of 104 musical artists, Women Who Rock is the most complete, up-to-date history of the evolution, influence, and importance of women in music. A gorgeous gift book, it includes a stunning, specially commissioned, full-color illustrated portrait of every musician and group. From Bessie Smith and The Supremes to Joan Baez, Madonna, BeyoncéAmy Winehouse, Dolly Parton, Sleater-Kinney, Taylor Swift, and scores more, women have played an essential and undeniable role in the evolution of popular music including blues, rock and roll, country, folk, glam rock, punk, and hip hop. Today, in a world traditionally dominated by male artists, women have a stronger influence on popular music than ever before. Yet, not since the late nineteen-nineties has there been a major work that acknowledges and pays tribute to the female artists who have contributed to, defined, and continue to make inroads in music. In Women Who Rock, writer and professor of journalism Evelyn McDonnell leads a team of women rock writers and pundits in an all-out celebration of 104 of the greatest female musicians. Organized chronologically, the book profiles each artist and places her in the context of both her genre and the musical world at large. Sidebars throughout recall key moments that shaped both the trajectory of music and how those moments influenced or were influenced by women artists. With full-color illustrated portraits by women artists, Women Who Rock will be THE long-awaited gift book for every music fan, feminist, and female rocker, young and old musicians.
Author : Steve Jones Publisher : Temple University Press Page : 300 pages File Size : 42,7 Mb Release : 2002 Category : Language Arts & Disciplines ISBN : 1566399661
Since the 1950s, writing about popular music has become a staple of popular culture.Rolling Stone,Vibe, andThe Sourceas well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Presslooks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics and journalists; several wear both hats, and some are musicians as well. Their essays illuminate the complex relationships of the music industry, print media, critical practice, and rock culture. (And they repeatedly dispel the notion that being a journalist is the next best thing to being a rock star.) Author note:Steve Jonesis Professor of Communication at the University of Illinois, Chicago. Among his books areCyberSociety: Computer-Mediated Communication and Community(editor) andRock Formation: Popular Music, Technology, and Mass Communication.
Joanne Gordon examines the lives of 100 women who, like herself, choose happiness in the workplace over monetary compensation or other benefits and shows how other women can apply this information to their own lives.
Gender in the Music Industry by Marion Leonard Pdf
Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest.