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Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.
The inspiration for the major motion picture The Green Knight starring Dev Patel, an early English poem of magic, chivalry and seduction. Composed during the fourteenth century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve. Sir Gawain takes up the challenge, decapitating the stranger - only to see the Green Knight seize up his own severed head and ride away, leaving Gawain to seek him out and honour their pact. Blending Celtic myth and Christian faith, Gawain is among the greatest Middle English poems: a tale of magic, chivalry and seduction.
An unforgettable fable about a father's journey and a timeless guide to life's many questions—from Ethan Hawke, four-time Academy Award nominee, twice for writing and twice for acting. A knight, fearing he may not return from battle, writes a letter to his children in an attempt to leave a record of all he knows. In a series of ruminations on solitude, humility, forgiveness, honesty, courage, grace, pride, and patience, he draws on the ancient teachings of Eastern and Western philosophy, and on the great spiritual and political writings of our time. His intent: to give his children a compass for a journey they will have to make alone, a short guide to what gives life meaning and beauty.
In the second book of the Arcana Chronicles Evie has now fully come into her powers as the tarot Empress. And Jackson was there to see it all. In the aftermath of killing Arthur, the tarot Alchemist, Evie realizes that a war is brewing between the other teens that, following the apocalypse, have been given powers and its kill or be killed. Things get even more complicated when Evie meets Death, the mysterious, sexy Endless Knight. Somehow the Empress and Death share a romantic history - one that Evie can't remember, but Death can't forget. She is drawn to the Endless Knight, but is in love with Jack. Determined to discover why she's been granted these powers, Evie struggles to accept her place in a prophecy that will either save the world, or completely destroy it.
The Art and Making of the Dark Knight Trilogy by Jody Duncan Jesser,Janine Pourroy Pdf
Behind the scenes—and the mask—of the great Batman film trilogy, including stunning illustrations. In 2005, director Christopher Nolan reimagined and forever redefined the Batman legend when he began his epic trilogy of films—Batman Begins, The Dark Knight, and The Dark Knight Rises—starring Christian Bale as the Caped Crusader in a fresh, dynamic reboot of the franchise. All three films would go on to blockbuster success and critical acclaim—including an Academy Award for Best Supporting Actor for Heath Ledger’s unforgettable performance as Batman’s eternal nemesis, the Joker. The Art and Making of the Dark Knight Trilogy tells the complete story of these three monumental films. Based on in-depth interviews with Nolan and all of the films’ key cast and crew—including cowriters David S. Goyer and Jonathan Nolan, cinematographer Wally Pfister, and more—the book reveals the creative process behind the epic Dark Knight Trilogy, supported by lavish art and on and off-set photos. This is a fascinating glimpse into the minds that gave new life to one of the most beloved and renowned superheroes in history.
This volume includes the complete shooting script for A Knight's Tale, an introduction by the screenwriter/director Brian Helgeland, a colour photograph album, and full film credits. The story is a 14th-century jousting adventure.
TAKE AN ADVENTURE THROUGH TIME! Stephanie Drake and her three children-Ashley, Rose and Hunter-are just glad to be alive after that terrible storm slammed their boat ashore on an uncharted island. What started as a one-day jaunt at sea to lay a wreath where Stephanie's husband and the children's father-a sailor in the U.S. Navy, lost at sea during a similar storm-has turned into a living nightmare. They find themselves in another world ... on the mythical island of Avalon, where magical creatures, medieval knights and powerful wizards are ruled by the descendants of King Arthur. On Avalon, Stephanie and her children find themselves being hunted by bounty hunters, thieves and brigands. They are caught in the power struggle between Lord Kraven Darkholm, a powerful wizard descended from the evil sorceress, Morganna le Fay, and the Gil-Gamesh, the champion of Avalon. The people of this magical isle have been protected for centuries by the descendants of Sir Percival Peredyr, the last Knight of the Round Table who served as the first Gil-Gamesh of Avalon. But who is the Gil-Gamesh and how does he know so much about Stephanie and her children? Now, it's a race against time as the Gil-Gamesh must protect the outsiders and get them home to the real world. All the while, Kraven Darkholm continues to scheme against them all, vying to achieve his ultimate goal of becoming ruler of Avalon. ABOUT THE AUTHOR: Mark Piggott, a native of Phillipsburg, N.J., enlisted in the U.S. Navy in 1983 as a Navy Journalist. He spent 23 years in the Navy, serving on three aircraft carriers and duty stations along the east coast. He retired in 2006 as a Chief Journalist and settled in Newport News, Virginia. He is currently the public affairs officer for Naval Weapons Station Yorktown.
The Book of the Duchess is a surreal poem that was presumably written as an elegy for Blanche, Duchess of Lancaster's (the wife of Geoffrey Chaucer's patron, the royal Duke of Lancaster, John of Gaunt) death in 1368 or 1369. The poem was written a few years after the event and is widely regarded as flattering to both the Duke and the Duchess. It has 1334 lines and is written in octosyllabic rhyming couplets.
Comprising a discussion of 'Alice in the Cities', 'The Bitter Tears of Petra von Kant', 'Heimat' and 'The American Friend', Julia Knight's study examines the American dominance of German film, the framework of European art cinema and how German cinema engages with contemporary German reality.
Of all the grand visions conjured by the movies, few captivate us like that moment when the lovers on the big screen finally come together in a passionate kiss—one that pulls at our heartstrings and burns its way into our memories. In these larger-than-life images of romantic abandon, all the cinematic elements align, creating a magical moment full of promise, delicious anticipation, and heartfelt bliss. A truly great movie kiss lingers with us long after the screen fades to black. There is the one that helped us nurse a broken heart. The one that set our pulses racing. And the kiss that inspired us to follow our dreams. Who can forget the way Humphrey Bogart sacrificed his own happiness for his true love Ingrid Bergman in Casablanca? The romantic fireworks generated by Clark Gable and Vivien Leigh in Gone With the Wind? Or the swoon-worthy first kiss of Leonardo DiCaprio and Kate Winslet in Titanic? Great Kisses compiles fifty beloved movie kisses—both classic and contemporary—with the famous lines that accompany them, and is a perfect keepsake for movie buffs and hopeless romantics alike. For in the movies and in Great Kisses, true love conquers all....
A Knight and His Weapons by R. Ewart Oakeshott Pdf
Take an engaging journey back in time, when battles were fought with swords, lances, maces, and an array of well-crafted devices that could be elegant and ornate, brutal and efficient, or both. This accessible, lively, and informative book explores many facets of the medieval world of weaponry. Did you know, for instance, that in the fifteenth century "fight books" with drawings guided knights in the proper use of weapons? That the average medieval warrior became a full-fledged fighter by the time he was fifteen years old? Or that armor made by a master could, by modern standards, cost the price of a Rolls Royce?
The Oxford Handbook of Music and Medievalism by Stephen C. Meyer,Kirsten Yri Pdf
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
‘A rip-roaring new life of Marshal … [a] splendid account of a great medieval life' Dan Jones, author of Crusaders ‘A thoroughly entertaining account of England’s most colourful and courageous medieval knight’ Sunday Times Drawing upon an array of contemporary evidence, renowned historian Thomas Asbridge’s authoritative and dramatic account brings to life the often overlooked figure of William Marshal, a man who not only served at the right hand of five English monarchs but also helped negotiate the terms of Magna Carta. Charting the unparalleled rise to prominence of a man bound to a code of honour, yet driven by unquenchable ambition, this knight's tale lays bare the brutish realities of medieval warfare and the machinations of the royal court, and draws us into the heart of a formative period of our history: when the West emerged from the Dark Ages and stood on the brink of modernity. Friend of Richard the Lionheart and the infamous King John and, ultimately, regent of the realm, this is the story of one remarkable man and the forging of the English nation. ‘Skilfully done...a powerful cast of characters that fascinates still’ TLS ‘The medieval world...at last comes touchingly to life’ Spectator
