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Audrey is bigger than she was yesterday. Now she needs a bigger house. So she tells her dad to build her one. At the top of a tree. It is an ideal house. It has a bathtub for snorkeling, a place to drink tea, and somewhere to hide the dirty cups. The house is perfect in every way. Except for one thing ...
Winner of the PEN Center USA Literary Award for Creative Nonfiction From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades-and including never-before-published work-Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.
Born in 1989 to wealthy American parents in upstate New York, American Surrealist painter Kay Sage became a member of the Surrealist art movement in Paris in 1937. Along with an eloquent chronicle of Sage's life, Judith Suther shows how not only Sage's art but also the iconoclastic themes of her poetic works were related to Sage's lifelong revolt against social and artistic convention. 78 illustrations. 10 color plates.
A Room of One’s Own is an essay written by Virginia Woolf. It was published in 1929 and is based on two lectures given by the author in 1928 at two colleges for women at Cambridge. In this famous essay, Woolf addressed the status of women, and women artists in particular. In this essay, the author also asserts that a woman must have money and a room of her own if she is to write. According to Woolf, women’s creativity has been curtailed due to centuries of prejudice and financial and educational disadvantages. To emphasize her view, she offers the example of an imaginary gifted but uneducated sister of William Shakespeare, who, discouraged from all eventually kills herself. Woolf celebrates the work of women who have overcome that tradition and become writers, including Jane Austen, George Eliot, and the Brontë sisters, Anne, Charlotte, and Emily. In the final section Woolf suggests that great minds are neutral and argues that intellectual freedom requires financial freedom. The author entreats her audience to write not only fiction but poetry, criticism, and scholarly works as well.
Meet the creative women who are living life on their own terms, and the unique living spaces they have designed and inhabit in this lavishly produced volume. Creative practitioners, philosophers, and rebels, the women chronicled in this volume refuse to compartmentalize or neglect any of their talents or interests. Instead, their lives are a canvas for their artistry. We see it in their homes and studios, on their tables, and in their wardrobes. Equal parts biography and interior design study, A Room of Her Own features twenty extraordinary women and takes us on a private tour across the world into their personal and professional domains. Among them are painters, sculptors, writers, chefs, designers, jewelers, curators, makers, and directors. While each woman has navigated a unique path, they are united in their refusal to play by the rules of others. Taking in the likes of the grand, sweeping halls of a castle in the Austrian countryside, a convent-like property in Mexico, and a cozy home on the banks of the Hudson, this book celebrates the homes, philosophies, design aesthetics, and practices of these inspiring multihyphenates.
A Blossoming Love Becky Martin knows that she can't stay at James O'Brien's apple farm forever, but she wishes she could. After her brother framed her for arson, she flees Chicago, traveling cross-country to California and finding work caring for James's ailing mother. Beneath the apple blossoms, it's almost as if she has a real family...but her secret won't stay buried forever. James, scarred from an explosion, didn't expect to connect to the pretty young traveler. Could she really love someone damaged like him? He knows she's hiding something. If only she'd trust him. Can she let go of her past and believe in the possibility of a future amid the apple trees?
THE PRODIGAL DAUGHTER No matter how far she roamed, Melodie Coleman had never quite shaken the dust of her Wyoming hometown—nor the bittersweet memories. Now, widowed and pregnant, she was back in high country for her mother's funeral. Back to face a charismatic cowboy—and the truth about why she shattered his heart so long ago… For Buck Foster, seeing Melodie again renewed not just the pain of being jilted, but the spark of first love. As they shared a threadbare ranch house and an unexpected journey down memory lane, Buck realized Melodie truly sought forgiveness—from him, and from the Lord. But it was too late to reclaim what might have been…or was it?
Dori Sanders' first novel, CLOVER was a smash hit. Now, with HER OWN PLACE, Dori Sanders tells a story about ordinary people taking part in a transformation of heart and mind--in the South, in the nation. "Resonates as powerfully as an old hymn."--Kirkus Reviews; "Like a ripe summer peach, HER OWN PLACE just keeps getting better and better until the last page leaves the reader longing for more."--Christian Science Monitor. A LITERARY GUILD SELECTION.
A girl who longs for her own horse is given the chance to care for a troubled, damaged horse, who needs her as much as she needs him. Fourteen-year-old Jane Ryan has always dreamed of having a horse of her own—but so long as she gets to ride her favorite school horse, Beau, at Sunny Acres farm, she's content. And this is the summer she means to try out for the advanced riding class. But just as camp begins, Jane receives heartbreaking news about Beau. She loses, not just her favorite horse, but also her chance to ride in the end-of-summer competition. When her trainer asks for her help with an out-of-control chestnut warmblood, Lancelot, a newcomer to the barn, she has no choice but to say yes. There's another new addition to the farm: Ben Reyes, the grandson of the barn's manager. As Jane struggles to go on without Beau, and to make Lancelot the great horse she believes him to be, her feelings for Ben, her relationships with the privileged group of girls she rides with, and her painful, joyous road to self-discovery all lead to a heart-pounding conclusion that is truly a new beginning. Only Jane's faith in Lancelot, and her own rediscovered skill and strength, can see her through the hard journey toward a horse of her own.
prospectors for the first time. Sally Zanjani depicts more than one hundred women prospectors in often grueling, financially unrewarding, and utterly lonely efforts to strike it rich from the desert Southwest to the frozen rocks of Alaska and the Yukon. She tells their stories with warmth and skill and, in bringing them to life, forever changes our mental picture of the women who helped shape the modern West.
With this book, the editors have brought to light a little-discussed aspect of ranching: the valuable contributions of women in an industry traditionally thought of as the domain of men. To them, the ranch means many things; it is a business, a home, and a place to raise their children. In their own words, they share their experiences, their successes, and their hardships, and clearly demonstrate the important role women have played, and continue to play, in the history and economy of the ranching industry in Canada.
After her parents' sudden death, loneliness makes Rosemary O'Connor seek out a neighboring farm where horses are being exercised. Here she feels closer to her father, who taught her all she knew about riding and horses. Soon the owner of the farm warmly welcomes Rosemary and introduces her to other young people in a local hunt club. This leads to a summer job at the hunt stables where Rosemary finds her horse, the kind of Irish hunter she has always longed for. Of course, Dublin Jack does belong to Mr. Medford, the wealthy, stable owner, and he is almost dead when Rosemary finds him. Can she -- should she -- help him to live in spite of the stable manager's ugly threats? Although Rosemary's main concern is for Dublin Jack, she works hard at her job, which includes teaching children to ride, cleaning tack, feeding and exercising other horses, and learning to control the hounds. One night, when she is more tired than usual, disaster strikes. Rosemary wakes up in the hospital, and here she learns of new plans for the stable, for herself, and for Dublin Jack. The color and excitement of horse shows, hunting, and riding with hounds in California (where no killing of a fox is involved) pervade this story of a plucky girl who believes in not letting go of her horse once she's found him.