A Perfect Ganesh Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of A Perfect Ganesh book. This book definitely worth reading, it is an incredibly well-written.
"Two outwardly unremarkable, middle-aged lady friends throw themselves into a rousing tour of India, each one having her own secret dreams of what the fabled land of intoxicating opposites will do for the suffering she hides within ..."--Page 4 of cover.
Reclaiming the Sacred by Raymond-Jean Frontain Pdf
This second edition explores the territory between gay - lesbian studies, literary criticism, and religious studies. The book examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. Texts being focused on are 'Paradise Regained' (Milton), 'Sodom' (Rochester), 'The Life to Come' (Forster), 'The Well of Loneliness' (Radclyffe Hall), 'Desert of the Heart' (Radclyffe Hall), 'Oranges are Not the Only Fruit' (Winterson), and 'Corpus Cristi' (McNally) among others.
Love! Valour! Compassion! ; And, A Perfect Ganesh by Terrence McNally Pdf
Beautifully written, moving, and very funny, Love! Valour! Compassion! gathers together eight gay men at the upstate New York summer house of a celebrated dancer-choreographer who fears he is losing his creativity... and possibly his lover. Infidelity, flirtations, soul-searching, AIDS, truth-telling, and skinny-dipping mix monumental questions about life and death with a wacky dress rehearsal for Swan Lake performed in drag. The result is a cross between a gay Big Chill and Chekhov's The Cherry Orchard. To read it is to join in a dance of life.
The Theater of Terrence McNally by Raymond-Jean Frontain Pdf
Surveying the entirety of McNally’s works, including the most important of McNally’s still unpublished works, this book positions McNally at the forefront of contemporary American writers—in particular, gay writers—treating the issues of suffering, loss, spiritual renewal, and forgiveness.
The second edition of Reclaiming the Sacred: The Bible in Gay and Lesbian Culture continues the groundbreaking work of the original, exploring the territory between gay/lesbian studies, literary criticism, and religious studies. This much-anticipated follow-up examines the appropriation and/or subversion of the authority of the Judeo-Christian Bible by gay and lesbian writers. The book highlights two prevalent trends in gay and lesbian literature—a transgressive approach that challenges the authority of the Bible when used as an instrument of oppression, and an appropriative technique that explores how the Bible contributes to defining gay and lesbian spirituality. Reviewers of the first edition of Reclaiming the Sacred hailed the book’s enterprise in exploring the area between literary criticism and religious studies. Whereas contemporary literary-critical theory has been slow to integrate religion and religious history into queer theory, this pioneering journal has addressed the issue from the start with a collection of thoughtful and though-provoking articles. This latest edition expands coverage to include noncanonical ancient texts, popular Victorian religious texts, and contemporary theater. Academics and lay readers interested in literary criticism, cultural studies, and religious studies will gain new insights from topics such as: religious mystery and homosexual identity in Terrence McNally’s “Corpus Christi” same-sex biblical couples in Victorian literature homoerotic texts in the Apocrypha sodomite rhetoric in a seventeenth-century Italian text Radclyffe Hall’s lesbian messiah in her 1928 novel The Well of Loneliness homosexual temptation in John Milton’s Paradise Regained Reclaiming the Sacred counteracts the manipulative and oppressive uses to which modern writers and thinkers put the Bible and the “morality” it is presumed to inscribe. An important tool for understanding the role of the Bible in gay and lesbian culture, this remarkable book makes a powerful contribution to the advancement of studies on queer sanctity.
Modern American Drama: Playwriting in the 1990s by Sharon Friedman,Cheryl Black Pdf
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Tony Kushner: Angels in America: A Gay Fantasia on National Themes, Part One and Part Two (1991), Slavs! Thinking About the Longstanding Problems of Virtue and Happiness (1995) and A Dybbuk, or Between Two Worlds (1997); * Paula Vogel: Baltimore Waltz (1992), The Mineola Twins (1996) and How I Learned to Drive (1997); * Suzan-Lori Parks: The Death of the Last Black Man in the Whole Entire World (1990), The America Play (1994) and Venus (1996); * Terrence McNally: Lips Together, Teeth Apart (1991), Love! Valour! Compassion! (1997) and Corpus Christi (1998).
The Theater of Terrence McNally by Peter Wolfe Pdf
This first book-length work on Terrence McNally shows how his decades in the theater have refined his thoughts on subjects like growing up gay in mannish, homophobic Texas, Shakespeare's legacy in contemporary drama, and the life-giving power of forgiveness. McNally believes that the ability to forgive--a challenge to even the most high-minded--confirms our humanity because the wrongs done to us usually don't deserve to be forgiven. The author shows how McNally's impeccable timing, his instinct for a good laugh line, and his preference for physical sensation and character over plot helps him reveal both what's important to his people and why his people are important. These revelations can shake up audiences while providing a great evening at the theater.
Author : Don B. Wilmeth,Tice L. Miller Publisher : Cambridge University Press Page : 448 pages File Size : 52,7 Mb Release : 1996-06-13 Category : Drama ISBN : 0521564441
The Cambridge Guide to American Theatre by Don B. Wilmeth,Tice L. Miller Pdf
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Let's dive into the vast and wonderful world of Hindu mythology! Clever Ganesha's got something on his mind, but what that is you'll have to read on to find. With charming illustrations and simple language, this short tale about Ganesha will entertain and delight. · This series of charmingly illustrated board books introduces kids to some of the best known and best loved gods from popular Hindu mythology, including Krishna, Ganesha, Lakshmi, Hanuman, Shiva, and Durga. · Dotted with interesting facts about each god as well as an interactive seek-and-find activity. · Suitable for bedtime reading and parent-child association. · Perfect way to familiarize babies with India's rich cultural fabric. · These books offer a fun and enjoyable introduction to timeless myths and festivals for modern kids. · A must have to impart important life lessons from various gods and goddesses. · Collect all books in the series!
Gold Award in the Regional Fiction (Europe) category of the 2020 IPPY Awards Gold Medal in the Fiction–Literary category of the 2020 Readers’ Favorite Book Awards Silver Award in the Audiobook: Fiction category of the 2020 IBPA Benjamin Franklin Awards “Teitelman paints an intensely beautiful world in which different cultures merge in surprising ways. . . . A rich and moving story about an unlikely pair.” —Kirkus Reviews In 1923, seventeen-year-old Esther Grünspan arrives in Köln “with a hardened heart as her sole luggage.” Thus begins a twenty-two-year journey, woven against the backdrops of the European Holocaust and the Hindu Kali Yuga (the “Age of Darkness” when human civilization degenerates spiritually), in search of a place of sanctuary. Throughout her travails, using cunning and shrewdness, Esther relies on her masterful tailoring skills to help mask her Jewish heritage, navigate war-torn Europe, and emigrate to India. Esther’s traveling companion and the novel’s narrator is Ganesha, the elephant-headed Hindu God worshipped by millions for his abilities to destroy obstacles, bestow wishes, and avenge evils. Impressed by Esther’s fortitude and relentless determination, born of her deep—though unconscious—understanding of the meaning and purpose of love, Ganesha, with compassion, insight, and poetry, chooses to highlight her story because he recognizes it is all of our stories—for truth resides at the essence of its telling. Weaving Eastern beliefs and perspectives with Western realities and pragmatism, Guesthouse for Ganesha is a tale of love, loss, and spirit reclaimed.
Ganesha's Sweet Tooth by Sanjay Patel,Emily Haynes Pdf
The bold, bright colors of India leap off the page in this picture book retelling of how Ganesha helped write the epic Hindu poem, the Mahabharata. Ganesha is just like any other kid, except that he has the head of an elephant and rides around on a magical mouse. And he loves sweets, but when Ganesha insists on biting into a super jumbo jawbreaker laddoo, his tusk breaks off! With the help of the wise poet Vyasa, and his friend Mr. Mouse, Ganesha learns that what seems broken can be quite useful after all. With vibrant, graphic illustrations, expressive characters, and offbeat humor, this is a wonderfully inventive rendition of a classic tale. Praise for Ganesha’s Sweet Tooth “Pink elephants haven’t looked this good since Dumbo.” —The New York Times “Beautifully presented. . . . So sweet we almost want to pop it in our mouths.” —Entertainment Weekly “Stylish. . . . A fresh and comedic introduction to a Hindu legend, with a winning combination of both eye candy and actual candy.” —Publishers Weekly “Bright, elaborately detailed illustrations. . . . Grade-schoolers. . . . will enjoy the story’s turnarounds and focus on luscious sweets, and many will be ready for the classic Hindu myth.” —Booklist
Conversations with Terrence McNally by Raymond-Jean Frontain Pdf
Arriving in New York at the tail end of what has been termed the “Golden Age” of Broadway and the start of the Off-Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.
