A Feast Of Phantoms Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of A Feast Of Phantoms book. This book definitely worth reading, it is an incredibly well-written.
Poltergeist meets Wild, Wild West in this genre-bending adventure trilogy readers are calling “fast-paced,” “high-stakes” and full of “page-turning twists and turns!” THE JOB It was supposed to be simple. Help Marshal Sebastian Hardin escort his prisoner one stop on the railway to Charter Oak. Just one stop. But when that prisoner is a savant who talks to ghosts, even the simplest plans have a way of falling apart. THE LAW Sheriff’s Deputy Ruth Cortez always does the right thing. Lucky Boy is a company town, dependent on the rich and powerful Carnarvon family. Besides which, the charismatic Sebastian Hardin isn’t an easy man to say no to. When his transport derails in the middle of the prairie, Ruth begins a relentless manhunt that leads straight into the dark heart of the Carnarvon empire. THE FUGITIVE Lee Merriweather favors sharp suits and fast trains – especially when he’s stealing them. At the ripe old age of 18, he’s managed to become the most wanted criminal in three territories. Lee can’t resist playing cat and mouse with a small-town deputy, but what starts as a game becomes deadly serious. THE FIXER Sebastian Hardin is the Carnarvons’ right hand, loyal to the death and willing to keep any secret to protect the family. They want Lee alive, but with the young savant’s disturbing abilities it won’t be an easy proposition. Whoever catches Lee gets the keys to the kingdom and the Carnarvons aren’t the only ones hunting him down. Sebastian has enough problems without falling for Deputy Cortez – but you can’t always choose who you love. THE PHANTOMS They terrorized the settlers until Calindra Carnarvon learned to speak their language. Her empire relies on controlling their telekinetic powers, but Lee Merriweather could destroy it all. And not even Lee suspects the shocking truth of the phantoms’ real nature.
"One of the premier authors of paranormal romance. Gena Showalter delivers an utterly spellbinding story!"—Kresley Cole, #1 New York Times bestselling author New York Times bestselling author Gena Showalter returns with The Phantom, the third book in her pulse-pounding Rise of the Warlords series, featuring a vengeful harpy and a callous torture master locked in a battle to the death. As the son of a war god, Roux Pyroesis has suffered unending pain—he’s caused it, too, dispatching his foes with alarming ease. Now he’s tasked with cutting out the heart of a powerful queen who rules an ancient prison realm inhabited by the most vicious immortal females in existence. Blythe the Undoing is a decorated harpy warrior determined to annihilate Roux, the invader who killed her beloved consort. Nothing will stop her. Even if she must trap herself for eternity by sneaking into the brutal realm and taking the crown, pitting herself against the merciless male she’s sworn to despise. Having never known desire, Roux is ill prepared for the stunning beauty who challenges him at every turn. For the survival of his army, duty comes first. Always. But what happens when the flames of Blythe’s hatred burn out and she craves him, too…but only one of them can live? Don't miss the rest of the Rise of the Warlords series: Book 1: The Warlord Book 2: The Immortal Book 3: The Phantom Book 4: The Wrath - Coming Feb 2024!
Rumours that a ghost stalks the dark passages and cellars of the Paris Opera House, wreaking havoc, have long been rife among staff and performers. This Phantom also haunts the imagination of the beautiful and talented singer Christine Daaé, appearing to her as the 'Angel of Music' - a disembodied voice, coaching her to sing as she never could before. When Christine is courted by a handsome young Viscount, the mysterious spectre, who resides in the murky depths of the building, is consumed by jealousy and seeks revenge. With its pervading atmosphere of menace, tinged with dark humour, The Phantom of the Opera (1910) offers a unique mix of Gothic horror and tragic romance that has inspired film, stage and literature since its publication.
“A charming book full of erudition and wit” that explores the human impulse to accumulate books (Literary Review). Jacques Bonnet, a lifelong accumulator of books ancient and modern, lives in a house large enough to accommodate his tens of thousands of volumes, as well as some overspill from the libraries of his friends. While his musings on the habits of collectors from the earliest known libraries are learned, amusing, and instructive, his advice on cataloging may even save lives. Ranging from classical Greece to contemporary Iceland, from Balzac to Moby-Dick and Google, Phantoms on the Bookshelves is a blend of memoir, history, and love letter that will be a lasting delight for all who treasure books.
Although Prussia's beloved Queen Luise and the Swiss-born aristocrat and writer Germaine de Staël were Napoleon Bonaparte's best-known female opponents, women's discontent with Napoleon and the Napoleonic wars was more widespread--and vocal--than once assumed. Women against Napoleon expands our awareness of the range of women's responses to the despot by presenting an international spectrum of female opposition, including contemporary letters, diaries, and published writings, as well as historical fiction of the twentieth century. By setting these materials together, this volume forges new links between literary, historical, and gender scholarship.
The Undergrounds of the Phantom of the Opera by J. Hogle Pdf
This is the most comprehensive analytical study ever done of The Phantom of the Opera in its many different versions from the original Gaston Leroux novel to the present day. It proposes answers to the question, 'why do we keep needing this story told and retold in the Western world?' by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Using extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. The Phantom of the Opera - in varying ways over time - turns out like the 'Gothic' tradition it extends, to be deeply connected to Western self-fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between 'high' and 'low' culture. This book should interest all students of the history of Western culture, as well as those especially fascinated by Gothic fiction, opera, musical theatre, and film.
The Phantom 18-28 (1966) King Comics by Lee Falk Pdf
Probably the best known of all Phantom comics in the U.S.A., this series of 73 colour comics was published between Nov 1962 and Jan 1977, under three different publishers. The series began under the Gold Key label, published by K.K.Publications as a quarterly 12c comic. With issue #11 in 1965, the series changed to a bi-monthly. In 1966, the release schedule returned to a quarterly basis, and only lasted two more issues before the first change of publisher occurred. In total, there were 17 Phantom comics with the Gold Key label. All sported beautiful painted covers by George Wilson. Three of these covers are reported to have been painted by another unknown artist (#5, #12, #13). Most of the stories were adaptations of original Lee Falk newspaper strip stories, with new artwork by Bill Lignante. King Features Syndicate became the new publisher of The Phantom comics, releasing their first issue in September 1966 under the King Comics label. They continued the numbering sequence from the Gold Key series, labelling this issue #18. It was published as a 12c bi-monthly until issue #23 in mid-1967 when it changed to a monthly schedule. Issue #28 was the last to be published under the King Comics label (cover price 15c), only 6 issues into the monthly schedule. Of the 11 Phantom comics published by King, all but one of the stories were illustrated by Bill Lignante. The first two issues contained adaptations of older Lee Falk stories, and thereafter, the stories were original. Issue #25 contained a story entitled The Cold Fire Worshippers which was reprinted from the Italian comics series American Adventures published by Fratelli Spada, and drawn by Senio Pratesi. The cover artwork on the first three of these comics were by Bill Lignante, while all others appear to have been lifted directly from panels of Sy Barry's newspaper strips. The reigns of The Phantom comic were picked up again over a year later (February 1969), by Charlton Press using the Charlton Comics label. They continued with the same numbering sequence but skipped #29 and began with #30. This first issue featured uncredited artwork, but the covers and all but two of the stories in the next year of bi-monthly issues were by Jim Aparo. Issue #33 was the first to contain a story by Pat Boyette, and Bill Lignante was brought back to illustrate his last Phantom story which appeared in #35. From issue #39 onwards (August 1970), the cover and story artwork was exclusively by Pat Boyette. With only a handful of exceptions, each issue then contained three 7-page stories. The art and stories during this period can best be described as woeful. Despite a considerable volume of negative feedback from readers, Charlton persisted with Pat Boyette until #59 in December 1973. The declining sales must have struck a nerve with Charlton (who'd changed their name to Charlton Publications after #56), and the comic was revived six months later in #60 as The New Phantom. In their search for new artists and writers, Charlton first relied on stories from the Italian publisher Fratelli Spada, before introducing us to the work of Don Sherwood and ... more notably ... Don Newton. In total, Don Newton contributed six beautifully illustrated 22-page stories (#67, #68, #70, #71, #73, #74) complete with painted cover artwork, plus the cover for #69. Sales improved, but not enough to save the flagging title. The last issue of The Phantom comic was #74, in January 1977. A complete index of the individual stories in each issue of Charlton Comics is available HERE. An analysis of the circulation data and the cover price builds an interesting picture of how this series eventually failed. Cover price for the series commenced at 12c, and was raised to 15c from #34, 20c from #46, 25c from #60, and finally 30c from #70 -- this was common for all American comics at the time. At the same time, the number of comics being printed was gradually falling, but at a lesser rate than the number that were being sold. This graph shows what happened. By 1976, the paid circulation was less than 40%, compared with a peak of 65% in 1965. Not even the brilliant efforts of Don Newton were enough to save the title ... the damage had already been done. Simply put, the editors at Charlton were too slow to make the necessary corrections. The Phantom was subsequently absent from American newsstands, at least in comic book form, for the next 10 years. Issue Publisher Date #1 - #17 Gold Key Comics Nov 1962 - Jul 1966 #18 - #28 King Comics Sep 1966 - Dec 1967 #30 - #74 Charlton Comics Feb 1969 - Jan 1977
Indrajal Comics 46 - 60 The Phantom, Mandrake The Magician by Lee Falk Pdf
Indrajal Comics began publishing self-titled monthly issues in March 1964. Each of the first 10 issues had 16 pages of Phantom comics. The stories had to be edited to fit this short format. The remaining 12 pages were dedicated to other content, similar to Gold Key's style. In the next 19 issues it became 20-24 pages. As the series continued, different characters would share the spotlight. Characters such as Flash Gordon, Mandrake the Magician, Bahadur, Kerry Drake, Rip Kirby, Garth, Mike Nomad and Buz Sawyer appeared - as well as Disney characters Robin Hood and Mickey Mouse along with Goofy, but the majority of the series spotlighted The Phantom. So much so that the series is often erroneously referred to as "The Phantom" instead of the correct "Indrajal Comics". In due course the publication became fortnightly and then weekly by 1981. The numbering of books which was simply sequential in the beginning then changed to have the typical volume and a number. Indrajal Comics #444 was labeled as Vol.20 and No.1. The front cover design changed with distinct banner containing the title "Indrajal Comics" with a small circle showing the face of the main charracter. A total of 803 Indrajal Comics were published, excluding #123 and #124 which were not printed due to industrial strike action. More than half of these issues contained Phantom stories. The publishing stopped in 1990. The cover artwork for the first 50 or so issues of Indrajal Comics was done by B.Govind, with the back cover featuring a pin-up poster. His artwork became very popular and even said to have matched the artwork on the covers of international phantom publications such as Gold key or Frew. To avoid confusion among Indian readers, there were some minor changes done to the name of the Phantom's location and some characters in stories published in Indrajal Comics. The term " Bengali" or "Bengalla" or "Bengal" was changed to "Denkali" and in some issues "Dangalla" as well. This was since there is a state called "Bengal" in India and this may lead the readers to wonder about the "Pygmy" people that don't exist in Bengal. The name of the "Singh Brotherhood" was changed to "Singa Brotherhood" and the killer of the father of the current (21st) Phantom was changed from "Rama" to "Ramalu" although the latter too is one of the common names in India. Apart from English, Indrajal Comics published the stories in at least a dozen other Indian languages including Hindi, Bengali, Tamil and Kannada. Contents: Issue #60 The Phantom And The Cold Fire Worshippers Issue #59 The Phantom And The Sleeping Giant Issue #58 The Sixth Man Issue #57 The Terror Tiger Issue #56 The Phantom And Delilah Issue #55 The Villain's Challenge December 1, 1967 Issue #54 The Great Riddle Issue #53 Thugs In The City Park Issue #52 The White Goddess Issue #51 The Phantom And The River Pirates Issue #50 Mandrake And The Black Wizard Issue #49 The Secrets Of The Phantom Issue #48 The Magic Mountain Issue #47 The Adventures Of The Girl Phantom Issue #46 Mandrake And The Doomsday Issue #45 The Phantom And The Deadly Web
The last vials: being a series of essays upon the subject of the second advent. Publ. separately in the year 1846. By a clergyman [R.A. Purdon]. 10th ser.; 17th year, no.1-28th year, no.4 by Robert A. Purdon Pdf