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The first novel from the Nobel Prize-winning author lays the foundation for The Stranger, telling the story of an Algerian clerk who kills a man in cold blood. In A Happy Death, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in 1960, revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. As the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action and moral responsibility that would make him central to the thought of our time. Translated from the French by Richard Howard
Is it possible to die a happy death? This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.
What is the secret of people who die contented and fulfilled? What makes it possible for them to attain such spiritual heights as they approach their physical demise? What enables them to make death a completion of life, rather than a tragic end? And what can they teach us about life and death, love and loss, grief and spiritual growth? The way we die, like the way we live, makes a difference—in our lives and the lives of others. From time to time during his work as a pastor, John Fanestil has witnessed someone dying with remarkable and uplifting grace. Fanestil was moved yet puzzled by the spirit of happiness and holiness he observed. Contemporary literature on dying, filled with talk of anger, acceptance, and forgiveness, provided little to explain it. But the chance discovery of articles about the ritual of the “happy death” in religious magazines from the eighteenth and nineteenth centuries brought Fanestil the answers he sought. Mrs. Hunter’s Happy Death blends the captivating historical accounts Fanestil uncovered with his own pastoral experiences to reveal the secrets that enable people to transcend pain and suffering and embrace death as a completion of life, not as a tragic end. A fascinating introduction to a historic approach to death and its contemporary incarnations, Mrs. Hunter’s Happy Death also offers specific lessons on living and dying, from the “exercise of prayer” to the “labor of love” to “bearing testimony.” With the spread of in-home medical and hospice care, death is once again being embraced as a natural part of life, infused with profound emotional and spiritual dimensions. The inspiring stories in Mrs. Hunter’s Happy Death beautifully demonstrate that the way we die, like the way we live, makes a supreme difference—in our lives and in the lives of others.
Happy Death Day & Happy Death Day 2U by Aaron Hartzler Pdf
The official novelization of the #1 smash hit film Happy Death Day and its sequel Happy Death Day 2U, from Blumhouse (Split, Get Out, The Purge franchise) and Universal Pictures. In Happy Death Day, Teresa "Tree" Gelbman's birthday is the worst day of her life, starting when she wakes up in a stranger's bed. It's also the last day of her life, ending when she's killed by a psychotic killer with a knife. She's dead. And then she wakes up in a stranger's bed, it's September 18, and she has to live it all over again . . . until she's hunted down and wakes up, again, and again. It's a Groundhog Day situation, only with murder, guns, and mean girls, and Tree's only shot at living to see the next day is to relive the day of her murder, over and over, until she discovers her killer's identity. Happy Death Day 2U picks up the story without missing a beat. Tree Gelbman thought she'd finally lived to see a brand-new day. But when she wakes up on her same birthday and an all-new psychopath in a mask is out to kill her and her friends, she's going to find out that all the rules have changed. Death makes a killer comeback.
Following the death of her father, journalist and hospice volunteer Ann Neumann sets out to examine what it means to die well in the United States. When Ann Neumann’s father was diagnosed with non-Hodgkin’s lymphoma, she left her job and moved back to her hometown of Lancaster, Pennsylvania. She became his full-time caregiver—cooking, cleaning, and administering medications. When her father died, she was undone by the experience, by grief and the visceral quality of dying. Neumann struggled to put her life back in order and found herself haunted by a question: Was her father’s death a good death? The way we talk about dying and the way we actually die are two very different things, she discovered, and many of us are shielded from what death actually looks like. To gain a better understanding, Neumann became a hospice volunteer and set out to discover what a good death is today. She attended conferences, academic lectures, and grief sessions in church basements. She went to Montana to talk with the attorney who successfully argued for the legalization of aid in dying, and to Scranton, Pennsylvania, to listen to “pro-life” groups who believe the removal of feeding tubes from some patients is tantamount to murder. Above all, she listened to the stories of those who were close to death. What Neumann found is that death in contemporary America is much more complicated than we think. Medical technologies and increased life expectancies have changed the very definition of medical death. And although death is our common fate, it is also a divisive issue that we all experience differently. What constitutes a good death is unique to each of us, depending on our age, race, economic status, culture, and beliefs. What’s more, differing concepts of choice, autonomy, and consent make death a contested landscape, governed by social, medical, legal, and religious systems. In these pages, Neumann brings us intimate portraits of the nurses, patients, bishops, bioethicists, and activists who are shaping the way we die. The Good Death presents a fearless examination of how we approach death, and how those of us close to dying loved ones live in death’s wake.
From Here to Eternity: Traveling the World to Find the Good Death by Caitlin Doughty Pdf
A New York Times and Los Angeles Times Bestseller “Doughty chronicles [death] practices with tenderheartedness, a technician’s fascination, and an unsentimental respect for grief.” —Jill Lepore, The New Yorker Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world’s funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry—especially chemical embalming—and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the morbid unknown, a fascinating tour through the unique ways people everywhere confront mortality.
With his harrowing debut, Luke Mogelson provides an unsentimental, unflinching glimpse into the lives of those forever changed by war. Subtle links between these ten powerful stories magnify the consequences of combat for both soldiers and civilians, as the violence experienced abroad echoes through their lives in America. Troubled veterans first introduced as criminals in “To the Lake” and “Visitors” are shown later in “New Guidance” and “Kids,” during the deployments that shaped their futures. A seemingly minor soldier in “New Guidance” becomes the protagonist of “A Human Cry,” where his alienation from society leads to a shocking confrontation. The fate of a hapless Gulf War veteran who reenlists in “Sea Bass” is revealed in “Peacetime,” the story of a New York City medic's struggle with his inurement to calamity . A shady contractor job gone wrong in “A Beautiful Country” is a news item for a reporter in “Total Solar,” as he navigates the surreal world of occupied Kabul. Shifting in time and narrative perspective—from the home front to active combat, between experienced leaders, flawed infantrymen, a mother, a child, an Afghan-American translator, and a foreign correspondent--these stories offer a multifaceted examination of the unexpected costs of war. Here is an evocative, deep work that charts the legacy of an unprecedented conflict, and the burdens of those it touched. Written with remarkable empathy and elegance, These Heroic, Happy Dead heralds the arrival of an extraordinary new talent.
Resistance, Rebellion, and Death by Albert Camus Pdf
NOBEL PRIZE WINNER • Twenty-three political essays that focus on the victims of history, from the fallen maquis of the French Resistance to the casualties of the Cold War. In the speech he gave upon accepting the Nobel Prize for Literature in 1957, Albert Camus said that a writer "cannot serve today those who make history; he must serve those who are subject to it." Resistance, Rebellion and Death displays Camus' rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel, and The Myth of Sisyphus.
Death and Other Happy Endings by Melanie Cantor Pdf
There's nothing like being told that in three months you'll be dead to make you think about what you really want in life "A novel about self-discovery, with plenty of surprises and a snappy, Bridget-Jones-gets-a-terminal-diagnosis vibe." -Booklist Jennifer Cole has just been told that she has a terminal blood disorder and has just three months to live--ninety days to say goodbye to friends and family, and to put her affairs in order. Ninety days to come to terms with a diagnosis that is unfair, unexpected, and completely unpronounceable. Focusing on the positives (she won't have to go on in a world without Bowie or Maya Angelou; she won't get Alzheimer's or Parkinson's like her parents, or have teeth that flop out at the mere mention of the word apple), Jennifer realizes she only has one real regret: the relationships she's lost. Rather than running off to complete a frantic bucket list, Jennifer chooses to stay put and write a letter to the three most significant people in her life, to say the things she wished she'd said before but never dared: her overbearing, selfish sister, her jelly-spined, cheating ex-husband, and her charming, unreliable ex-boyfriend--and finally tell them the truth. At first, Jennifer feels cleansed by her catharsis. Liberated, even. Her ex-boyfriend rushes to her side and she even starts to build bridges with her sister Isabelle (that is, once Isabelle's confirmed that Jennifer's condition isn't genetic). But once you start telling the truth, it's hard to stop. And as Jennifer soon discovers, the truth isn't always as straightforward as it seems, and death has a way of surprising you....
Winner of the Restless Books Prize for New Immigrant Writing, Priyanka Champaneri’s transcendent debut novel brings us inside India’s holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go. Banaras, Varanasi, Kashi: India’s holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire. As the dutiful manager of a death hostel in Kashi, Pramesh welcomes the dying and assists families bound for the funeral pyres that burn constantly on the ghats. The soul is gone, the body is burnt, the time is past, he tells them. Detach. After ten years in the timeless city, Pramesh can nearly persuade himself that here, there is no past or future. He lives contentedly at the death hostel with his wife, Shobha, their young daughter, Rani, the hostel priests, his hapless but winning assistant, and the constant flow of families with their dying. But one day the past arrives in the lifeless form of a man pulled from the river—a man with an uncanny resemblance to Pramesh. Called “twins” in their childhood village, he and his cousin Sagar are inseparable until Pramesh leaves to see the outside world and Sagar stays to tend the land. After Pramesh marries Shobha, defying his family’s wishes, a rift opens up between the cousins that he has long since tried to forget. Do not look back. Detach. But for Shobha, Sagar’s reemergence casts a shadow over the life she’s built for her family. Soon, an unwelcome guest takes up residence in the death hostel, the dying mysteriously continue to live, and Pramesh is forced to confront his own ideas about death, rebirth, and redemption. Told in lush, vivid detail and with an unforgettable cast of characters, The City of Good Death is a remarkable debut novel of family and love, memory and ritual, and the ways in which we honor the living and the dead. PRAISE FOR THE CITY OF GOOD DEATH “In Champaneri’s ambitious, vivid debut, the dying come to the holy city of Kashi to die a good death that frees them from the burden of reincarnation…. In sharp prose, Champaneri explores the power of stories—those the characters tell themselves, those told about them, and those they believe. . . . This epic, magical story of death teems with life.” —Publishers Weekly “Brimming with characters whose lives overlap and whose stories interweave, Champaneri’s exquisite debut delves into the consequences of the past, and how stories that are told can become reality even when they contain barely a shred of truth. As Pramesh discovers, the bitterness of past wounds can bring hope for redemption and life.” —Bridget Thoreson, Booklist “Lush prose evokes the thick, close atmosphere of Kashi and the intricate religious practices upon which life and death depend. Rumor and superstition hold sway over even the most level-headed people, twisting what’s explainable into something extraordinary—with tragic consequences. . . . The City of Good Death is a breathtaking, unforgettable novel about how remembering the past is just as important as moving on.” —Eileen Gonzalez, Foreword Reviews, Starred Review "Champaneri’s Kashi is teeming and vivid . . . the book frequently charms, and it's as full of humor, warmth, and mystery as Kashi’s own marketplace." —Kirkus Reviews “The City of Good Death is the debut novel of Priyanka Champaneri but it has the confidence of a master storyteller. Drawing on the rich literary traditions of Salman Rushdie and Arundhati Roy, Champaneri’s epic saga will satisfy armchair travelers thirsty for adventure, and sick of looking out their windows.” —Chicago Review of Books "In intricate detail and with remarkable skill, Champaneri writes a powerful tale about the pull of the past and our aching need to understand the mysteries and misunderstandings that thwart our relationships. An atmospheric and immersive debut with a rich cast of characters you won’t soon forget." —Marjan Kamali, author of The Stationery Shop
Douglas has grown up around the business of death. Generations of his family have run the Mortimer Family Funeral Home. The mortician and gravediggers are all his buddies. And the display room of caskets is an awesome place for hide and seek. It’s business as usual in Douglas’s small New England town. Until one day an incredibly out of the ordinary murder victim is brought to the funeral home. And more startling: others follow. On the cusp of Halloween, a serial killer has arrived. And unsatisfied with the small-town investigation, Douglas enlists his friends to help him solve the mystery. With sumptuous descriptions of a bucolic town and it’s quirky people, fascinating yet middle grade–appropriate insider information about the funeral process, and a crackling mystery with a heart-pounding conclusion—Death and Douglas has something for readers young and old.
The author of the National Jewish Book Award finalist, Inspired Jewish Leadership, presents an affirming meditation on living fully and preparing for death that guides readers on an emotional journey that draws on the wisdom of myriad spiritual traditions, covering a range of practical issues while sharing compassionate, illustrative stories.
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
“If you’ve been looking for something different to level up your health, fitness, and personal growth, this is it.”—Melissa Urban, Whole30 CEO and New York Times bestselling author of The Book of Boundaries “Michael Easter’s genius is that he puts data around the edges of what we intuitively believe. His work has inspired many to change their lives for the better.”—Dr. Peter Attia, #1 New York Times bestselling author of Outlive Discover the evolutionary mind and body benefits of living at the edges of your comfort zone and reconnecting with the wild—from the author of Scarcity Brain, coming in September! In many ways, we’re more comfortable than ever before. But could our sheltered, temperature-controlled, overfed, underchallenged lives actually be the leading cause of many our most urgent physical and mental health issues? In this gripping investigation, award-winning journalist Michael Easter seeks out off-the-grid visionaries, disruptive genius researchers, and mind-body conditioning trailblazers who are unlocking the life-enhancing secrets of a counterintuitive solution: discomfort. Easter’s journey to understand our evolutionary need to be challenged takes him to meet the NBA’s top exercise scientist, who uses an ancient Japanese practice to build championship athletes; to the mystical country of Bhutan, where an Oxford economist and Buddhist leader are showing the world what death can teach us about happiness; to the outdoor lab of a young neuroscientist who’s found that nature tests our physical and mental endurance in ways that expand creativity while taming burnout and anxiety; to the remote Alaskan backcountry on a demanding thirty-three-day hunting expedition to experience the rewilding secrets of one of the last rugged places on Earth; and more. Along the way, Easter uncovers a blueprint for leveraging the power of discomfort that will dramatically improve our health and happiness, and perhaps even help us understand what it means to be human. The Comfort Crisis is a bold call to break out of your comfort zone and explore the wild within yourself.