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A Man Called Destruction by Holly George-Warren Pdf
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
A Man Called Destruction by Holly George-Warren Pdf
A brilliant songwriter, virtuosic vocalist, and accomplished guitarist, the charismatic Alex Chilton was not only a bona fide rock star but perhaps the ultimate cult icon - one whose death on March 17, 2010, brought tributes from the New York Times to the House of Representatives. Chilton's career began with the 1967 hit 'The Letter,' on which the sixteen-year-old singer sang in a raspy baritone and created one of the epochal recordings of the era. But rather than following the usual rags-to-riches trajectory, Chilton worked his way downward; after stints in the chart-topping Box Tops and critically acclaimed, pioneering Big Star, he spent a decade experimenting with punk and roots music, eventually stepping away from his career and taking menial jobs as a dishwasher, janitor, and tree trimmer in New Orleans. By the mid-'90s, however, he rose again as an influential solo artist, producer, and trendsetter, with any number of indie bands laying claim to his legacy. Award-winning journalist Holly George-Warren's A Man Called Destructionis the first biography of Chilton and a revelatory portrait of this extraordinary artist. Chilton had an unusual upbringing as a well-born Memphis 'art brat,' the son of a jazz musician father and art dealer mother, but shadows hung over a life that seemed outwardly charmed. 'The Letter' brought him instant fame followed by six Top 40 hits, yet the ever-restless Chilton left the Box Tops in 1970, spent a year in New York honing his craft as a songwriter, and eventually joined seminal power-pop band Big Star. Despite classic tracks like 'September Gurls,' 'In the Street,' and 'Thirteen,' commercial success eluded the group, although artists such as R.E.M., Wilco, the Replacements, and Counting Crows widely cite Chilton and Big Star as inspirations. Following Big Star's flameout, Chilton's solo career found him drifting through New York City's punk scene, recording 'Bangkok' and producing the Cramps. After recording the shambolic Like Flies on Sherbert, he eventually landed in New Orleans. There, after a period of abstinence and manual labor, he experienced an artistic rebirth. Chilton not only began recording and writing again, developing a new devoted fan base, but be began touring, ultimately reuniting with both Big Star and the Box Tops in the 1990s. A Man Called Destructionis both the story of an extraordinary musician and a richly detailed chronicle of pop music's evolution from the mid-1960s through indie rock, in which Alex Chilton will always play a central role. Advance praise for A Man Called Destruction 'The immensely gifted and highly influential musician Alex Chilton has long deserved a big biography. Holly George-Warren's meticulously researched and beautifully written book shows us Chilton in all his mysterious glory. A Man Called Destructiongets to the heart of the man by focusing on the music he made (and the music that made him) with great precision and authority. I loved reading this sensitive, sympathetic, and intelligent portrait of a complicated and important figure.' Dana Spiotta, author of Stone Arabia 'This book is the very definition of a labor of love. Every page of it is infused with Holly George-Warren's affection for a deep understanding of Alex Chilton and his ground-breaking work. Even its most candid moments are presented with empathy and a profound respect. Chilton could be thorny and difficult - he is fortunate to have found a biographer eager to untangle the knots of his character and to find the sweet heart beating within.' Anthony DeCurtis, contributing editor, Rolling Stone 'More than just the tale of a hugely talented, influential, and undervalued rock & roll singer-songwriter, this book is about how fame's vagaries mess wi
From the universally acclaimed author of The Remains of the Day comes a mesmerizing novel of completely unexpected mood and matter--a seamless, fictional universe, both wholly unrecognizable and familiar. When the public, day-to-day reality of a renowned pianist takes on a life of its own, he finds himself traversing landscapes that are by turns eerie, comical, and strangely malleable.
Transformation Through Destruction by David R. Fontijn,Sasja Vaart,Richard Jansen Pdf
Over a 1000 tiny bronze artefacts were found alongside the remains of a man in a Dutch barrow that was excavated in laboratory conditions. The objects had been dismantled and taken apart, all to be destroyed by fire in what appears to have been a pars pro toto burial. In essence, a person and a place were being transformed through destruction. Based on the meticulous excavation and a range of specialist and comprehensive studies of finds, a prehistoric burial ritual now can be brought to life in surprising detail. This Iron Age community used extraordinary objects that find their closest counterpart in the elite graves of the Hallstatt culture in Central Europe.
Longlisted for the 2020 Andrew Carnegie Medals for Excellence This blazingly intimate biography of Janis Joplin establishes the Queen of Rock & Roll as the rule-breaking musical trailblazer and complicated, gender-bending rebel she was. Janis Joplin’s first transgressive act was to be a white girl who gained an early sense of the power of the blues, music you could only find on obscure records and in roadhouses along the Texas and Louisiana Gulf Coast. But even before that, she stood out in her conservative oil town. She was a tomboy who was also intellectually curious and artistic. By the time she reached high school, she had drawn the scorn of her peers for her embrace of the Beats and her racially progressive views. Her parents doted on her in many ways, but were ultimately put off by her repeated acts of defiance. Janis Joplin has passed into legend as a brash, impassioned soul doomed by the pain that produced one of the most extraordinary voices in rock history. But in these pages, Holly George-Warren provides a revelatory and deeply satisfying portrait of a woman who wasn’t all about suffering. Janis was a perfectionist: a passionate, erudite musician who was born with talent but also worked exceptionally hard to develop it. She was a woman who pushed the boundaries of gender and sexuality long before it was socially acceptable. She was a sensitive seeker who wanted to marry and settle down—but couldn’t, or wouldn’t. She was a Texan who yearned to flee Texas but could never quite get away—even after becoming a countercultural icon in San Francisco. Written by one of the most highly regarded chroniclers of American music history, and based on unprecedented access to Janis Joplin’s family, friends, band mates, archives, and long-lost interviews, Janis is a complex, rewarding portrait of a remarkable artist finally getting her due.
The Eve of Destruction by James T. Patterson,T Patterson Pdf
Of all the changes that have swept across America in the past century, perhaps none have been as swift or dramatic as those that transpired in the 1960s. The United States entered the decade still flush with postwar triumphalism, but left it profoundly changed: shaken by a disastrous foreign war and unhinged by domestic social revolutions and countercultural movements that would define the nation’s character, politics, and policies for decades to come. The prevailing understanding of the 1960s traces its powerful shockwaves to 1968, a year of violent protests and tragic assassinations. But in The First Year of the Sixties, esteemed historian James T. Patterson shows that it was actually in 1965 that America truly turned a corner and entered the new, tumultuous era we now know as “The Sixties.” In the early 1960s, America seemed on the cusp of a golden age. Political liberalism, national prosperity, and interracial civil rights activism promised positive change for many Americans. Although the nation had been shocked by the 1962 Cuban Missile Crisis and the 1963 assassination of President Kennedy, America’s fundamental traditions and mores remained intact. It was a time of consensus and optimism, and popular culture reflected this continuity. Young people dressed and behaved almost exactly as they did in the 1950s, and if the music and hairstyles of the British Invasion worried some conservative parents, these concerns were muted. At the beginning of 1965, Americans saw no indication that the new year would be any different. In January, President Johnson proclaimed that the country had “no irreconcilable conflicts.” Initially, events seemed to prove him right. The economy continued to boom, and the overwhelmingly Democratic Congress passed a host of historic liberal legislation, from the Voting Rights Act to Medicare and Medicaid to expansions of federal aid for education and the war on poverty. But Patterson shows that, even amidst these reassuring developments, American unity was unraveling. Turmoil erupted in the American South and overseas in the spring of 1965, with state troopers attacking civil rights demonstrators in Selma, Alabama and American combat troops rushing into Vietnam to protect American interests there. Many black leaders, meanwhile, were becoming disenchanted with nonviolence, and began advocating instead for African-American militancy. That summer, as anti-war protests reached a fever pitch, rioting exploded in the Watts area of Los Angeles; the six days of looting and fires that followed shocked many Americans and cooled their enthusiasm for the president’s civil rights initiatives, which—like his other “Great Society” programs—were also being steadily undermined by the costly and unpopular war in Vietnam. Conservative counterattacks followed, with Republicans like California gubernatorial candidate Ronald Reagan—and even some disillusioned Democrats—criticizing the President for mismanaging the war and expanding the federal government past its manageable limits. As Patterson explains, this growing pessimism permeated every level of society. By the end of 1965 the national mood itself had darkened, as reflected in a new strain of anti-establishment rock music by artists like the Rolling Stones, Bob Dylan, the Grateful Dead, and Jefferson Airplane. Their songs and lyrics differed dramatically from the much more staid recordings of contemporary acts like Frank Sinatra, Julie Andrews, and the Supremes, reflecting an alienation from mainstream American culture shared by an increasing number of young Americans. In The First Year of the Sixties, James T. Patterson traces the transformative events of this critical year, showing how 1965 saw an idealistic and upbeat nation derailed by developments both at home and abroad. An entire generation of Americans—as well as the country&r
Aristotle's "Nicomachean Ethics" is considered to be one of the most important treatises on ethics ever written. In an incredibly detailed study of virtue and vice in man, Aristotle examines one of the most central themes to man, the nature of goodness itself. In Aristotle's "Nicomachean Ethics," he asserts that virtue is essential to happiness and that man must live in accordance with the "doctrine of the mean" (the balance between excess and deficiency) to achieve such happiness.
The Voice of Destruction by Hermann Rauschning Pdf
A frequent guest of Hitler for long periods of time, Rauschning resigned from his post as president of the Danzig senate in 1934 and severed his ties with the Nazi Party. He transcribed conversations with Hitler from 1932 to 1934 as he speaks clearly of destroying all that stands in the way of German supremacy.
An oral history in the vein of Please Kill Me Leftöver Crack is a band of drug abusing, dumpster diving, cop-hating, queer positive, pro-choice, crust punks that successfully blend ska-punk, pop, hip-hop and death metal genres. They've been banned from clubs, states and counties and kicked off multiple record labels. They've received teen-idol adoration and death threats from their fans. They've played benefits for a multitude of causes while leaving a trail of destruction in their wake. But, if you dig below the crusty, black metal-patch encased surface, you'll find a contemplative, nuanced band that, quite literally, permanently changed the punk rock community. By combining catchy ska-punk with lyrics that referenced political theorist Michael Parenti, drug usage, and suicide, the band formed a unique mélange that was both provocative and challenging. In fact, the band's hooks were so sharp that after releasing their debut LP, Mediocre Generica, an entire culture of "Crack City Rockers" grew around the band, pushing the youth towards both the positive and negative aspects of extreme punk rock. Of course, being the combustible band that they are, the band has gotten involved in its far share of fiascoes: full-scale riots in Phoenix and NYC, getting punched out by their own fans, showing up to tour Florida with machetes after receiving death threats from the local gang. Architects of Self-Destruction: An Oral History of Leftöver Crack traces the band's entire history by speaking to the band members themselves, fellow musicians, their fans, and of course, those that still hold a grudge against the LoC... FYI, that's a lot of people.
I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording. The blues, Elvis, and early rock "n" roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Phillips, Furry Lewis, Will Shade, and Howlin" Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler. Dickinson is a member of the Mississippi Music Hall of Fame and an inaugural inductee of the Memphis Music Hall of Fame. He has received the Lifetime Achievement Award for Engineering and Production from the Americana Music Association, a Brass Note on the Beale Street Walk of Fame in Memphis, and a Heritage Marker on the Mississippi Blues Trail. This memoir recounts a love affair with Memphis, the blues, and rock "n" roll through Dickinson's captivating blend of intelligence, humor, and candor.
The Power of Positive Destruction by Seth Merrin Pdf
It's no longer good enough to build a company to last; today it's about building a company to ignite change. The Power of Positive Destruction reveals how to start a new business, disrupt an industry, and adapt to changing environments by leveraging technology and a new mindset. Serial entrepreneur Seth Merrin has built businesses by seeing issues with the status quo and introducing positive changes that have disrupted—and revolutionized—industries. In this book, he breaks down his process step-by-step to show you what you need to know to successfully start a company and transform an industry. Merrin's incredible story, coupled with real, actionable advice, will resonate with anyone who wants to be a catalyst of change. With this book, readers will learn to see the inefficiencies, ineptitudes, and everyday problems that others dismiss as the cost of doing business and create "unfair competitive advantages" to stack the deck—and win. You'll see how problems in current business models are really opportunities of which to take advantage and learn what you need to know and do to seize those opportunities —no matter where you work. Seth Merrin saw Wall Street as it was, then built a company to turn it into what it could be—safer and more efficient for investors. This book shows you how he did it, and how you can too, with the power of positive destruction. Discover how to turn status quo into disruption Understand how to stack the deck in your favor to achieve the best possible chances of success Learn how to build and run a company and design a culture for constant change Acquire new skills to create strategy, sell your disruptive product or service, and negotiate effectively Technology and innovation can disrupt or transform any industry. It's happening faster and more broadly now than ever, creating myriad opportunities for everyone. But winning in this new world is not easy. The incumbents will fight mightily against it and even those who would benefit from change may first express fear. This book reveals the techniques from identifying the opportunities to designing and executing the strategy you'll need to succeed. With The Power of Positive Destruction you can to tap into your inner change agent and transform your company, your industry, and the world.
When Prophecy Fails by Leon Festinger,Stanley Schachter Pdf
The study reported in this volume grew out of some theoretical work, one phase of which bore specifically on the behavior of individuals in social movements that made specific (and unfulfilled) prophecies. We had been forced to depend chiefly on historical records to judge the adequacy of our theoretical ideas until we by chance discovered the social movement that we report in this book. At the time we learned of it, the movement was in mid-career but the prophecy about which it was centered had not yet been disconfirmed. We were understandably eager to undertake a study that could test our theoretical ideas under natural conditions. That we were able to do this study was in great measure due to the support obtained through the Laboratory for Research in Social Relations of the University of Minnesota. This study is a project of the Laboratory and was carried out while we were all members of its staff. We should also like to acknowledge the help we received through a grant-in-aid from the Ford Foundation to one of the authors, a grant that made preliminary exploration of the field situation possible.
The Land of Stories: The Wishing Spell by Chris Colfer Pdf
Alex and Conner Bailey's world is about to change. When the twins' grandmother gives them a treasured fairy-tale book, they have no idea they're about to enter a land beyond all imagining: the Land of Stories, where fairy tales are real. But as Alex and Conner soon discover, the stories they know so well haven't ended in this magical land - Goldilocks is now a wanted fugitive, Red Riding Hood has her own kingdom, and Queen Cinderella is about to become a mother! The twins know they must get back home somehow. But with the legendary Evil Queen hot on their trail, will they ever find the way? The Land of Stories: The Wishing Spell brings readers on a thrilling quest filled with magic spells, laugh-out-loud humour and page-turning adventure.
Finalist for the Governor General’s Literary Award, Young People’s Literature – Illustrated Books When a young girl visits the site of Africville, in Halifax, Nova Scotia, the stories she’s heard from her family come to mind. She imagines what the community was once like — the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival. Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing. Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.
Destruction and Sorrow Beneath the Heavens by László Krasznahorkai,Christoph Ransmayr Pdf
"Destruction and Sorrow beneath the Heavens is both a travel memoir and the chronicle of a distinct intellectual shift as one of the most captivating contemporary writers and thinkers begins to engage with the cultures of Asia and the legacies of its interactions with Europe in a newly globalized society. Rendered in English by award-winning translator Ottilie Mulzet, Destruction and Sorrow beneath the Heavens is an important work, marking the emergence of Krasznahorkai as a truly global novelist"-- Amazon.com