A History Of Modern Aesthetics Volume 1 The Eighteenth Century

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A History of Modern Aesthetics: Volume 1, The Eighteenth Century

Author : Paul Guyer
Publisher : Cambridge University Press
Page : 0 pages
File Size : 44,8 Mb
Release : 2018-09-06
Category : Philosophy
ISBN : 1108733816

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A History of Modern Aesthetics: Volume 1, The Eighteenth Century by Paul Guyer Pdf

Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.

A History of Modern Aesthetics: The nineteenth century

Author : Paul Guyer
Publisher : Unknown
Page : 478 pages
File Size : 48,5 Mb
Release : 2014
Category : PHILOSOPHY
ISBN : 1107038049

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A History of Modern Aesthetics: The nineteenth century by Paul Guyer Pdf

"Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth"--

A History of Modern Aesthetics: The twentieth century

Author : Paul Guyer
Publisher : Unknown
Page : 658 pages
File Size : 54,7 Mb
Release : 2014
Category : PHILOSOPHY
ISBN : 1107038057

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A History of Modern Aesthetics: The twentieth century by Paul Guyer Pdf

"Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth"--

A History of Modern Aesthetics

Author : Paul Guyer
Publisher : Unknown
Page : 3 pages
File Size : 49,8 Mb
Release : 2014-03-10
Category : Philosophy
ISBN : 1107643228

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A History of Modern Aesthetics by Paul Guyer Pdf

"A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century"--

A History of Modern Aesthetics: Volume 2, The Nineteenth Century

Author : Paul Guyer
Publisher : Cambridge University Press
Page : 0 pages
File Size : 45,6 Mb
Release : 2018-09-06
Category : Philosophy
ISBN : 1108733824

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A History of Modern Aesthetics: Volume 2, The Nineteenth Century by Paul Guyer Pdf

Volume II: Following the explosion of new ideas about our experience of art and nature in the eighteenth century, recounted in Volume I of A History of Modern Aesthetics, many philosophers at the beginning of the nineteenth century - above all, the German Idealists - regrouped around a conception of art as a form of metaphysics and of aesthetic experience as a form of knowledge. This second volume tells how over the course of the century philosophers in Germany, Britain, and eventually the United States struggled to return to a broader approach to the value of aesthetic experience by finding room for the emotional and playful aspects of art. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.

A History of Modern Aesthetics: Volume 3, The Twentieth Century

Author : Paul Guyer
Publisher : Cambridge University Press
Page : 0 pages
File Size : 50,8 Mb
Release : 2018-09-06
Category : Philosophy
ISBN : 1108733832

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A History of Modern Aesthetics: Volume 3, The Twentieth Century by Paul Guyer Pdf

Volume III: The field of aesthetics was bound to reflect the dramatic upheavals of the twentieth century in philosophy as a whole, in the arts, and in social and political life generally. This third volume of A History of Modern Aesthetics shows how philosophers of art in Germany, Britain, and the United States continued the debate over cognitivist versus alternative approaches to aesthetic experience that was at the heart of the discipline in the previous two centuries while responding to the intellectual challenges of their own times as well. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.

Early Modern Aesthetics

Author : J. Colin McQuillan
Publisher : Rowman & Littlefield
Page : 204 pages
File Size : 50,6 Mb
Release : 2015-11-30
Category : Philosophy
ISBN : 9781783482139

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Early Modern Aesthetics by J. Colin McQuillan Pdf

Early Modern Aesthetics is a concise and accessible guide to the history of aesthetics in the early modern period. J. Colin McQuillan shows how philosophers concerned with art and beauty positioned themselves with respect to the ancients and the moderns, how they thought the arts were to be distinguished and classified, the principles they proposed for art and literary criticism, and how they made aesthetics a part of philosophy in the eighteenth century. The book explores the controversies that arose among philosophers with different views on these issues, their relation to the philosophy, science, and art, and their legacy for contemporary aesthetics.

Beyond Autonomy in Eighteenth-Century British and German Aesthetics

Author : Karl Axelsson,Camilla Flodin,Mattias Pirholt
Publisher : Routledge
Page : 298 pages
File Size : 46,5 Mb
Release : 2020-10-25
Category : Philosophy
ISBN : 9781000077285

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Beyond Autonomy in Eighteenth-Century British and German Aesthetics by Karl Axelsson,Camilla Flodin,Mattias Pirholt Pdf

This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. The Introduction and Chapters 2, 10, and 12 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Values of Beauty

Author : Paul Guyer
Publisher : Cambridge University Press
Page : 128 pages
File Size : 41,9 Mb
Release : 2005-06-13
Category : Philosophy
ISBN : 9781316583050

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Values of Beauty by Paul Guyer Pdf

Values of Beauty discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways.

Eighteenth-Century Aesthetics and the Reconstruction of Art

Author : Paul Mattick, Jr
Publisher : Cambridge University Press
Page : 0 pages
File Size : 46,9 Mb
Release : 2008-06-19
Category : Art
ISBN : 0521066832

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Eighteenth-Century Aesthetics and the Reconstruction of Art by Paul Mattick, Jr Pdf

This collection of essays explores the rise of aesthetics as a response to, and as a part of, the reshaping of the arts in modern society. The theories of art developed under the name of 'aesthetics' in the eighteenth century have traditionally been understood as contributions to a field of study in existence since the time of Plato. If art is a practice to be found in all human societies, then the philosophy of art is the search for universal features of that practice, which can be stated in definitions of art and beauty. However, art as we know it - the system of 'fine arts' - is largely peculiar to modern society. Aesthetics, far from being a perennial discipline, emerged in an effort both to understand and to shape this new social practice. These essays share the conviction that aesthetic ideas can be fully understood when seen not only in relation to intellectual and social contexts, but as themselves constructed in history.

The Emergence of Modern Aesthetic Theory

Author : Simon Grote
Publisher : Cambridge University Press
Page : 308 pages
File Size : 49,9 Mb
Release : 2017-10-26
Category : History
ISBN : 9781107110922

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The Emergence of Modern Aesthetic Theory by Simon Grote Pdf

This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.

Political Aesthetics

Author : Karl Axelsson
Publisher : Bloomsbury Publishing
Page : 280 pages
File Size : 44,9 Mb
Release : 2019-08-22
Category : Philosophy
ISBN : 9781350077775

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Political Aesthetics by Karl Axelsson Pdf

Providing a gateway to a new history of modern aesthetics, this book challenges conventional views of how art's significance developed in society. The 18th century is often said to have involved a radical transformation in the concept of art: from the understanding that it has a practical purpose to the modern belief that it is intrinsically valuable. By exploring the ground between these notions of art's function, Karl Axelsson reveals how scholars of culture made taste, morals and a politically stable society integral to their claims about the experience of nature and art. Focusing on writings by two of the most prolific men of letters in the 18th century, Joseph Addison (1672–1719) and the third Earl of Shaftesbury (1671–1713), Axelsson contests the conviction that modern aesthetic autonomy reoriented the criticism and philosophy originally prompted by these two key figures in the history of aesthetics. By re-examining the political relevance of Addison and Shaftesbury's theories of taste, Axelsson shows that first and foremost they sought to fortify a natural link between aesthetic experience and modern political society.

1650-1850

Author : Kevin L. Cope,Samara Anne Cahill
Publisher : Rutgers University Press
Page : 323 pages
File Size : 55,9 Mb
Release : 2020-02-14
Category : Art
ISBN : 9781684481729

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1650-1850 by Kevin L. Cope,Samara Anne Cahill Pdf

1650-1850 publishes essays and reviews from and about a wide range of academic disciplines literature, philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences.

The Oxford Handbook of Aesthetics

Author : Jerrold Levinson
Publisher : Oxford University Press
Page : 844 pages
File Size : 52,7 Mb
Release : 2005-01-27
Category : Art
ISBN : 0199279454

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The Oxford Handbook of Aesthetics by Jerrold Levinson Pdf

'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.

Effeminate Years

Author : Declan Kavanagh
Publisher : Bucknell University Press
Page : 269 pages
File Size : 43,7 Mb
Release : 2017-06-23
Category : Literary Criticism
ISBN : 9781611488258

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Effeminate Years by Declan Kavanagh Pdf

Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.