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Intricate and inventive, these 30 full-page designs are drawn from the vibrant patterns that have adorned Indian clothing and decorative objects for centuries. Motifs include birds and animals, folkloric characters, abstract florals, paisley patterns, and other bold designs. Colorists of all ages will thrill to the challenge of bringing these black-and-white patterns to vivid life.
5000 Designs and Motifs from India by Ajit Mookerjee Pdf
Incredibly rich treasury of authentic royalty-free designs adapted from artifacts of the Harappa culture, coins and pottery from South India, Ajanta and Bagh murals, Muslim monuments, Buddhist temples, textiles from Gujarat, Punjab, other regions, masks and tribal arts, much more. Immediately usable material or great resource for design inspiration. Introduction. Notes.
Kalamkari and Traditional Design Heritage of India by Shakuntala Ramani Pdf
The art of Kalamkari painting is one of the oldest among the traditional arts of India. Written in a lucid style, the book not only explores the origin of the beautiful craft and other traditional design forms, but also documents their evolution while carving a road-map for the future.
The triumphant result of more than 35 years of research, this sumptuous book is a comprehensive presentation of one of the greatest of the world's jewelry traditions. The stunning display of individual ornaments is supplemented by full documentation of hundreds of pieces. More than 5,000 years of the development of personal ornament are traced, as major themes, variations on basic forms, the use of gemstones, and cross-cultural influences are analysed and comprehensively illustrated. Alongside form and technique, the influences of myth and religion, social structure, economics and politics illuminate the context in which jewelry of exquisite beauty and great originality has been created.
Traditional Designs from India Iron-On Transfer Patterns by R. M. Lehri Pdf
Imaginative, highly stylized designs on 24 plates, meticulously adapted from authentic Indian art and artifacts. Patterns depict a profusion of floral borders and blossoms, elephants, fish, birds, and other fauna. Ideal for use in countless art and craft projects, these designs can be used on any material that easily absorbs ink.
This book lends a new dimension to the way the traditional Indian sari is looked at, and upholds it as an epitome of holistic design with a unique creative expression. In the backdrop of Indian socio-cultural and economic ethos, the pages inside unfold the mesmerising woven yards of the sari, the quintessential piece of garment that has draped the Indian women since time immemorial. The sari has been subjected to innumerable cross-cultural influences brought in by the rise and fall of empires that marked the history of India. Perhaps no other textile product reflects the resilience of the Indian handloom sector as the sari, a true example of fine Indian sensibilities. The volume, with over 915 visuals, aims to delight and enrich the aesthetic experience of the reader with information on a wide range of saris from both the past and the present and ultimately introduces the contemporary design initiatives taking place in the sector. It enumerates the fascinating accounts of the sari's traditional significance, the diverse styles of weaving, design vocabulary, and even the myriad styles of draping found across the subcontinent. It is indeed a glowing tribute to the magic flowing out of the deft hands of the Indian weaver and to the undeterred artistic spirit of the sari. The book will be of interest to designers, students, policy makers, technocrats, marketers and businesspersons besides all those who are interested in Indian art, culture, design and fashion.
Tells the story of a fascinating quilting tradition found in southern Pakistan and western India. These quilts, called ralli, have stunning designs, brilliant colors, and an intriguing history. More than 130 ralli quilts from the mid to late twentieth century are shown, along with background information on where they were made, pattern characteristics, type of fabric, and dimensions. A valuable reference for textile historians, designers, and quilt lovers everywhere.
Fashion in India is distinctly unique, in its aesthetics, systems, designers and influences. Indian Fashion is the first study of its kind to examine the social, political, global and local elements that give shape to this multifaceted center. Spanning India's long historical contribution to global fashion to the emergence of today's vibrant local fashion scene, Sandhu provides a comprehensive overview of the Indian fashion world. From elite high-end to street style of the masses, the book explores the complex realities of Indian dress through key issues such as identity, class, youth and media. This ground-breaking book does not simply apply western fashion theory to an Indian context, but allows for a holistic understanding of how fashion is created, worn, displayed and viewed in India. Accessibly written, Indian Fashion will be a fantastic resource for students of fashion, cultural studies and anthropology.
Through a return to traditional methods, many Indian designers and architects are rediscovering the qualities that make the look of India: the materials; the techniques; and the colour. This text shows the modern design and architecture going on in the sub-continent and examines the background to the work in India's history and cultural environment.
Traditional Industry in the Economy of Colonial India by Tirthankar Roy Pdf
The majority of workers in South Asia are employed in industries that rely on manual labour and craft skills. Some of these industries have existed for centuries and survived great changes in consumption and technology over the last 150 years. In earlier studies, historians of the region focused on mechanized rather than craft industries, arguing that traditional manufacturing was destroyed or devitalized during the colonial period, and that modern industry is substantially different. Exploring new material from research into five traditional industries, Tirthankar Roy s book contests these notions, demonstrating that while traditional industry did evolve during the Industrial Revolution, these transformations had a positive rather than destructive effect on manufacturing generally. In fact, the book suggests, the major industries in post-independence India were shaped by such transformations. Tirthankar Roy s book offers new and penetrating insights into India s economic and social history.