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The Vintage Book of African American Poetry by Michael S. Harper,Anthony Walton Pdf
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka.
Rich selection of 74 poems ranging from religious and moral verse of Phillis Wheatley Peters (ca. 1753–1784) to 20th-century work of Countee Cullen, James Weldon Johnson, and Langston Hughes. Introduction.
Slave Songs and the Birth of African American Poetry by L. Ramey Pdf
In this insightful and provocative volume, Rameyreveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs'intrinsic value as lyric poetry, sheds light on their roots and originality, anddraws new conclusions on anart form long considereda touchstone of cultural imagination.
The haunting refrain of the anonymous spiritual "Were You Dere?," the classic rhymes of Frances Ellen Watkins Harper's "Bury Me in a Free Land," the jazz beat of Maya Angelou's "Times-Square-Shoeshine-Composition," and the exquisite balance of Etheridge Knight's haikus-the entire rich and varied tradition of African-American poetry appears in this superb anthology, unified throughout by the authenticity of experiences wrung straight from the soul.Trouble the Water, the first collection to cover close to 300 years of poetic achievement in 400 important works by African-American writers, features women as half the contributors and includes nearly 50 poems from the 1980s and 1990s.
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland’s History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover’s shelves.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries
Modern African American Poets by Yasser K. R. Aman Pdf
This book consists of eight chapters covering poets from the Harlem Renaissance until the present day. It considers the Harlem Renaissance poets Hughes and Cullen from new perspectives, with regards to two psychological types: self-acceptance and self-dejection. The first two chapters discuss Hughes’ and Cullen’s expression of race relations and the way they protest. Chapter three on Roscoe C. Jamison represents unheard voices, while the fourth chapter, focusing on Ai, analyzes multi-ethnic roots and dissects American society, highlighting the reasons for violence and sexual hunger. Chapter five on Nikky Finney, a representative of Affrilachian poetry and a political activist, focuses on different social and political issues. Chapters six and seven discuss the application of Dual Inheritance Theory on African American and Afro-German poetry. Chapter eight tackles the ongoing effort of redefining black womanhood, with specific emphasis on Morgan Parker.
African-American Poetry of the Nineteenth Century by Joan R. Sherman Pdf
Afro-Americans of the nineteenth century are the invisible poets of our national literature. This anthology brings together 171 poems by 35 poets, from the best known to the unknown, in one volume.
This anthology begins with the memory of landscapes and landmarks, presenting poems in the For My People tradition of Margaret Walker. It includes a section titled "Blood and Disappointment in the Land," which documents ongoing social struggles. Other poems focus on the love that is essential for survival, rebirth, and dreams. More than 100 prominent African American poets contribute, including the distinguished and award-winning poets Toi Derricotte, Sam Cornish, Jabari Asim, and Pinkie Gordon Lane.