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A History of Shōwa Japan, 1926-1989 by Takafusa Nakamura Pdf
The reign of Emperor Hirohito-the Showa era-is synonymous with the history of twentieth-century Japan. That history is told here by one of Japan's most respected economists and historians. Takafusa Nakamura, a contemporary of the Showa emperor, examines the events and historical forces that shaped the century and the effects they had on ordinary citizens.
Showa by Carol Gluck,Stephen Richards Graubard Pdf
Showa - the six-decade period of Emperor Horihito's reign, which began in 1926 and ended with his death in 1989 - accounts for fully half of Japan's modern history. It was a turbulent time of aggressive and catastrophic war, defeat and foreign occupation, domestic transformation and spectacular growth. The end of Showa provided and occasion for the Japanese to confront their past and the roots of their present success.
Emperor Hirohito and Showa Japan by Stephen Large Pdf
Emperor Hirohito reigned for more than sixty years, yet we know little about him or the part he really played in the turbulent history of Showa Japan. Stephen Large draws on a wide range of Japanese and Western sources in his study of Emperor Hirohito's political role in Showa Japan (1926-89). This analysis focuses on key events in his career such as the extent to which he bore responsibility for Japanese aggression in the Pacific in 1941, and explains why Hirohito remains such a contested symbol in Japanese post war politics.
Japan's momentous Showa era began in 1926, when Emperor Hirohito ascended the throne, and ended with his death in 1989. This was a tumultuous period in modern Japanese history—a time of great disaster and tremendous triumph for Japan. This book focuses on the post-war period in Japan when the nation stood at the zenith of her economic power. Today, the term Showa is shorthand for a glamorous period in which, all too briefly, Japan was the richest nation on earth and the envy of the developed world. A growing nostalgia for this period is now memorialized in Japan in a national holiday. It was an era of stratospheric growth which saw Japan's transition from an isolated, impoverished nation to a peaceful one holding an exalted position as the world's second largest economy. But what is the true meaning of the Showa era, and what is its legacy for the Japanese today? In Showa Japan, Hans Brinckmann provides a clear-eyed exploration of the Showa period as it really was—not just a time of wondrous change but of wild excesses that would eventually come crashing down with the bursting of Japan's economic bubble—exactly as occurred in the rest of the world, but almost 20 years earlier! From the heights of extravagance to the lean years that followed, Brinkmann, a long-time resident of Japan, examines the impact of the Showa era and its aftermath on every aspect of Japanese society. Featuring dozens of period photographs, interviews, and a wealth of factual information and personal reflections, this book provides an in-depth portrait of a Japan that once was—as well as a blueprint for one that might still be, if only the lessons of the past could be learned.
A sweeping yet intimate portrait of the legacy of World War II in Japan Showa 1944-1953: A History of Japan continues the award-winning author Shigeru Mizuki's autobiographical and historical account of the Showa period in Japan. This volume recounts the events of the final years of the Pacific War, and the consequences of the war's devastation for Mizuki and the Japanese populace at large. After the surprise attack at Pearl Harbor, Japan and the United States are officially at war. The two rival navies engage in a deadly game of feint and thrust, waging a series of microwars across the tiny Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. Finally, the United States unleashes the deathblow with a new and terrible weapon--the atomic bomb. The fallout from the bombs is beyond imagining. On another front, Showa 1944-1953 traces Mizuki's own life story across history's sweeping changes during this period, charting the impact of the war's end on his life choices. After losing his arm during the brutal fighting, Mizuki struggles to decide where to go: whether to remain on the island as an honored friend of the local Tolai people or return to the rubble of Japan and take up his dream of becoming a cartoonist. Showa 1944-1953 is a searing condemnation of the personal toll of war from one of Japan's most famous cartoonists.
The final volume in the Eisner-Nominated history of Japan Showa 1953–1989: A History of Japan concludes Shigeru Mizuki’s dazzling autobiographical and historical account of Showa period Japan, a portrait both intimate and ranging of a defining epoch. The final volume picks up in the wake of Japan’s utter defeat in World War II, as a country reduced to rubble struggles to rise again. The Korean War brings new opportunities to the nation searching for an identity. A former enemy becomes Japan’s greatest ally as the US funnels money, jobs, and opportunity into the country, hoping to establish it as a bulwark against Soviet communist expansion. Japan reinvents itself, emerging as an economic powerhouse. Events like the Tokyo Olympiad and the World’s Fair introduce a new, friendly Japan to the world, but this period of peace and plenty conceals a populace still struggling to come to terms with the devastation of World War II. The original Japanese edition of the series Showa: A History of Japan won Mizuki the prestigious Kodansha Manga Award; the English translation has been nominated for an Eisner Award. Translated from the Japanese by Zack Davisson.
A fascinating period in Japanese history explored by a master of manga Showa 1926–1939: A History of Japan is the first volume of Shigeru Mizuki's meticulously researched historical portrait of twentieth-century Japan. This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Rat Man, Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical—his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's Showa 1926–1939 is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.
Yasuoka Shōtarō (1920–2013) was perfectly situated to become Japan's premier chronicler of the Shōwa period (1926–89). Over fifty years as a writer, Yasuoka produced stories, novels, plays, and essays, as well as monumental histories that connected his own life to those of his ancestors. He was also the only major Japanese writer to live in the American South during the Civil Rights Movement, when he spent most of an academic year at Vanderbilt University in Nashville. In 1977, he translated Alex Haley's Roots into Japanese. For a long period, Yasuoka was at the center of the Japanese literary establishment, serving on prize committees and winning the major literary prizes of the era: the Akutagawa, the Noma, the Yomiuri, and the Kawabata. But what makes Yasuoka fascinating as a writer is the way that he consciously, deliberately resisted accepted narratives of modern Japanese history through his approach to personal and collective memory. In Enduring Postwar, the first literary and biographical study of Yasuoka in English, Kendall Heitzman explores the element of memory in Yasuoka's work in the context of his life and evolving understanding of postwar Japan.
Hirohito And The Making Of Modern Japan by Herbert P. Bix Pdf
Winner of the Pulitzer Prize In this groundbreaking biography of the Japanese emperor Hirohito, Herbert P. Bix offers the first complete, unvarnished look at the enigmatic leader whose sixty-three-year reign ushered Japan into the modern world. Never before has the full life of this controversial figure been revealed with such clarity and vividness. Bix shows what it was like to be trained from birth for a lone position at the apex of the nation's political hierarchy and as a revered symbol of divine status. Influenced by an unusual combination of the Japanese imperial tradition and a modern scientific worldview, the young emperor gradually evolves into his preeminent role, aligning himself with the growing ultranationalist movement, perpetuating a cult of religious emperor worship, resisting attempts to curb his power, and all the while burnishing his image as a reluctant, passive monarch. Here we see Hirohito as he truly was: a man of strong will and real authority. Supported by a vast array of previously untapped primary documents, Hirohito and the Making of Modern Japan is perhaps most illuminating in lifting the veil on the mythology surrounding the emperor's impact on the world stage. Focusing closely on Hirohito's interactions with his advisers and successive Japanese governments, Bix sheds new light on the causes of the China War in 1937 and the start of the Asia-Pacific War in 1941. And while conventional wisdom has had it that the nation's increasing foreign aggression was driven and maintained not by the emperor but by an elite group of Japanese militarists, the reality, as witnessed here, is quite different. Bix documents in detail the strong, decisive role Hirohito played in wartime operations, from the takeover of Manchuria in 1931 through the attack on Pearl Harbor and ultimately the fateful decision in 1945 to accede to an unconditional surrender. In fact, the emperor stubbornly prolonged the war effort and then used the horrifying bombings of Hiroshima and Nagasaki, together with the Soviet entrance into the war, as his exit strategy from a no-win situation. From the moment of capitulation, we see how American and Japanese leaders moved to justify the retention of Hirohito as emperor by whitewashing his wartime role and reshaping the historical consciousness of the Japanese people. The key to this strategy was Hirohito's alliance with General MacArthur, who helped him maintain his stature and shed his militaristic image, while MacArthur used the emperor as a figurehead to assist him in converting Japan into a peaceful nation. Their partnership ensured that the emperor's image would loom large over the postwar years and later decades, as Japan began to make its way in the modern age and struggled -- as it still does -- to come to terms with its past. Until the very end of a career that embodied the conflicting aims of Japan's development as a nation, Hirohito remained preoccupied with politics and with his place in history. Hirohito and the Making of Modern Japan provides the definitive account of his rich life and legacy. Meticulously researched and utterly engaging, this book is proof that the history of twentieth-century Japan cannot be understood apart from the life of its most remarkable and enduring leader.
Many are the books on Japan they mostly follow a prescription, reviewing different aspects of a country which is strangely unlike the lands of Christendom, though it has entered into economic competition with them. I have here tried to present something rather different. Encouraged by the fact that Japan in Recent Times, 1912-1926, has been found useful by other makers of books as well as by readers who sought to increase their knowledge, I have attempted here to present a sequel though it is only part of the same story in the sense that it continues the record. A reign that seemed likely to be quiet and humdrum has proved so full of happenings that it has been difficult, even at slightly greater length, to record these eleven years as adequately as the previous sixteen. But for readers who would like the facts rather than my gloss upon them, here is a book full of them. During ten of the eleven years I was seldom absent from the editorial desk of the Japan Chronicle., so there was little about current events that did not come my way, and I have tried to select from the mass the most significant and most closely related. Sometimes so many things were happening at once that it has been impossible to observe a strict chronology and the subject rather than the date has had to be considered. As in my previous book I have adhered to the Japanese custom of putting the surname first and the personal name after also, where titles are concerned, I have used the highest attained instead of explaining that the Mr. of one day was the Baron of the next.
What is the kimono? Everyday garment? Art object? Symbol of Japan? As this book shows, the kimono has served all of these roles, its meaning changing across time and with the perspective of the wearer or viewer. Kimono: A Modern History begins by exposing the seventeenth- and eighteenth-century foundations of the modern kimono fashion industry. It explores the crossover between ‘art’ and ‘fashion’ in this period at the hands of famous Japanese painters who worked with clothing pattern books and painted directly onto garments. With Japan’s exposure to Western fashion in the nineteenth century, and Westerners’ exposure to Japanese modes of dress and design, the kimono took on new associations and came to symbolize an exotic culture and an alluring female form. In the aftermath of the Second World War, the kimono industry was sustained through government support. The line between fashion and art became blurred as kimonos produced by famous designers were collected for their beauty and displayed in museums, rather than being worn as clothing. Today, the kimono has once again taken on new dimensions, as the Internet and social media proliferate images of the kimono as a versatile garment to be integrated into a range of individual styles. Kimono: A Modern History, the inspiration for a major exhibition at the Metropolitan Museum of Art in New York,not only tells the story of a distinctive garment’s ever-changing functions and image, but provides a novel perspective on Japan’s modernization and encounter with the West.
