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Author : Tom Greve
Publisher : Carson-Dellosa Publishing
Page : 24 pages
File Size : 53,6 Mb
Release : 2018-11-30
Category : Juvenile Nonfiction
ISBN : 9781643698090
Which Style Of Music Changed American Youth Forever? Rock N Roll! Supports Emphasis On Increasing Steam (Science, Technology, Engineering, Art, And Math) Content.
Author : Tom Greve
Publisher : Unknown
Page : 0 pages
File Size : 48,8 Mb
Release : 2018
Category : Electronic
ISBN : OCLC:1377290897
Which style of music changed american youth forever? Rock N Roll! Supports emphasis on increasing STEAM (science, technology, engineering, art, and math) content.
Author : Ken Stephenson
Publisher : Yale University Press
Page : 271 pages
File Size : 50,8 Mb
Release : 2002-01-01
Category : Music
ISBN : 9780300128239
In this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource.
Author : Jack Hamilton
Publisher : Harvard University Press
Page : 351 pages
File Size : 40,7 Mb
Release : 2016-09-26
Category : History
ISBN : 9780674416598
When Jimi Hendrix died, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet ten years earlier, Chuck Berry had stood among the most influential rock and roll performers. Why did rock and roll become white? Jack Hamilton challenges the racial categories that distort standard histories of rock music and the 60s revolution.
Author : Greil Marcus
Publisher : Yale University Press
Page : 278 pages
File Size : 41,5 Mb
Release : 2014-09-02
Category : Music
ISBN : 9780300190304
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
Author : Steve Almond
Publisher : Random House
Page : 241 pages
File Size : 42,6 Mb
Release : 2010-04-13
Category : Biography & Autobiography
ISBN : 9780679603658
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Author : David N. Townsend
Publisher : Createspace Independent Publishing Platform
Page : 114 pages
File Size : 48,5 Mb
Release : 2015-12-11
Category : Electronic
ISBN : 1522700323
Rock 'n' Roll and War and Peace chronicles and examines the relationship between popular music in the Rock era and the politics and ideology of war and peace throughout the past half-century. This is a topic that, while it's been touched on in a variety of ways, has never been deeply explored in a single coherent work, especially one that links the various eras and movements, from the 1960s through the 2000s. The book offers portraits of dozens of artists and insights into the meaning and impact of hundreds of songs across more than five decades. The focus of the first section, "Ending War," is the Vietnam War and the 1960s Woodstock Generation: the first time in history that popular music turned against an active American war effort. The author reviews all of the highlights of this period of vintage protest music, from Folk pioneers Pete Seeger and Bob Dylan, through Jimi Hendrix and Marvin Gaye, to John Lennon and Crosby, Stills, Nash, and Young. The dominance of these revolutionary artists, and of similar anti-war messages from a wide variety of musicians, represented a cultural and political shift of seismic proportions that would carry across generations. The second section, "Living in Peace," then chronicles the musical and social transformation that followed the end of Vietnam hostilities starting in the mid-1970s: the rise of Folk Rock and mellow singer-songwriters, and a new introspective, detached and melancholy ethos within the growing Rock/Pop culture. The likes of Neil Young, Joni Mitchell, and James Taylor carried forward the idealism of the '60s pacifist movements, but focused away from global geopolitics and inward on the dreams and insecurities of adulthood. A strain of peaceful Soft Rock came to dominate the post-War airwaves, which the chapter relives with insights into dozens of performers and songs of the period. Part 3 is then called "Returning to Battle," and highlights the renewed focus on anti-militarism of the next generations of Rock musicians and fans. If the Woodstock movement could help end an ill-conceived war, how would those '60s veterans' children respond when the next waves of war drums began to sound? The answers are found in a wealth of musical reactions to global events from the 1980s to the recent past: nuclear saber-rattling under Reagan and Thatcher; the unraveling of the Cold War and the Soviet empire; the first Gulf War; the 9/11 attacks; and the massive protests against the Iraq War. This latest period in particular has received relatively little attention compared with Vietnam era protest music, yet it yielded its own large body of diverse contributions: from major established stars (Springsteen, U2), highly popular newcomers (Green Day, Black-Eyed Peas), and senior veterans of the original movement (Neil Young). The story of these musical and ideological linkages, from the earliest roots of 1960s anti-war protests through the peaks of their revival in the 2000s, is one that will be of interest to a large audience of music fans, history buffs, and social activists alike.
Author : Matthew Edwards
Publisher : Rowman & Littlefield
Page : 292 pages
File Size : 43,5 Mb
Release : 2014-10-16
Category : Music
ISBN : 9781442231948
Rock ‘n’ roll is a style that was born out of the great American melting pot. An outgrowth of the blues, rock 'n' roll music combines driving rhythms, powerful chords, and lyrics that communicate the human experience to audiences around the world. Although rock singing was once seen as a vulgar use of the human voice and was largely ignored by the academic community, voice teachers and singers around the world have recently taken a professional interest in learning specialized techniques for singing rock 'n' roll. So You Want to Sing Rock 'n' Roll gives readers a comprehensive guide to rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. Matthew Edwards, assistant professor of voice at Shenandoah Conservatory, provides easy-to-understand explanations of technical concepts, with tips for practical application, and suggestions for listening and further reading. So You Want to Sing Rock ‘n’ Roll includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne, as well as audio and visual examples available from the website of the National Association of Teachers of Singing. This work is not only the ideal guide to singing professionals, but the perfect reference work for voice teachers and their students, lead and back-up singers, record producers and studio engineers. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Rock 'n' Roll features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Author : Melissa Ursula Dawn Goldsmith
Publisher : Bloomsbury Publishing USA
Page : 314 pages
File Size : 48,7 Mb
Release : 2019-11-22
Category : Music
ISBN : 9798216111931
Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars.
Author : John Harris
Publisher : Hachette UK
Page : 315 pages
File Size : 52,8 Mb
Release : 2010-01-07
Category : Music
ISBN : 9780748114863
Want to learn how to play guitar in two pages? Ever wondered what goes into Marilyn Manson's backstage rider? Or who wrote the worst rhyming couplet in the history of rock? John Harris's Hail! Hail! Rock'n'Roll is the ultimate guide to what Spinal Tap called 'the majesty of rock, the mystery of roll'. Gloriously irreverent, it is also satisfyingly definitive, with a list of every Glastonbury line up; a dictionary of obscure genres from Alt.country to Shoegazing; a brutally honest guide to the Beatles' solo albums; the surprising wit and wisdom of Shaun Ryder and Noel Gallagher; Bob Dylan's collected thoughts on Christianity and Keith Richards' less-collected thoughts on drugs; and a handy flow chart that shows you how to listen to all of Captain Beefheart's albums without going insane.
Author : Rich Allen,W.W. Wood
Publisher : Corwin Press
Page : 313 pages
File Size : 50,6 Mb
Release : 2012-10-24
Category : Education
ISBN : 9781452279237
Pump up the volume to increase student learning! Drawing on educational and neuroscientific research, the authors unlock the mystery of managing mood, energy, and learning with music in this one-of-a-kind handbook. No matter what subject or grade you teach, The Rock 'n' Roll Classroom provides all the notes you’ll need to shake up your classroom and engage each of your students, including: Playlists customized for specific purposes like reducing students’ stress or increasing focus Tips and tricks for accessing all your tunes easily and inexpensively Anecdotes from teachers about how they use music to manage everyday situations Sample lessons across grade levels
Author : Andrea M. Rotondo
Publisher : Omnibus Press
Page : 424 pages
File Size : 43,5 Mb
Release : 2014-02-12
Category : Music
ISBN : 9780857128683
Tom Petty: Rock 'n' Roll Guardian is the first intimate portrait of one of rock’s most enduring figures. Songs like American Girl, The Waiting and I Won’t Back Down have touched people from all walks of life because he sung about what he knew – love won, love lost and hardship overcome. Tom Petty’s predisposition to find trouble was always matched by his steely determination to overcome it. After shaky beginnings with his first band, Tom Petty steered his way through bankruptcy, drama and personal loss – including the deaths of his bandmates Roy Orbison, George Harrison and Heartbreakers bassist Howie Epstein – to forge a lasting impact on the world, selling more than 80 million records worldwide. In the wake of his death, this celebratory Omnibus Enhanced edition now features curated Spotify playlists of his early influences, his collaborations and his greatest songs. Additionally, an interactive Digital Timeline of his life charts his uncertain path with video footage of interviews, live performances and more. Born too late to be in the vanguard of rock ’n’ roll first time round, he has nonetheless proved a truly memorable keeper of the flame. This is his remarkable story...
Author : Peter Guralnick
Publisher : Little, Brown
Page : 784 pages
File Size : 55,7 Mb
Release : 2015-11-10
Category : Biography & Autobiography
ISBN : 9780316341844
From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandedly steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.
Author : John Finney
Publisher : Routledge
Page : 198 pages
File Size : 40,5 Mb
Release : 2016-04-22
Category : Education
ISBN : 9781317092087
John Finney examines the child-centred progressive tradition to create a fresh way of evaluating ideas and practices that have evolved since 1950, that have shaped the lives of music teachers and their pupils, and that have now become disfigured, residual and altogether lost in the light of social, cultural and political change. The book is a critique of the present situation with an intention to expose the dangers in our current pursuit of future gains that are thought to serve the making and sustaining of the social order. The project draws in major debates of the period, along with their protagonists, counter-pointed by the voices of teachers and pupils. At the same time, the structuring voices of policy and governance become ever louder as we reach the present time. Finney presents a compelling, analytical account through a series of six episodes, each seeking to capture the spirit and fervour characteristic of a particular phase within the period studied. In the concluding chapter the narrative developed is reviewed. From this the idea of music education as an ethical pursuit is proposed. Finney argues that classroom relationships can be thought of as playfully dialogic, where teacher and pupil remain curious, and where there is serious attention to what is to be taught and why. This will always need to be negotiated, with the expressed and inferred needs of children working together to find a critical approach to what is being learnt. Finney's book provides fresh inspiration for practitioners and new challenges for researchers, and as such is a landmark in the field of arts and music education.
Author : Jens Gerrit Papenburg
Publisher : Bloomsbury Publishing USA
Page : 345 pages
File Size : 55,8 Mb
Release : 2023-05-04
Category : Music
ISBN : 9781501346712
From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term listening device. In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its other-a history of non-listening. The book proposes listening device as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.