A Cognitive Historical Approach To Creativity

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A Cognitive-Historical Approach to Creativity

Subrata Dasgupta
A Cognitive Historical Approach to Creativity Book PDF

Author : Subrata Dasgupta
Publisher : Routledge
Page : 564 pages
File Size : 46,9 Mb
Release : 2019-03-20
Category : Psychology
ISBN : 9780429628009

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A Cognitive-Historical Approach to Creativity by Subrata Dasgupta Pdf

At the heart of creativity is the practice of bringing something new into existence, whether it be a material object or abstract idea, thereby making history and enriching the creative tradition. A Cognitive Historical Approach to Creativity explores the idea that creativity is both a cognitive phenomenon and a historical process. Blending insights and theories of cognitive science with the skills, mentality and investigative tools of the historian, this book considers diverse issues including: the role of the unconscious in creativity, the creative process, creating history with a new object or idea, and the relationship between creators and consumers. Drawing on a plethora of real-life examples from the eighteenth century through to the present day, and from distinct fields including the arts, literature, science and engineering, Subrata Dasgupta emphasizes historicity as a fundamental feature of creativity. Providing a unified, integrative, interdisciplinary treatment of cognitive history and its application to understanding and explaining creativity in its multiple domains, A Cognitive Historical Approach to Creativity is essential reading for all researchers of creativity.

The Renaissance Considered as a Creative Phenomenon

Subrata Dasgupta
The Renaissance Considered as a Creative Phenomenon Book PDF

Author : Subrata Dasgupta
Publisher : Routledge
Page : 426 pages
File Size : 53,8 Mb
Release : 2021-12-30
Category : History
ISBN : 9781000514902

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The Renaissance Considered as a Creative Phenomenon by Subrata Dasgupta Pdf

By using the fresh investigative language of cognitive history, a symbiosis of the methods of cognitive science and historical inquiry, this book departs from almost all previous approaches to Renaissance studies. The Renaissance has attracted the attention of distinguished scholars from many different vantage points – political, social, economic, intellectual, and cultural. In this volume, Subrata Dasgupta sheds an alternative light on the Renaissance by considering it as a creative phenomenon. To be creative is to make history by producing material and/or abstract artifacts that are both new and consequential; to be creative also entails drawing on history and on the culture of the time. Most significantly, the creative process occurs in individual minds: it is a cognitive process of a very special kind. Beginning with a ‘prehistory’ set in classical Greece and medieval Islam, this book explores a variety of inventions and discoveries through the 14th–16th centuries, mainly in Italy, in humanities, painting, architecture, craft technology, anatomy, natural science, and engineering. This book will be of interest not only to Renaissance scholars but also to students interested in Renaissance history and the nature of the creative tradition.

A Cognitive-Historical Approach to Creativity

Subrata Dasgupta
A Cognitive Historical Approach to Creativity Book PDF

Author : Subrata Dasgupta
Publisher : Routledge
Page : 278 pages
File Size : 50,6 Mb
Release : 2019-03-20
Category : Psychology
ISBN : 9780429629648

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A Cognitive-Historical Approach to Creativity by Subrata Dasgupta Pdf

At the heart of creativity is the practice of bringing something new into existence, whether it be a material object or abstract idea, thereby making history and enriching the creative tradition. A Cognitive Historical Approach to Creativity explores the idea that creativity is both a cognitive phenomenon and a historical process. Blending insights and theories of cognitive science with the skills, mentality and investigative tools of the historian, this book considers diverse issues including: the role of the unconscious in creativity, the creative process, creating history with a new object or idea, and the relationship between creators and consumers. Drawing on a plethora of real-life examples from the eighteenth century through to the present day, and from distinct fields including the arts, literature, science and engineering, Subrata Dasgupta emphasizes historicity as a fundamental feature of creativity. Providing a unified, integrative, interdisciplinary treatment of cognitive history and its application to understanding and explaining creativity in its multiple domains, A Cognitive Historical Approach to Creativity is essential reading for all researchers of creativity.

The Creative Cognition Approach

Steven M. Smith,Thomas B. Ward,Ronald A. Finke
The Creative Cognition Approach Book PDF

Author : Steven M. Smith,Thomas B. Ward,Ronald A. Finke
Publisher : MIT Press
Page : 374 pages
File Size : 52,6 Mb
Release : 1995
Category : Psychology
ISBN : 026219354X

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The Creative Cognition Approach by Steven M. Smith,Thomas B. Ward,Ronald A. Finke Pdf

Annotation Surveys the studies and theoretical views of prominent researchers in the areas of problem solving, concept formation, and thinking. Contributors cover a wide range of approaches that play a role in creative cognition, from associationism, to Gestalt, to computational approaches. Topics include dreams, intuition, the use of prior knowledge in creative thinking, insight versus analytic problem solving, and visual and computational processes in creative cognition. Annotation c. by Book News, Inc., Portland, Or.

Creativity, Psychology and the History of Science

H.E. Gruber,Katja Bödeker
Creativity Psychology and the History of Science Book PDF

Author : H.E. Gruber,Katja Bödeker
Publisher : Springer Science & Business Media
Page : 534 pages
File Size : 45,9 Mb
Release : 2005-12-28
Category : Social Science
ISBN : 9781402035098

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Creativity, Psychology and the History of Science by H.E. Gruber,Katja Bödeker Pdf

Creativity, Psychology, and the History of Science offers for the first time a comprehensive overview of the oeuvre of Howard E. Gruber, who is noted for his contributions both to the psychology of creativity and to the history of science. The present book includes papers from a wide range of topics. In the contributions to creativity research, Gruber proposes his key ideas for studying creative work. Gruber focuses on how the thinking, motivation and affect of extraordinarily creative individuals evolve and how they interact over long periods of time. Gruber’s approach bridges many disciplines and subdisciplines in psychology and beyond, several of which are represented in the present volume: cognitive psychology, developmental psychology, history of science, aesthetics, and politics. The volume thus presents a unique and comprehensive contribution to our understanding of the creative process. Many of Gruber's papers have not previously been easily accessible; they are presented here in thoroughly revised form.

Vygotsky and Creativity

M. Cathrene Connery,Vera John-Steiner,Ana Marjanovic-Shane
Vygotsky and Creativity Book PDF

Author : M. Cathrene Connery,Vera John-Steiner,Ana Marjanovic-Shane
Publisher : Peter Lang
Page : 264 pages
File Size : 40,7 Mb
Release : 2010
Category : Art
ISBN : 1433107058

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Vygotsky and Creativity by M. Cathrene Connery,Vera John-Steiner,Ana Marjanovic-Shane Pdf

This text presents a Vygotskian perspective on children's and adults' symbolic engagement in play, multi-modal meaning making, and the arts. Psychologists, artists, and educators present research and practice in a variety of learning environments through the lens of Vygotsky's cultural historical theory. The connections between creative expression, learning, teaching, and development are situated in a theoretical framework that emphasizes the social origins of individual development and the arts. The authors share a view of learning as an imaginative process rooted in our common need to communicate and transform individual experience through the cultural lifelines of the arts. This book is suitable for readers or courses in the following areas: art and aesthetics; art education; art therapy; cultural historical activity theory; communication; creativity studies; early childhood education; education; educational perspectives; educational psychology; emotional development; cultural and societal foundations; language, literacy, and sociocultural studies; learning and development; mental health and catharsis; multiliteracies; multimodal meaning making; play; play therapy; psychology; semiotics; social construction of meaning; trauma, resilience, and therapeutic processes and practices; and Vygotskian approaches to psychology.

The Extended Theory of Cognitive Creativity

Antonino Pennisi,Alessandra Falzone
The Extended Theory of Cognitive Creativity Book PDF

Author : Antonino Pennisi,Alessandra Falzone
Publisher : Springer Nature
Page : 358 pages
File Size : 55,9 Mb
Release : 2019-09-25
Category : Language Arts & Disciplines
ISBN : 9783030220907

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The Extended Theory of Cognitive Creativity by Antonino Pennisi,Alessandra Falzone Pdf

This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.

Creative Cognition

Ronald A. Finke,Thomas B. Ward,Steven M. Smith
Creative Cognition Book PDF

Author : Ronald A. Finke,Thomas B. Ward,Steven M. Smith
Publisher : MIT Press
Page : 255 pages
File Size : 46,8 Mb
Release : 1996-01-05
Category : Psychology
ISBN : 9780262560962

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Creative Cognition by Ronald A. Finke,Thomas B. Ward,Steven M. Smith Pdf

Creative Cognition combines original experiments with existing work in cognitive psychology to provide the first explicit account of the cognitive processes and structures that contribute to creative thinking and discovery. Creative Cognition combines original experiments with existing work in cognitive psychology to provide the first explicit account of the cognitive processes and structures that contribute to creative thinking and discovery. In separate chapters, the authors take up visualization, concept formation, categorization, memory retrieval, and problem solving. They describe novel experimental methods for studying creative cognitive processes under controlled laboratory conditions, along with techniques that can be used to generate many different types of inventions and concepts. Unlike traditional approaches, Creative Cognition considers creativity as a product of numerous cognitive processes, each of which helps to set the stage for insight and discovery. It identifies many of these processes as well as general principles of creative cognition that can be applied across a variety of different domains, with examples in artificial intelligence, engineering design, product development, architecture, education, and the visual arts. Following a summary of previous approaches to creativity, the authors present a theoretical model of the creative process. They review research involving an innovative imagery recombination technique, developed by Finke, that clearly demonstrates that creative inventions can be induced in the laboratory. They then describe experiments in category learning that support the provocative claim that the factors constraining category formation similarly constrain imagination and illustrate the role of various memory processes and other strategies in creative problem solving.

Cognitive History

David Dunér,Christer Ahlberger
Cognitive History Book PDF

Author : David Dunér,Christer Ahlberger
Publisher : Walter de Gruyter GmbH & Co KG
Page : 194 pages
File Size : 49,9 Mb
Release : 2019-03-04
Category : History
ISBN : 9783110582383

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Cognitive History by David Dunér,Christer Ahlberger Pdf

This book is the first introduction to the new field called cognitive history. The last decades have seen a noticeable increase in cognitive science studies that have changed the understanding of human thinking. Its relevance for historical research cannot be overlooked any more. Cognitive history could be explained as the study of how humans in history used their cognitive abilities in order to understand the world around them and to orient themselves in it, but also how the world outside their bodies affected their way of thinking. In focus for this book is the relationship between history and cognition, the human mind’s interaction with the environment in time and space. It especially discusses certain cognitive abilities in interaction with the environment, which can be studied in historical sources, namely: evolution, language, rationality, spatiality, and materiality. Cognitive history can give us a deeper understanding of how – and not only what – people thought, and about the interaction between the human mind and the surrounding world.

Genius

Hans Jurgen Eysenck
Genius Book PDF

Author : Hans Jurgen Eysenck
Publisher : Cambridge University Press
Page : 360 pages
File Size : 55,7 Mb
Release : 1995
Category : Creative ability
ISBN : 0521485088

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Genius by Hans Jurgen Eysenck Pdf

This text presents a theory of genius and creativity, based on the personality characteristics of creative persons and geniuses. It uses modern research into the causes of cognitive over-inclusiveness to suggest possible applications of these theories to c

The Neuroscience of Creativity

Anna Abraham
The Neuroscience of Creativity Book PDF

Author : Anna Abraham
Publisher : Cambridge University Press
Page : 391 pages
File Size : 47,7 Mb
Release : 2018-10-25
Category : Psychology
ISBN : 9781107176461

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The Neuroscience of Creativity by Anna Abraham Pdf

Discover how the creative brain works across musical, literary, visual artistic, kinesthetic and scientific spheres, and how to study it.

Creativity and Artificial Intelligence

Francisco Câmara Pereira
Creativity and Artificial Intelligence Book PDF

Author : Francisco Câmara Pereira
Publisher : Walter de Gruyter
Page : 265 pages
File Size : 45,7 Mb
Release : 2008-08-27
Category : Language Arts & Disciplines
ISBN : 9783110198560

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Creativity and Artificial Intelligence by Francisco Câmara Pereira Pdf

Creativity and Artificial Intelligence: A Conceptual Blending Approach takes readers into a computationally plausible model of creativity. Inspired by a thorough analysis of work on creativity from the areas of philosophy, psychology, cognitive science, cognitive linguistics and artificial intelligence, the author deals with the various processes, principles and representations that lie underneath the act of creativity. Focusing on Arthur Koestler's Bisociations, which eventually lead to Turner and Fauconnier's conceptual blending framework, the book proposes a theoretical model that considers blends and their emergent structure as a fundamental cognitive mechanism. The author thus discusses the computational implementation of several aspects of conceptual blending theory, namely composition, completion, elaboration, frames and optimality constraints. Informal descriptions and examples are supplied to provide non-computer scientists as well as non-cognitive linguists with clear insights into these ideas. Several experiments are made, and their results are discussed, with particular emphasis on the validation of the creativity and conceptual blending aspects. Written by a researcher with a background in artificial intelligence, the book is the result of several years of exploration and discussion from different theoretical perspectives. As a result, the book echoes some of the criticism made on conceptual blending and creativity in artificial intelligence, and thus proposes improvements in both areas, with the aim of being a constructive contribution to these very intriguing, yet appealing, research orientations.

The Complexity of Creativity

Ake E. Andersson,N.E. Sahlin
The Complexity of Creativity Book PDF

Author : Ake E. Andersson,N.E. Sahlin
Publisher : Springer Science & Business Media
Page : 168 pages
File Size : 50,5 Mb
Release : 1996-11-30
Category : Reference
ISBN : 0792343468

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The Complexity of Creativity by Ake E. Andersson,N.E. Sahlin Pdf

This is a volume on the concepts, theories, models and social consequences of creativity. It contains articles by well-known cognitive scientists, economists, mathematicians, philosophers and psychologists.

Creativity

Mark A. Runco
Creativity Book PDF

Author : Mark A. Runco
Publisher : Elsevier
Page : 515 pages
File Size : 48,5 Mb
Release : 2014-02-27
Category : Psychology
ISBN : 9780124105225

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Creativity by Mark A. Runco Pdf

An integrative introduction to the theories and themes in research on creativity, the second edition of Creativity is both a reference work and text for courses in this burgeoning area of research. The book begins with a discussion of the theories of creativity (Person, Product, Process, Place), the general question of whether creativity is influenced by nature or nurture, what research has indicated of the personality and style of creative individuals from a personality analysis standpoint, and how social context affects creativity. This wide-ranging work then proceeds to coverage of issues such as gender differences, whether creativity can be enhanced, if creativity is related to poor mental or physical health, and much more. The book contains boxes covering special interest items, including one-page biographies of famous creative individuals, and activities for a group or individual to test or encourage creativity, as well as references to Internet sites relating to creativity. Includes all major theories and perspectives on creativity Consolidates recent research into a single source Includes key terms defined and text boxes with interesting related material Single authored for clarity and consistency of presentation

Distributed Creativity

Vlad Petre Glăveanu
Distributed Creativity Book PDF

Author : Vlad Petre Glăveanu
Publisher : Springer Science & Business Media
Page : 98 pages
File Size : 51,7 Mb
Release : 2014-03-28
Category : Psychology
ISBN : 9783319054346

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Distributed Creativity by Vlad Petre Glăveanu Pdf

This book challenges the standard view that creativity comes only from within an individual by arguing that creativity also exists ‘outside’ of the mind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what we can practically do to foster and develop creativity. Drawing on cultural psychology, ecological psychology and advances in cognitive science, this book offers a basic framework for the study of distributed creativity that considers three main dimensions of creative work: sociality, materiality and temporality. Starting from the premise that creativity is distributed between people, between people and objects and across time, the book reviews theories and empirical examples that help us unpack each of these dimensions and above all, articulate them into a novel and meaningful conception of creativity as a simultaneously psychological and socio-material process. The volume concludes by examining the practical implications in adopting this perspective on creativity.