A Cinema Of Poetry

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A Cinema of Poetry

Author : Joseph Luzzi
Publisher : JHU Press
Page : 228 pages
File Size : 45,7 Mb
Release : 2016-03-30
Category : Art
ISBN : 9781421419848

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A Cinema of Poetry by Joseph Luzzi Pdf

A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"? "A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest."—H-Italy "Ambitious, inventive, learned . . . A Cinema of Poetry . . . brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory . . . This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema."—Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love.

The Cinema of Poetry

Author : P. Adams Sitney
Publisher : Oxford University Press
Page : 297 pages
File Size : 50,9 Mb
Release : 2015
Category : Art
ISBN : 9780199337026

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The Cinema of Poetry by P. Adams Sitney Pdf

Includes bibliographical references (pages 257-270) and index.

Cinepoetry: Imaginary Cinemas in French Poetry

Author : Christophe Wall-Romana
Publisher : Fordham Univ Press
Page : 505 pages
File Size : 49,7 Mb
Release : 2013
Category : Literary Criticism
ISBN : 9780823245482

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Cinepoetry: Imaginary Cinemas in French Poetry by Christophe Wall-Romana Pdf

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

Tarkovsky

Author : Maĭi︠a︡ Iosifovna Turovskai︠a︡
Publisher : Unknown
Page : 177 pages
File Size : 52,7 Mb
Release : 1989
Category : Motion picture producers and directors
ISBN : 0571147097

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Tarkovsky by Maĭi︠a︡ Iosifovna Turovskai︠a︡ Pdf

Attempting to convey the cultural milieu from which Tarkovsky comes, the author of this book, a Russian film critic, had personally known Tarkovsky since the very beginning of his career. She has had access to the archives of Mosfilm Studios where the early drafts and notes on his films are kept.

The Poetics of Poetry Film

Author : Sarah Tremlett
Publisher : Intellect (UK)
Page : 350 pages
File Size : 43,7 Mb
Release : 2020-10-15
Category : Art
ISBN : 1789382688

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The Poetics of Poetry Film by Sarah Tremlett Pdf

Set to generate future discussions in the field for years to come, The Poetics of Poetry Film is an encyclopaedic work on the ever-evolving genre of poetry film. Tremlett provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Including over 40 contributors and showcasing the work of an international array of practitioners, this is an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. Poetry films are a genre of short film, usually combining the three main elements of the poem as: verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. In this book, Tremlett examines the formal characteristics of the poetic in poetry film, film poetry and videopoetry, particularly in relation to lyric voice and time. The volume includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present.

We Saw the Light

Author : Daniel Kane
Publisher : Contemporary North American Po
Page : 0 pages
File Size : 54,6 Mb
Release : 2009
Category : Literary Criticism
ISBN : 1587297884

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We Saw the Light by Daniel Kane Pdf

By the mid-1960s, New American poets and Underground filmmakers had established a vibrant community in which they collaborated to produce a profusion of poetry/film hybrids. Drawing on unpublished correspondence and interviews, the author provides a fresh look at avant-garde poetry and film in the 1960s and their future influences.

Cinematic Modernism

Author : Susan McCabe
Publisher : Cambridge University Press
Page : 302 pages
File Size : 43,8 Mb
Release : 2005-01-13
Category : Literary Criticism
ISBN : 0521846218

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Cinematic Modernism by Susan McCabe Pdf

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The Selected Poetry of Pier Paolo Pasolini

Author : Pier Paolo Pasolini
Publisher : University of Chicago Press
Page : 456 pages
File Size : 43,6 Mb
Release : 2014-08-20
Category : Poetry
ISBN : 9780226121161

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The Selected Poetry of Pier Paolo Pasolini by Pier Paolo Pasolini Pdf

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.” This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

The Films of Federico Fellini

Author : Peter Bondanella
Publisher : Cambridge University Press
Page : 224 pages
File Size : 46,5 Mb
Release : 2002-01-17
Category : Performing Arts
ISBN : 0521575737

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The Films of Federico Fellini by Peter Bondanella Pdf

Examines the cinematic vision of the renowned Italian filmmaker.

The Poetry-Film Nexus in Latin America

Author : Ben Bollig,David M. J. Wood
Publisher : Moving Image
Page : 248 pages
File Size : 51,9 Mb
Release : 2022-02-14
Category : Electronic
ISBN : 1781889155

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The Poetry-Film Nexus in Latin America by Ben Bollig,David M. J. Wood Pdf

Filmmakers often mine novels and plays for stories and characters, but what happens when poetry appears on screen? In this edited volume, contributors explore the rich corpus of Latin American films that operate where poetry and cinema meet. Examples include the adaptation of poems to film; the characterisation of poets on screen; the role of poets as filmmakers; the concept of the 'poetic film'; approaches to the 'cinema of poetry' (drawing on writings by Pasolini, in particular); poetic documentaries; and the use of poetry in avant-garde film. Contributions range from silent cinema to contemporary works, and from Mexico through Brazil to the Southern Cone, including studies of films by María Luisa Bemberg, Pablo Larraín, Guillermo del Toro, as well as independent video and media artists. Ben Bollig is Professor of Spanish-American Literature at the University of Oxford. David M.J. Wood is a Researcher at the Instituto de Investigaciones Estéticas, UNAM, Mexico City.

Cinema of the Present

Author : Lisa Robertson
Publisher : Coach House Books
Page : 145 pages
File Size : 52,5 Mb
Release : 2014-09-22
Category : Poetry
ISBN : 9781770563919

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Cinema of the Present by Lisa Robertson Pdf

"Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The dazzling new collection will feature three different back covers (designed by artists Hadley + Maxwell). A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

Contemporary Cinema

Author : John Orr,Professor John Orr
Publisher : Unknown
Page : 243 pages
File Size : 50,5 Mb
Release : 1998
Category : Performing Arts
ISBN : 0748608362

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Contemporary Cinema by John Orr,Professor John Orr Pdf

Analyses the influential forms of a cinema of poetry in 1970s features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta, and Tarkovsky.

Filmmaking by the Book

Author : Millicent Joy Marcus
Publisher : JHU Press
Page : 330 pages
File Size : 55,6 Mb
Release : 1993
Category : History
ISBN : 080184455X

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Filmmaking by the Book by Millicent Joy Marcus Pdf

Explores the impulse to transform literary narrative into cinematic discourse through the work of several postwar Italian film-makers - Visconti, De Sica, Pasolini, Fellini and the Taviani brothers.

Black Movie

Author : Danez\ Smith
Publisher : SCB Distributors
Page : 200 pages
File Size : 43,5 Mb
Release : 2017-01-31
Category : Poetry
ISBN : 9781943735099

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Black Movie by Danez\ Smith Pdf

"These harrowing poems make montage, make mirrors, make elegiac biopic, make 'a dope ass trailer with a hundred black children / smiling into the camera & the last shot is the wide mouth of a pistol.' That's no spoiler alert, but rather, Smith's way—saying & laying it beautifully bare. A way of desensitizing the reader from his own defenses each time this long, black movie repeats."—Marcus Wicker "Danez Smith's BLACK MOVIE is a cinematic tour-de-force that lets poetry vie with film for the honor of which medium can most effectively articulate the experience of Black America."—Rain Taxi

Moving Verses

Author : Ben Bollig
Publisher : Liverpool University Press
Page : 256 pages
File Size : 49,8 Mb
Release : 2021-06-15
Category : Art
ISBN : 9781800857902

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Moving Verses by Ben Bollig Pdf

From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? Moving Verses studies the relationship between poetry and cinema in Argentina. Although both the “poetics of cinema” and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. The book analyses how film and poetry transform each another, and how these two expressive media behave when placed into dialogue. Going beyond theories of adaptation, and engaging critically with concepts around intermediality and interdisciplinarity, Moving Verses offers tools and methods for studying both experimental and mainstream film from Latin America and beyond. The corpus includes some of Argentina’s most exciting and radical contemporary directors (Raúl Perrone, Gustavo Fontán) as well as established modern masters (María Luisa Bemberg, Eliseo Subiela), and seldom studied experimental projects (Narcisa Hirsch, Claudio Caldini). The critical approach draws on recent works on intermediality and “impure” cinema to sketch and assess the many and varied ways in which directors “read” poetry on screen.