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5000 Designs and Motifs from India by Ajit Mookerjee Pdf
Incredibly rich treasury of authentic royalty-free designs adapted from artifacts of the Harappa culture, coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, Buddhist temples, textiles from Gujarat, Punjab, other regions, masks and tribal arts, much more. Immediately usable material or great resource for design inspiration. Introduction. Notes.
Incredibly rich treasury of more than 200 traditional designs, developed by Indian artists over thousands of years. Exquisite adaptations from authentic embroideries and fabrics, pottery, mosaics, illuminated manuscripts, and other sources. Striking, permission-free motifs can easily be adapted for use in textiles and wallpaper, in furniture design, and in a host of other projects.
Traditional Designs from India by Dover Publications Inc Pdf
Encompassing the sheer beauty and variety of traditional Indian designs, this fascinating store of decorative motifs is inspired by a 5,000-year-old artistic heritage. Hundreds of unique black-and-white embellishments have been precisely adapted from a wide range of cultural artifacts: coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, textiles from Gujarat and Punjab, as well as designs from masks and other tribal pieces. A stimulating and immediately usable archive for today's illustrators, designers, and art enthusiasts!
Traditional Floral Designs and Motifs for Artists and Craftspeople by Madeleine Orban-Szontagh Pdf
Superb treasury of 319 royalty-free designs skillfully rendered from French, English, German, Swiss, and Russian textiles of 18th and 19th centuries. Profusion of flowers, leaves, sprays, branches, fruits, and birds.
“Eschewing simple formulation of power's dependence on display, Saloni Mathur offers a brilliantly original disentangling of the anxious and involuted attempts to manage India as an 'aesthetic' project. Her account is rich in archival research, theoretically elegant, and exceptionally engrossing. With remarkable clarity, it opens colonial rule's 'cultural techniques' to a new set of illuminating questions.”—Christopher Pinney, author of Photos of the Gods: The Printed Image and Political Struggle in India “India by Design is an elegant and precise book, remarkable for its conciseness and clarity. Taking a transnational perspective and deftly engaging postcolonial theory, Mathur explores not only the representations but also the representational practices that shaped imperial, colonial, and postcolonial relations.”—Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage “Saloni Mathur's book is a gathering of rare gifts and talents. With the subtle, searching eye of an expert curator, and the analytic skills of a fine scholar, Mathur explores the diverse scales and conflicting values of colonial design and discourse, arts and crafts. Monumental histories of museums are placed beside the petits recits of post-cards; the picturesque Victorian portraiture of Indian life makes a fine contrast with the celebration of 'modern' Indian art in the diasporic world of non-resident Indians. Always open to the lure and pleasure of Imperial display and spectacle, Mathur is equally astute about its underlying strategies of surveillance and subordination. This remarkable work is deeply engaged in the mechanics and mediations of Imperial authority and its visual signs.”—Homi Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University "Saloni Mathur manages to bring together remarkably diverse strands that make up the contemporary visual cultures of India and provide insights for art historians, anthropologists and cultural theorists alike. India by Design: Colonial History and Cultural Display illuminates issues that are long overdue but hardly ever addressed in the art historical circles. Mathur's command of theory is truly impressive, but even more noteworthy are her insights about Indian modernity and colonial and post-colonial institutions in and outside of the country."—Vishakha N. Desai, President, Asia Society
1000 Decorative Designs from India by Devi Thapa,Kiran Chaudhri,V. S. Navalkar Pdf
This sourcebook showcases 1,000 decorative black-and-white motifs plucked from India's many sumptuous handicrafts: stonework, batik, embroidered fabrics, pottery, jewelry, personal adornments, carpets, more.
Paisleys and Other Textile Designs from India by K. Prakash Pdf
Over 500 splendid motifs, adapted from elegant brocades, include colorful block prints and woven designs inspired by nature — trees, leaves, flowers, buds, animals, and birds. This volume constitutes a superb, comprehensive sourcebook for artists, art historians, textile designers, needleworkers, fabric painters, and other craft enthusiasts.
The triumphant result of more than 35 years of research, this sumptuous book is a comprehensive presentation of one of the greatest of the world's jewelry traditions. The stunning display of individual ornaments is supplemented by full documentation of hundreds of pieces. More than 5,000 years of the development of personal ornament are traced, as major themes, variations on basic forms, the use of gemstones, and cross-cultural influences are analysed and comprehensively illustrated. Alongside form and technique, the influences of myth and religion, social structure, economics and politics illuminate the context in which jewelry of exquisite beauty and great originality has been created.
Color reprint of Hokusai's masterpiece, Thirty-six Views of Mt. Fuji, plus the artist's later black-and-white series, One Hundred Views of Mt. Fuji. A must for all lovers of Japanese art.
Of All The Indian Handicrafts, Textiles Form A Class By Themselves Over Which The Rest Of The World Went Into Ecstasies From Time Immemorial.With An Enormous Store Of Myths, Symbols, Imagery And Inspiration From Other Art Forms Indian Textile-Craft Never Faced A Slump Or Stagnation. On The Other Hand It Transcended From A Craft Identity To The Status Of An Art.With Shades Of Classicism, Folk Tradition And Regional Flavour The Rich And Unrivalled Fabrics Of India Have Rightly Been Called Exquisite Poetry In Colour .Indian Fabric Art Can Be Classified Into Three Broad Categories Woven, Painted Or Printed And Embroidered. Within This Broad Outline The Present Study Pinpoints The Historical Background Of Some Representative Forms Each Unique In Its Distinctiveness.A Search For Any Linkage With Allied Art Forms As Well As Their Socio-Cultural Significance Also Provides A New Perspective.Though Apparently Widely Dispersed In Contents, They Form A Composite Tapestry Of Indian Fabric Art Tradition And Call For More Scrutiny Before Our Precious Heirlooms Are Totally Submerged In The Tide Of The Synthetic Era. The Book Is Enriched By Illustrations Of Rare Specimens Of Historical Art Fabrics Collected From Different Museums In The Country. Coupled With Extensive References This Volume Spotlights A New Facet Of Indian Art Heritage Which Will Fascinate Both The Social Scientists As Well As The Connoisseurs Of Indian Art And Culture.
The Culture and Civilisation of Ancient India in HIstorical Outline by D D Kosambi Pdf
First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.
