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5000 Years of Chinese Costumes by 周汛,Chunming Gao Pdf
Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.
This book presents the clothing and personal ornaments from 221 BC to modern day. An oversized edition, it intersperses photographs of costume replicas, color duplications of ancient paintings and sculpture, to illustrate many types of ancient attire and ornamentation, and the symbolism behind it.
Featuring over 450 archival photographs and line drawings, Chinese Dress traces the evolution of Chinese clothing from court and formal costumes to the fashions of modern China. A comprehensive and sumptuously illustrated book, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere. Chapters include: Dress of the Qing Manchu Rulers 1644-1911 Dress of the Manchu Consorts 1644-1911 Attire of Mandarins and Merchants Attire of Chinese Women Republican Dress 1912-1949 Clothing of the Lower Classes Clothing for Children Dress in New China 1950-2006 From Imperial robes to foot binding to the cheongsam, Chinese Dress spotlights traditional Chinese dress against a background of historical, cultural and social change, opening a fascinating window for anyone seeking to deepen their understanding of China, Chinese culture and Chinese fashion history.
Textiles and Clothing of Việt Nam by Michael C. Howard Pdf
Việt Nam is the home of more than fifty ethnic minorities--such as the Cham and Thai--many of which have distinctive clothing and weaving traditions linked to antiquity. The tight-fitting tunic called ao dai, widely recognized as a national symbol, has its roots in the country's 2,000-year history of textiles. Beginning with silk production in the Bronze Age cultures of the Red River, this book covers textiles in Việt Nam--including bark-cloth, kapok and hemp--through the centuries of Chinese rule in the north, a number of independent feudal societies and the brief period of French colonial rule.
Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China’s modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.
"The costumes of the major historical periods in China each have their own particular characteristics, and yet are subtly connected, borrowing and learning from each other and developing from one generation to the next. This book showcases the clothing of emperors and empresses, government officials, warriors, the upper classes and the common people of China from the Western Zhou dynasty to modern times. Photographs of leaders such as the Empress Dowager Cixi, and their garments, as well as paintings, figures, and illustrations show the costume styles of people of all ranks and walks of life. An appendix outlines the evolution of clothing and accessories throughout Chinese history. Includes two perforated postcards."
Flowers, Dragons & Pine Trees by Mary M. Dusenbury Pdf
This beautifully illustrated volume introduces a little-known but outstanding collection of Asian textiles in the Spencer Museum of Art at teh University of Kansas.
With over 630 striking color photos and illustrations this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.
Fashion, Identity, and Power in Modern Asia by Kyunghee Pyun,Aida Yuen Wong Pdf
This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade. Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women’s accessories, hairstyles, and textile trade.