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305 Authentic Art Nouveau Jewelry Designs by Maurice Dufrène Pdf
This stunning collection of authentic Art Nouveau jewelry designs by influential French designer Maurice Dufrene captures the essence of the style at the height of its popularity. Reprinted from a rare turn-of-the-century portfolio, 24 plates depict over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, and even pen knives, buttons, clasps, and scissors.
Authentic Art Deco Jewelry Designs by Franco Deboni Pdf
Through the peak period of Art Deco creativity in the 1920s, many artists and studios produced portfolios of original designs for commercial use. Often these original works went unsigned and, after inspiring their limited, exclusive audience, disappeared. Here is one such portfolio (most likely French or German, 1925‒30) recently rediscovered and now reproduced as an original and probably unique document of the Art Deco years. Over 800 royalty-free jewelry designs and motifs dazzle with Art Deco invention: buckles, buttons, clips, belts, mirrors, pendants, cigarette cases, rings, chains, necklaces, watchbands, brooches, studs, clusters of intricate, delicate, sharp-edged Art Deco charms, many graced with the too-often forgotten humor and wit lying just beneath the geometry. Jewelry designers, collectors of Art Deco, and period specialists will find equal amounts of inspiration and aesthetic delight in this rare, precisely executed collection of fresh, authentic Art Deco design, now rescued from oblivion. Artists, designers, and crafters will find it a valuable Art Deco treasury.
"Art Nouveau Jewelry Designs, first published by Dover Publications, Inc., in 2016, reprints all the designs from Neue Ideen feur Modernen Schmuck, published by Verlag von Jul. Hoffmann, Stuttgart, Germany, n.d."
Jewelry was one of the purest and most successful expressions of the Art Nouveau movement. Fresh designs and motifs created intense excitement as organic forms surged with new life, and the female form struggled towards freedom, suggesting a long-hidden eroticism. The artists and goldsmiths who created this jewelry were trained in the nineteenth-century disciplines; their technical mastery allowed them to experiment with new materials and enameling processes to indulge their fantasies. This combination - an atmosphere of ideas for a new art and the unrivaled technical skill of the makers - produced some of the most evocative jewelry of modern times. The book deals with major makers in France, and follows the parallel modern movement that spread through Europe and the United States, acquiring different decorative characteristics, from Great Britain, Germany and Austria, to Belgium, Scandinavia and Eastern Europe. Comprehensive biographies of over 300 designers are included, as well as a Guide to Identification, with over 200 makers' marks and signatures.
Art Nouveau Jewellery & Fans by Gabriel Mourey Pdf
Work of Bing, Lalique, Desbois -- great Continental and British masters -- is displayed in this catalog of the finest jewelry of the period. 118 plates, 8 in color.
Illustrated Jewelry Catalog, 1892 by New England Jeweler,Dover Publications, Inc Pdf
Rare catalog features abundant illustrations of late-19th-century taste in diamonds, watches, and all manner of rings, lockets, and charms, scarf and stick pins, earrings, bracelets, and scores of other baubles. Over 2,200 engravings.
Art Nouveau: Objects and Artifacts by Anton Seder Pdf
A revolutionary reaction to the eclectic historical styles of nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and crafters attempted to create a style suitable for a "modern" age. This treasury of rare Art Nouveau decorative ornaments offers an unusual selection of the genre's most strikingly imaginative graphics. Originally published in Paris in 1899 and sold by subscription, the collection features fifty full-page plates depicting a rich profusion of everyday items rendered in the distinctive Art Nouveau style. Intricate patterns of flowers, vines, faces, and other designs decorate scores of objects made of metal, ceramic, and glass: pitchers and vases, cutlery, walking sticks, jewelry, and other objects and artifacts. A source of authentic Art Nouveau graphics, this compilation will serve as an inspiration for artists, illustrators, and designers.
Decorative Flower and Leaf Designs by Richard Hofmann Pdf
Rich selection of 124 stylized designs from rare German collection includes lush blossoms, tropical fruits, graceful foliage. Low-cost royalty-free motifs for textiles, surface decoration, more.
300 Art Nouveau Designs and Motifs in Full Color by Carol Belanger Grafton Pdf
These 44 full-page, full-color plates display the swirling lines and muted colors typical of Art Nouveau. Various decorative elements: borders, frames, panels, cartouches, dingbats, etc.
Luxury Arts of the Renaissance by Marina Belozerskaya Pdf
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Modern Design in Jewellery and Fans by Charles Holme Pdf
Modern Design in Jewellery and Fans, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Fantastic Beasts of the Nineteenth Century by Anton Seder Pdf
Fanciful creatures slither, swim, and soar through this full-color adaptation of a rare 19th-century German portfolio. The colorful images include exotic birds and fishes, dramatic reptiles and amphibians, and scores of ferocious dragons.
Around 1900 the Pforzheim jewellery-making industry, which had been established since 1767, underwent an upturn to flourish as never before. The participation of Pforzheim businesses in the 1900 Paris World Exhibition and the thorough assimilation of a variety of influences from abroad - including the figurative French Art Nouveau style - ensured that Pforzheim Art Nouveau jewellery developed confidently towards aesthetic autonomy. Collaboration between the jewellery industry and professors at the Pforzheim School for the Applied Arts as well as sharp eyes for new developments outside the jewellery capital shaped Pforzheim jewellery creations around 1900. Other fecund sources of collaboration were the Darmstadt Mathildenhöhe artists and Wiener Werkstätte. The author has discovered hitherto unpublished contemporary source material and has been able to draw on hundreds of extant original pieces of jewellery - brooches, pendants, collars, hatpins and hair combs that are now in museums, private collections and on the art market - to make a choice selection for this book. Thus a living picture emerges of the diverse formal and technical possibilities that gave rise to the design, craftsmanship and industrial manufacture characteristic of Pforzheim Art Nouveau jewellery. Text in English and German.