A Postmodern Reading Of Visual Poetry

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A Postmodern Reading of Visual Poetry

Author : Mahmoud Sokar
Publisher : GRIN Verlag
Page : 52 pages
File Size : 48,9 Mb
Release : 2020-03-17
Category : Literary Criticism
ISBN : 9783346132536

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A Postmodern Reading of Visual Poetry by Mahmoud Sokar Pdf

Thesis (M.A.) from the year 2016 in the subject Literature - Comparative Literature, grade: 100, , course: MA, language: English, abstract: This study aims at clarifying and defining the development of visual poetry movement through the term, postmodernism. Moreover, it tries to focus on the major features of postmodernism applied in some modern visual poems written or designed by contemporary and modern visual poets. These features are iconoclasm, groundlessness, formlessness, populism, intertextuality (pastiche), hyper reality, and techno-culture. Then, it moves to give a detailed account of the features of post-postmodernism in the genre, especially in Fluxes visual poems which are also known as performance poems.

Reading Visual Poetry

Author : Willard Bohn
Publisher : Fairleigh Dickinson
Page : 177 pages
File Size : 40,7 Mb
Release : 2010-12-09
Category : Literary Criticism
ISBN : 9781611470635

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Reading Visual Poetry by Willard Bohn Pdf

Visual poetry can be defined as poetry that is meant to be seen. Combining painting and poetry, it attempts to synthesize the principles underlying each discipline. Visual poems are immediately recognizable by their refusal to adhere to a rectilinear grid and by their tendency to flout their plasticity. In contrast to traditional poetry, they are conceived not only as literary works but also as works of art. Although they continue to provide visual cues that aid in deciphering the text, they function simultaneously as visual compositions. Whether the visual elements form a rudimentary pattern or whether they constitute a highly sophisticated design, they transform the poem into a picture. Reading Visual Poetry examines works created in Spain, Latin America, France, Italy, Brazil, and the United States. While it attempts to recreate the historical and cultural context surrounding each of the works in question, it is conceived primarily as a series of readings-or rather as a series of readings about reading. This book seeks to interpret a number of poems, which, despite their apparent simplicity, can be difficult to decipher. It explores the process of interpretation itself, which, like the compositions, can be surprisingly complex.

Reading Visual Poetry After Futurism

Author : Michael Webster
Publisher : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Page : 266 pages
File Size : 48,7 Mb
Release : 1995
Category : Concrete poetry
ISBN : STANFORD:36105018480975

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Reading Visual Poetry After Futurism by Michael Webster Pdf

Early in the century, poets expanded the possibilities of their genre by creating sound poems, by dispensing with syntax and punctuation, and by arranging words and letters across the page in new visual patterns. This book explores ways of reading the aesthetically challenging and semiotically subversive texts created by four poets: F.T. Marinetti (1876-1944), Kurt Schwitters (1887-1948) and e.e. cummings (1894-1962). The book shows us how to read these experimental texts in a variety of interrelated ways: as products of each poet's individual aesthetic, as part of the avant-garde's reaction to aestheticism, as efforts to bring art closer to life, and as attempts to c reate a new kind of semiotically and aesthetically 'open' work. The book concludes by emphasizing the individual invention of its four central figures rather than placing them in their usual roles as precursors to the concrete poetry movement of the fifties.

RE: Reading the Postmodern

Author : Robert David Stacey
Publisher : University of Ottawa Press
Page : 418 pages
File Size : 51,5 Mb
Release : 2011-01-14
Category : Literary Criticism
ISBN : 9780776619231

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RE: Reading the Postmodern by Robert David Stacey Pdf

It would be difficult to exaggerate the worldwide impact of postmodernism on the fields of cultural production and the social sciences over the last quarter century—even if the concept has been understood in various, even contradictory, ways. An interest in postmodernism and postmodernity has been especially strong in Canada, in part thanks to the country’s non-monolithic approach to history and its multicultural understanding of nationalism, which seems to align with the decentralized, plural, and open-ended pursuit of truth as a multiple possibility as outlined by Jean-François Lyotard. In fact, long before Lyotard published his influential work The Postmodern Condition in 1979, Canadian writers and critics were employing the term to describe a new kind of writing. RE: Reading the Postmodern marks a first cautious step toward a history of Canadian postmodernism, exploring the development of the idea of the postmodern and debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope.

Experimental – Visual – Concrete

Author : Anonim
Publisher : BRILL
Page : 442 pages
File Size : 52,9 Mb
Release : 2020-12-07
Category : Literary Criticism
ISBN : 9789004449374

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Experimental – Visual – Concrete by Anonim Pdf

This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.

Modern Visual Poetry

Author : Willard Bohn
Publisher : University of Delaware Press
Page : 328 pages
File Size : 51,8 Mb
Release : 2001
Category : Visual poetry
ISBN : 0874137101

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Modern Visual Poetry by Willard Bohn Pdf

Far from frivolous playthings, modern visual poems represent serious experiments. Together with other members of the avant-grade, the visual poets sought to restructure the basic vision of reality that they inherited from their predecessors. This statement describes contemporary visual poets as well who, like their earlier colleagues, strive to say things that are more meaningful in ways that are more meaningful."--BOOK JACKET.

Designed Words for a Designed World

Author : Jamie Hilder
Publisher : McGill-Queen's Press - MQUP
Page : 294 pages
File Size : 55,7 Mb
Release : 2016-06
Category : Literary Criticism
ISBN : 9780773599208

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Designed Words for a Designed World by Jamie Hilder Pdf

Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of groundbreaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too close to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, Jamie Hilder shows how the movement's international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century. Heavily illustrated with examples of poems that exhibit the politically engaged, complex, and varied aspects of the movement, Designed Words for a Designed World illuminates how a group of poets fascinated by the possibilities of a rapidly transforming cultural geography operated within an emerging global imaginary.

The Aesthetics of Visual Poetry, 1914-1928

Author : Willard Bohn
Publisher : University of Chicago Press
Page : 239 pages
File Size : 53,8 Mb
Release : 1993-12-15
Category : Literary Criticism
ISBN : 9780226063256

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The Aesthetics of Visual Poetry, 1914-1928 by Willard Bohn Pdf

In this, the only full-length study of the visual poetry of the early twentieth century, Willard Bohn expertly illuminates the works of Apollinaire, Josep-Maria Junow, Guillermo de Torre, and others. His fascinating aesthetic insights bring to life this elusive and often misunderstood genre. "An important contribution. Highly sophisticated, the study tends to raise its reader's impression of visual poetry in the twentieth century from trivial pastime to serious preoccupation."—Eric Sellin, Journal of Modern Literature "With his definitive analyses full of quotable observations and sharp critical insights, Bohn has provided a model, pioneering study, one from which current and future studies of visual poetry will most certainly benefit."—Gerald J. Janacek, Romance Quarterly "Bohn substantiates his thesis with thoughtful and often ingenious explications of texts both well known and hard to find. . . . Aesthetics of Visual Poetry is a thoroughly researched, beautifully written and fascinating introduction to an infinitely intriguing genre."—Mechthild Cranston, French Review

Another Future

Author : Alan Gilbert
Publisher : Wesleyan
Page : 282 pages
File Size : 55,5 Mb
Release : 2006-03-27
Category : Art
ISBN : UOM:39015063361649

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Another Future by Alan Gilbert Pdf

What's next for contemporary poetry? How do we write and think about poetry and visual art in the wake of postmodernism? Questions like this are central to poetry and art, especially when taught within an academic context. Another Future is a collection of critical essays on contemporary poetry, art, culture, and politics that investigates the current state of these fields by bringing together writings on the work of a number of poets and visual artists. Reading the social poetically and poetry socially, Gilbert illuminates poetic and artistic practices in the present and creates a new discourse for thinking beyond postmodernism. Both meticulous and comprehensive, Another Future makes an important contribution to the critical discussion of contemporary poetry and cultural aesthetics. Essays cover authors, artists, and topics such as the Barbie Liberation Organization, Anselm Berrigan, Brenda Coultas, documentary aesthetics, Benjamin Friedlander, globalization, Andreas Gursky, Renee Gladman, Kevin Killian, David LaChapelle, Harryette Mullen, Mark Nowak, Keith Piper, pirate radio, "post-black" art, Martha Rosler, Edward Sanders, Andrew Schelling, Allan Sekula, September 11th, Prageeta Sharma, Roberto Tejada, Lorenzo Thomas, Anne Waldman, and the Zapatistas.

Reading the Visual - 17th Century Poetry and Visual Culture

Author : Robert Kampf
Publisher : GRIN Verlag
Page : 29 pages
File Size : 43,7 Mb
Release : 2010-04
Category : Electronic
ISBN : 9783640600113

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Reading the Visual - 17th Century Poetry and Visual Culture by Robert Kampf Pdf

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Münster (Englisches Seminar), language: English, abstract: One ambition of this assignment is to focus on the theory of comparing poetry and painting in terms of practices and synthesis in order to extend this theory to visual culture and its influence on artists and practices in their specific cultural context. The ambition is to show in how far an analysis of visual elements in late Renaissance culture contributes to our understanding of the cultural products of that era. To introduce the field of work I'd like to present a selection of theories connecting poetry and visual arts. Considering the enormous spectrum of visual art I'd like to focus on painting and draw a comparison to poetry. The idea is to oppose poetry and painting to find common practices and effects in order to substantiate the theory that both forms of art share common ground. The mutual influence, the shared vocabulary and language, and the similar working methods are of special interest here. In transition to late Renaissance visual culture and the work and life of John Donne, a short excursus will be necessary to have a closer look at the meaning of visuality for a culture. It is essential to our understanding of John Donne's poetry that it is a product of society and culture as well as it is of art. Social and cultural currents in Renaissance are equally important for the process of creation as are the experiences of the individual. Based on this theoretical background I'd like to establish a connection between the self-portraits John Donne commissioned during his lifetime and the influence of contemporary painters and art collectors. The chapter will allow us a deeper insight into Donne's affection for visual arts and image. Above that it allows us to go even further and explore the meaning of performance, staging and courtly festivals as part of the visual culture

From Modernism to Postmodernism

Author : Jennifer Ashton
Publisher : Cambridge University Press
Page : 148 pages
File Size : 43,7 Mb
Release : 2006-01-05
Category : Literary Criticism
ISBN : 9781139448598

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From Modernism to Postmodernism by Jennifer Ashton Pdf

In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.

The Last Vispo Anthology

Author : Crag Hill,Nico Vassilakis
Publisher : Fantagraphics Books
Page : 337 pages
File Size : 50,7 Mb
Release : 2012-11-03
Category : Comics & Graphic Novels
ISBN : 9781606996263

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The Last Vispo Anthology by Crag Hill,Nico Vassilakis Pdf

This book collects experimental “visual poetry.” With The Last Vispo Anthology, Fantagraphics spotlights the intersection of art and language in this innovative new collection ― without peer in English ― that gathers the work of visual poets from around the world into one stunning volume. The alphabet is turned on its head and inside-out and the results culminate in a compilation of daring and surprising verbo-visual gems. The Last Vispo is composed of visual poetry (a portmanteau of the words “visual” and “poetry) from the years 1998 to 2008, during a burst of creative activity fueled by file sharing and e-mail, which made it possible for the vispo community to establish a more heightened and sophisticated dialogue with one another. The collection extends the dialectic between art and literature that began with ancient “shaped text,” medieval pattern poetry, and dada typography, pushing past the concrete poetics of the 1950s and the subsequent mail art movement of the 1980s to its current incarnation. Rather than settle into predictable, unchallenged patterns, this vibrant poetry seizes new tools to expand the body of work that inhabits the borderlands of visual art and poetic language. The Last Vispo features 148 contributors from 23 countries on five continents. It includes 12 essays that illuminate the abundant history and the state of vispo today. The anthology offers a broad amalgam of long-time practitioners and poets new to visual poetry over the last decade, underscoring the longevity and the continued vitality of the art form.

The Cambridge Introduction to Postmodernism

Author : Brian McHale
Publisher : Cambridge University Press
Page : 255 pages
File Size : 47,9 Mb
Release : 2015-06-26
Category : Literary Criticism
ISBN : 9781107021259

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The Cambridge Introduction to Postmodernism by Brian McHale Pdf

This Introduction surveys the full spectrum of postmodern culture, from architecture and visual art to fiction, poetry, and drama.

All the Feels / Tous les sens

Author : Marie Carrière,Ursula Mathis-Moser,Kit Dobson
Publisher : University of Alberta
Page : 353 pages
File Size : 40,5 Mb
Release : 2021-02-26
Category : Literary Criticism
ISBN : 9781772125221

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All the Feels / Tous les sens by Marie Carrière,Ursula Mathis-Moser,Kit Dobson Pdf

All the Feels / Tous les sens presents research into emotion and cognition in Canadian, Indigenous, and Québécois writings in English or French. Affect is both internal and external, private and public; with its fluid boundaries, it represents a productive dimension for literary analysis. The emerging field of affect studies makes vital claims about ethical impulses, social justice, and critical resistance, and thus much is at stake when we adopt affective reading practices. The contributors ask what we can learn from reading contemporary literatures through this lens. Unique and timely, readable and teachable, this collection is a welcome resource for scholars of literature, feminism, philosophy, and transnational studies as well as anyone who yearns to imagine the world differently. Contributors: Nicole Brossard, Marie Carrière, Matthew Cormier, Kit Dobson, Nicoletta Dolce, Louise Dupré, Margery Fee, Ana María Fraile-Marcos, Smaro Kamboureli, Aaron Kreuter, Daniel Laforest, Carmen Mata Barreiro, Ursula Mathis-Moser, Heather Milne, Eric Schmaltz, Maïté Snauwaert, Jeanette den Toonder

On Poetry

Author : Glyn Maxwell
Publisher : Harvard University Press
Page : 116 pages
File Size : 50,8 Mb
Release : 2016-11-21
Category : Literary Criticism
ISBN : 9780674265875

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On Poetry by Glyn Maxwell Pdf

“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.