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Author : Walter Aaron Clark,Javier Suárez-Pajares
Publisher : W. W. Norton
Page : 0 pages
File Size : 54,6 Mb
Release : 2024-04-23
Category : Electronic
ISBN : 1324004452
A musical biography that reveals Joaquín Rodrigo as a composer of unique vision.
Author : Javier Suárez-Pajares,Walter Aaron Clark
Publisher : W. W. Norton & Company
Page : 318 pages
File Size : 46,9 Mb
Release : 2024-05-07
Category : Biography & Autobiography
ISBN : 9781324004462
A composer of singular vision. Joaquín Rodrigo (1901–1999) is best known as the composer of one of the most popular works of music in the twentieth century—the Concierto de Aranjuez for guitar and orchestra. It’s been featured in movies and television commercials and remains a staple of concert programs for orchestras around the world. Miles Davis said, “After listening to it for a couple of weeks…I couldn’t get it out of my mind,” and he used it as inspiration for his album Sketches of Spain. But as Javier Suárez-Pajares and Walter Aaron Clark reveal in this musical biography—the first complete study in English—Rodrigo’s work and influence extend far beyond that singular composition. A Light in the Darkness takes us through Rodrigo’s childhood in Valencia, the onset of blindness at the age of three, and the beginnings of his musical education. He achieved some early success in Spain as a composer before moving to Paris in 1927 to advance his studies, following in the footsteps of other eminent Spanish composers like Isaac Albéniz, Joaquín Turina, and Manuel de Falla. There he enrolled in courses with composer Paul Dukas, met the woman who would become his wife, and earned the respect and friendship of Falla, who became his champion. Along the way, Rodrigo’s musical voice developed and matured as his horizons widened. Suárez-Pajares and Clark present a definitive account of the making of Rodrigo’s celebrated guitar concerto, even as they capture the breadth of Rodrigo’s compositional output, from solo works for piano and guitar through chamber music and vocal works to concertos and orchestral pieces. As they demonstrate, Rodrigo’s music is unmistakably Spanish, but with his own unique accent. Rodrigo’s life and career spanned a period of great tumult in Spain, and he had to navigate strong, shifting political and cultural currents—before, during, and after Franco. An authoritative life of one of the twentieth century’s great musical geniuses, A Light in the Darkness becomes a stunning tale of how art gets made under even the most challenging circumstances.
Author : Walter Aaron Clark
Publisher : Routledge
Page : 217 pages
File Size : 43,9 Mb
Release : 2021-05-30
Category : Art
ISBN : 9781000392340
Joaquín Rodrigo: A Research and Information Guide catalogues and summarizes the musical works and related literature of Joaquín Rodrigo (1901–99), perhaps the most important Spanish composer of concert music in the second half of the twentieth century. The guide provides annotated bibliographic entries for both primary and secondary sources, detailing several guitar concertos, concertos for flute, violin, harp, cello, and piano, as well as symphonic pieces, piano solos, chamber music, and choral and stage works. Rodrigo’s reputation rests on the Concierto de Aranjuez for guitar and orchestra and its expressive middle movement, which inspired jazz arrangements by Miles Davis and Chick Corea in the 1960s and continues to appear in film scores even eighty years after its composition. A major reference tool for all those interested in the prolific Rodrigo and his music—featuring a chronology of the composer’s life and robust indices that enable researchers to easily locate sources by author, composition, or subject—Joaquín Rodrigo: A Research and Information Guide is a valuable resource for students and researchers alike.
Author : Victoria Kamhi de Rodrigo
Publisher : Unknown
Page : 376 pages
File Size : 48,6 Mb
Release : 1992
Category : Biography & Autobiography
ISBN : UOM:39015023385282
Composer Joaquín Rodrigo's music is an homage to the rich and varied cultures of Spain. His unique creations draw from influences that range from the ancient Roman conquerors of Iberia to modern Spanish poets and writers. Since 1933 the blind composer was assisted and inspired by his talented wife, pianist Victoria Kamhi, his most important collaborator and his life's partner. This book is the story of a loving marriage and a professional struggle that led to international acclaim. After the years of exile and deprivation during the Spanish Civil War and World War II, Rodrigo's work began to gain attention and praise from the musical world. Active as critic and academic, Rodrigo has also received commissions from some of the most distinguished soloists of our era.
Author : Daniel J. Nappo
Publisher : Rowman & Littlefield
Page : 205 pages
File Size : 47,6 Mb
Release : 2020-12-03
Category : Music
ISBN : 9781793615787
The Poetry and Music of Joaquín Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaquín Sabina. Often called "the Spanish Dylan," Sabina has established his own highly poetic space over the course of his forty-plus years as a recording artist. Using selected song lyrics from his fifteen studio and three major live albums, Daniel J. Nappo analyzes Sabina's use of antithesis, simile, metaphor, synesthesia, rhyme, and other rhetorical and poetic devices. Nappo also devotes a chapter to Sabina's ability as a narrator and concludes the book with a comparison of Sabina's best work with that of the American singer-songwriter and Nobel laureate, Bob Dylan.
Author : Anonim
Publisher : Unknown
Page : 746 pages
File Size : 52,7 Mb
Release : 1995
Category : Libraries
ISBN : UOM:39015064420725
Author : Walter Aaron Clark,William Craig Krause
Publisher : OUP USA
Page : 379 pages
File Size : 50,9 Mb
Release : 2013-05-30
Category : Music
ISBN : 9780195313703
The last of the Spanish Romantics, composer, conductor, and impresario Federico Moreno Torroba (1891-1982) left his mark on virtually every aspect of Spanish musical culture during a career which spanned six decades, and saw tremendous political and cultural upheavals. Federico Moreno Torroba: A Musical Life in Three Acts explores not only his life and work, but also the relationship of his music to the cultural milieu in which he moved.
Author : Graham Wade
Publisher : Unknown
Page : 594 pages
File Size : 54,5 Mb
Release : 2006
Category : Composers
ISBN : STANFORD:36105128380156
Author : Lorena Oropeza
Publisher : Univ of California Press
Page : 296 pages
File Size : 46,9 Mb
Release : 2005-04-25
Category : History
ISBN : 9780520241954
"A fascinating and beautifully argued interpretation of how the American war in Southeast Asia affected Chicano communities. The author provides the most complete and well-documented study to date of this important chapter in U.S. history and its impact on an ethnic group with long-standing traditions of military service, assimilation, and resistance to injustice. Oropeza's book is what students of the Chicano Movement, especially the Mexican American role in antiwar activities during the Vietnam War period, have been waiting for."—George Mariscal, author of Aztlán and Viet Nam: Chicano and Chicana Experiences of the War "¡Raza Sí! ¡Guerra No! is a superb first book. Maintaining a balance between national context and the activism in the every day, Lorena Oropeza seeks to understand and contextualize antiwar activism among a generation of Mexican American youth. Bolstered with an array of archival sources and oral interviews, she carefully delineates the nature of political organizing among Mexican Americans across the Southwest. To her credit, Oropeza avoids a narrative of solidarity as she interrogates the internal messiness and contradictions of movement politics and the result is a finely nuanced interpretation of Chicano youth rebellion, one rooted firmly in ‘the politics of confrontation.’ I highly recommend it!"—Vicki L. Ruiz, University of California, Irvine "With this important study, Lorena Oropeza grapples with some of the central questions in the history of ethnic Mexicans in the United States. Although the central thrust of the work is an exploration of the evolution, political trajectory, and eventual implosion of the Chicano mobilization against war in Viet Nam, the study is ultimately a meditation on much larger questions involving Mexican American's political and cultural orientations, loyalties, and sense of status and place in American society. In these unsettled times, Oropeza's analysis of the relationship between war, citizenship, and masculinity should also contribute a much-needed reassessment of these important issues in contemporary American and Mexican life."—David G. Gutiérrez, author of Walls and Mirrors: Mexican Americans, Mexican Immigrants, and the Politics of Ethnicity
Author : Andrew Grant Wood
Publisher : Oxford University Press
Page : 320 pages
File Size : 50,8 Mb
Release : 2014-06-13
Category : Music
ISBN : 9780199892464
Few Mexican musicians in the twentieth century achieved as much notoriety or had such an international impact as the popular singer and songwriter Agustín Lara (1897-1970). Widely known as "el flaco de oro" ("the Golden Skinny"), this remarkably thin fellow was prolific across the genres of bolero, ballad, and folk. His most beloved "Granada", a song so enduring that it has been covered by the likes of Mario Lanza, Frank Sinatra, and Placido Domingo, is today a standard in the vocal repertory. However, there exists very little biographical literature on Lara in English. In Agustín Lara: A Cultural Biography, author Andrew Wood's informed and informative placement of Lara's work in a broader cultural context presents a rich and comprehensive reading of the life of this significant musical figure. Lara's career as a media celebrity as well as musician provides an excellent window on Mexican society in the mid-twentieth century and on popular culture in Latin America. Wood also delves into Lara's music itself, bringing to light how the composer's work unites a number of important currents in Latin music of his day, particularly the bolero. With close musicological focus and in-depth cultural analysis riding alongside the biographical narrative, Agustin Lara: A Cultural Biography is a welcome read to aficionados and performers of Latin American musics, as well as a valuable addition to the study of modern Mexican music and Latin American popular culture as a whole.
Author : Amy Wallace
Publisher : North Atlantic Books
Page : 449 pages
File Size : 51,8 Mb
Release : 2013-07-30
Category : Body, Mind & Spirit
ISBN : 9781583948095
Sorcerer’s Apprentice opens with Amy Wallace’s first meeting with Carlos Castaneda, the infamous anthropologist-turned-shaman, whose books described meetings with Yaqui Indian spiritual teacher don Juan. Castaneda’s rise was meteoric in the late 1960s as he wrote massive bestsellers, inspired many to experiment with psychedelics, and was dubbed “the Godfather of the New Age.” The possibility that Castaneda’s experiences may have been fabricated did little to compromise his legend.As the daughter of best-selling novelist Irving Wallace, Amy was rarely shy around famous people. When her father insisted she meet Castaneda, she at first demurred. Little did she know that a delightful first meeting would begin a 20-year friendship, followed by her descent into the dramatic and deeply troubled affair chronicled in this book. Sorcerer’s Apprentice unblinkingly reveals the inner workings of the “Cult of Carlos,” run by a charismatic authoritarian in his sixties who controlled his young female followers through emotional abuse, mind games, bizarre rituals, dubious teachings, and sexual excess. Wallace’s story is both specific and universal, a captivating cautionary tale about the dangers of giving up one’s power to a tyrant–and about surviving assaults on body and spirit.
Author : Clinton Heylin
Publisher : Little, Brown
Page : 559 pages
File Size : 41,6 Mb
Release : 2021-05-18
Category : Biography & Autobiography
ISBN : 9780316535236
From the world's leading authority on Bob Dylan comes the definitive biography that promises to transform our understanding of the man and musician—thanks to early access to Dylan's never-before-studied archives. In 2016 Bob Dylan sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong. With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different. Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.
Author : Joseph Horowitz
Publisher : W. W. Norton & Company
Page : 256 pages
File Size : 55,9 Mb
Release : 2021-11-23
Category : Music
ISBN : 9780393881257
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author : Mario T. García
Publisher : UNC Press Books
Page : 560 pages
File Size : 46,6 Mb
Release : 2018-08-01
Category : Biography & Autobiography
ISBN : 9781469643328
This is the amazing untold story of the Los Angeles sanctuary movement's champion, Father Luis Olivares (1934–1993), a Catholic priest and a charismatic, faith-driven leader for social justice. Beginning in 1980 and continuing for most of the decade, hundreds of thousands of Salvadoran and Guatemalan refugees made the hazardous journey to the United States, seeking asylum from political repression and violence in their home states. Instead of being welcomed by the "country of immigrants," they were rebuffed by the Reagan administration, which supported the governments from which they fled. To counter this policy, a powerful sanctuary movement rose up to provide safe havens in churches and synagogues for thousands of Central American refugees. Based on previously unexplored archives and over ninety oral histories, this compelling biography traces the life of a complex and constantly evolving individual, from Olivares's humble beginnings in San Antonio, Texas, to his close friendship with legendary civil rights leader Cesar Chavez and his historic leadership of the United Neighborhoods Organization and the sanctuary movement.
Author : Philip Kennicott
Publisher : W. W. Norton & Company
Page : 256 pages
File Size : 54,5 Mb
Release : 2020-02-18
Category : Biography & Autobiography
ISBN : 9780393635379
A Pulitzer Prize–winning critic’s “lyrical and haunting” (Alex Ross, The New Yorker) reflection on the meaning and emotional impact of a Bach masterwork. As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn’t seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach’s music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer’s greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies, and counterpoint that distinguish them. While exploring Bach’s compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?