A Checklist Of New Plays And Entertainments On The London Stage 1700 1737
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Focusing on the playwriting careers of Henry Fielding, Samuel Foote, and Charles Macklin, the three most controversial and heavily censored satiric dramatists of the century, Disciplining Satire pays particular attention to what type of satiric expression the law encouraged, not just to what it prohibited."--BOOK JACKET.
Summer Theatre in London, 1661-1820, and the Rise of the Haymarket Theatre by William J. Burling Pdf
A biography of the actor who starred in the popular television series, Family Ties, as well as in a number of motion pictures and who recently announced that he has Parkinson's disease.
A fascinating analysis of anonymous publication centuries before the digital age Everywhere and Nowhere considers the ubiquity of anonymity and mediation in the publication and circulation of eighteenth-century British literature—before the Romantic creation of the “author”—and what this means for literary criticism. Anonymous authorship was typical of the time, yet literary scholars and historians have been generally unable to account for it as anything more than a footnote or curiosity. Mark Vareschi shows the entangled relationship between mediation and anonymity, revealing the nonhuman agency of the printed text. Drawing richly on quantitative analysis and robust archival work, Vareschi brings together philosophy, literary theory, and media theory in a trenchant analysis, uncovering a history of textual engagement and interpretation that does not hinge on the known authorial subject. In discussing anonymous poetry, drama, and the novel along with anonymously published writers such as Daniel Defoe, Frances Burney, and Walter Scott, he unveils a theory of mediation that renews broader questions about agency and intention. Vareschi argues that textual intentionality is a property of nonhuman, material media rather than human subjects alone, allowing the anonymous literature of the eighteenth century to speak to contemporary questions of meaning in the philosophy of language. Vareschi closes by exploring dubious claims about the death of anonymity and the reexplosion of anonymity with the coming of the digital. Ultimately, Everywhere and Nowhere reveals the long history of print anonymity so central to the risks and benefits of the digital culture.
Music and Musicians on the London Stage, 1695-1705 by Kathryn Lowerre Pdf
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Shakespeare Adaptations from the Early Eighteenth Century by Kristine Johanson Pdf
This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.
"Music and Musicians on the London Stage, 1695?705 " by Kathryn Lowerre Pdf
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Literary Research and the British Eighteenth Century by Peggy Keeran,Jennifer Bowers Pdf
The 18th century in Britain was a transition period for literature. Patronage, either by a benefactor or through subscription, lingered even as the publishing and bookselling industries developed. The practice of reviewing books became well established during the second half of the century, with the first periodical founded in 1749. For the literary scholar, these gradual changes mean that different search strategies are required to conduct research into primary and secondary source material across the era. Literary Research and the British Eighteenth Century addresses these unique challenges. It examines how the following all contribute to the richness of literary research for this era: book and periodical publishing; a growing literate society; dissemination of literature through salons, private societies, and coffee houses; the growing importance of book reviews; the explosion of publishing; and the burgeoning of primary source material available through new publishing and digital initiatives in the 21st century. This volume explores primary and secondary resources, including general literary research guides; union library catalogs; print and online bibliographies; scholarly journals; manuscripts and archives; 18th-century books, newspapers, and periodicals; contemporary reception; and electronic texts and journals, as well as Web resources. Each chapter addresses the research methods and tools best used to extract relevant information and compares and evaluates sources, making this book an invaluable guide to any literary scholar and student of the British eighteenth century.
A Cultural History of Comedy in the Age of Enlightenment by Elizabeth Kraft Pdf
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment. It argues that comedy in this period is characterized by wit, satire, and humor, provoking both laughter and sympathetic tears. Comic expression in the Enlightenment reflects continuities and engagements with the comedy of previous eras; it is also noted for new forms and preoccupations engendered by the cultural, philosophical, and political concerns of the time, including democratizing revolutions, increasing secularization, and growing emphasis on individualism. Discussions emphasize the period's stage comedy and acknowledge comic expression in various forms of print media including the emerging literary form we now know as the novel. Contributions from scholars reflect a wide variety of interests in the field of 18th-century studies, and the inclusion of a generous number of illustrations throughout demonstrates that the period's visual culture was also an important part of the Enlightenment comic landscape. Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter and ethics. These eight different approaches to Enlightenment comedy add up to an extensive, synoptic coverage of the subject.
The Colonial American Stage, 1665-1774 by Odai Johnson,William J. Burling,James A. Coombs Pdf
The geographic range of this study is the British American colonies, from Halifax, Nova Scotia, to Savannah, in the Georgia colony on the continent, and the British West Indies."--BOOK JACKET.
The Theatre Career of Thomas Arne by Todd Gilman Pdf
This book concerns the life and theatrical career of the great native-born English composer and musician of the eighteenth century, Thomas Augustine Arne (1710-1778), best known today as the composer of "Rule, Britannia." It will appeal to those interested in the mid-to-late eighteenth-century London and Dublin theatre, opera, and music scenes.
Jane Spencer,Senior Lecturer in English Literature Jane Spencer
Author : Jane Spencer,Senior Lecturer in English Literature Jane Spencer Publisher : Oxford University Press on Demand Page : 319 pages File Size : 44,6 Mb Release : 2000 Category : Literary Criticism ISBN : 0198184948
Aphra Behn's Afterlife by Jane Spencer,Senior Lecturer in English Literature Jane Spencer Pdf
Aphra Behn is significant as an early example of a successful professional woman writer. This analysis of her influence on literature argues the need for a feminist revision of the writer who had literary sons as well as daughters.
Victorian Classical Burlesques by Laura Monros-Gaspar Pdf
The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship. This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856) by Robert Brough, Alcestis; the Original Strong-Minded Woman (1850) and Electra in a New Electric Light (1859) by Francis Talfourd. The cultural and textual annotations highlight the changes made to the scripts from the manuscripts sent to the Lord Chamberlain's office and, by explaining the topical allusions and satire, elucidate elements of the burlesques' popular cultural milieu. An in-depth critical introduction discusses the historical contexts of the plays' premieres and unveils the cultural processes behind the reception of the myths and original tragedies. As the burlesques combined spectacular effects with allusions to contemporary affairs, ambivalent and provocative attitudes to women, the plays represent an essential tool for reading the social history of the era.
The Routledge Companion to Media and Fairy-Tale Cultures by Pauline Greenhill,Jill Terry Rudy,Naomi Hamer,Lauren Bosc Pdf
From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.
Victorian Epic Burlesques by Rachel Bryant Davies Pdf
This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.